Swing to Bop : An Oral History of the Transition in Jazz in the 1940s

Swing to Bop : An Oral History of the Transition in Jazz in the 1940s

Author: Ira Gitler Jazz historian

Publisher: Oxford University Press, USA

Published: 1985-11-07

Total Pages: 358

ISBN-13: 0195364112

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This book willserve as the basic work on the rise and development of bop in jazz. Engendered by Charlie Parker and Dizzy Gillespie, bebop, now known as bop, quickly became the most powerful musical force in modern jazz. Today it is still the main musical language of jazz musicians. Over a ten-year period, Ira Gitler interviewed more than 50 of the seminal figures in jazz history to preserve for posterity their recollections of how jazz moved from the big band era in the late '30s and '40s into the modern jazz period. The musicians interviewed recreate not only their own experiences but also evoke the legendary figures of bop who where so influential in its development but were never recorded, people like Clyde Hart and Freddie Webster. Swing to Bop shows how the music first established itself in jam sessions in Harlem and then spread to New York's famed 52nd Street and beyond. Separate chapters describe how young musicians in major cities such as Los Angeles, Chicago and Detroit became swept up in the movement. Along with the music and the personalities who made it, the book vividly recreates the atmosphere of the country in the '30s and '40s: traveling on the ballroom theather curcuit; racial attitudes and interaction; extra-musical pastimes; the relationship to World War II; and the influence of drugs. Thus Swing to Bop reveals not only how the music evolved but the environment in which it flourished and what effect in turn the music had on that environment and the music to follow. About the Author Ira Gitler is the author of Jazz Masters of the '40s and The Encyclopedia of Jazz in the Seventies. He was previously Professor of Jazz History at City College of New York and Associate Editor of Downbeat.


Doing Oral History

Doing Oral History

Author: Donald A. Ritchie

Publisher: Oxford University Press

Published: 2003-08-07

Total Pages: 485

ISBN-13: 0199839700

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Oral history is vital to our understanding of the cultures and experiences of the past. Unlike written history, oral history forever captures people's feelings, expressions, and nuances of language. But what exactly is oral history? How reliable is the information gathered by oral history? And what does it take to become an oral historian? Donald A. Ritchie, a leading expert in the field, answers these questions and in particular, explains the principles and guidelines created by the Oral History Association to ensure the professional standards of oral historians. Doing Oral History has become one of the premier resources in oral history. It explores all aspects of the field, from starting an oral history project, including funding, staffing, and equipment to conducting interviews; publishing; videotaping; preserving materials; teaching oral history; and using oral history in museums and on the radio. In this second edition, the author has incorporated new trends and scholarship, updated and expanded the bibliography and appendices, and added a new focus on digital technology and the Internet. Appendices include sample legal release forms and information on oral history organizations. Doing Oral History is a definitive step-by-step guide that provides advice and explanations on how to create recordings that illuminate human experience for generations to come. Illustrated with examples from a wide range of fascinating projects, this authoritative guide offers clear, practical, and detailed advice for students, teachers, researchers, and amateur genealogists who wish to record the history of their own families and communities.


Jazz in American Culture

Jazz in American Culture

Author: Peter Townsend

Publisher: Univ. Press of Mississippi

Published: 2000

Total Pages: 222

ISBN-13: 9781578063246

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A persuasive appreciation of what jazz is and of how it has permeated and enriched the culture of America


Doing Oral History : A Practical Guide

Doing Oral History : A Practical Guide

Author: Donald A. Ritchie

Publisher: Oxford University Press, USA

Published: 2003-08-07

Total Pages: 467

ISBN-13: 0198035136

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Oral history is vital to our understanding of the cultures and experiences of the past. Unlike written history, oral history forever captures people's feelings, expressions, and nuances of language. But what exactly is oral history? How reliable is the information gathered by oral history? And what does it take to become an oral historian? Donald A. Ritchie, a leading expert in the field, answers these questions and, in particular, explains the principles and guidelines created by the Oral History Association to ensure the professional standards of oral historians. Doing Oral History has become one of the premier resources in the field of oral history. It explores all aspects of oral history, from starting an oral-history project, including funding, staffing, and equipment to conducting interviews; publishing; videotaping; preserving materials; teaching oral history; and using oral history in museums and on the radio. In this second edition, the author has incorporated new trends and scholarship, updated and expanded the bibliography and appendices, and added a new focus on digital technology and the Internet. Appendices include sample legal release forms and information on oral history organizations. Doing Oral History is a definitive step-by-step guide that provides advice and explanations on how to create recordings that illuminate human experience for generations to come. Illustrated with examples from a wide range of fascinating projects, this authoritative guide offers clear, practical, and detailed advice for students, teachers, researchers, and amateur genealogists who wish to record the history of their own families and communities.


The Jazz Cadence of American Culture

The Jazz Cadence of American Culture

Author: Robert G. O'Meally

Publisher: Columbia University Press

Published: 1998

Total Pages: 692

ISBN-13: 9780231104494

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Taking to heart Ralph Ellison's remark that much in American life is "jazz-shaped," The Jazz Cadence of American Culture offers a wide range of eloquent statements about the influence of this art form. Robert G. O'Meally has gathered a comprehensive collection of important essays, speeches, and interviews on the impact of jazz on other arts, on politics, and on the rhythm of everyday life. Focusing mainly on American artistic expression from 1920 to 1970, O'Meally confronts a long era of political and artistic turbulence and change in which American art forms influenced one another in unexpected ways. Organized thematically, these provocative pieces include an essay considering poet and novelist James Weldon Johnson as a cultural critic, an interview with Wynton Marsalis, a speech on the heroic image in jazz, and a newspaper review of a recent melding of jazz music and dance, Bring in 'Da Noise, Bring in 'Da Funk. From Stanley Crouch to August Wilson to Jacqui Malone, the plurality of voices gathered here reflects the variety of expression within jazz. The book's opening section sketches the overall place of jazz in America. Alan P. Merriam and Fradley H. Garner unpack the word jazz and its register, Albert Murray considers improvisation in music and life, Amiri Baraka argues that white critics misunderstand jazz, and Stanley Crouch cogently dissects the intersections of jazz and mainstream American democratic institutions. After this, the book takes an interdisciplinary approach, exploring jazz and the visual arts, dance, sports, history, memory, and literature. Ann Douglas writes on jazz's influence on the design and construction of skyscrapers in the 1920s and '30s, Zora Neale Hurston considers the significance of African-American dance, Michael Eric Dyson looks at the jazz of Michael Jordan's basketball game, and Hazel Carby takes on the sexual politics of Ma Rainey and Bessie Smith's blues. The Jazz Cadence offers a wealth of insight and information for scholars, students, jazz aficionados, and any reader wishing to know more about this music form that has put its stamp on American culture more profoundly than any other in the twentieth century.


Jazz and Death

Jazz and Death

Author: Frederick J. Spencer

Publisher: Univ. Press of Mississippi

Published: 2002

Total Pages: 340

ISBN-13: 9781578064533

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When a jazz artist dies, rumors, speculation, gossip, and legend can muddle the real cause of death. Creating an essential reference source, Jazz and Death strives to correct misinformation and set the story straight.


Cosmogenesis

Cosmogenesis

Author: David Layzer

Publisher: Oxford University Press, USA

Published: 1990

Total Pages: 263

ISBN-13: 0195069080

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Eminent Harvard astrophysicist David Layzer offers readers a unified theory of natural order and its origins, from the permanence, stability, and orderliness of sub-atomic particles to the evolution of the human mind. Cosmogenesis provides the first extended account of a controversial theory that connects quantum mechanics with the second law of thermodynamics, and presents novel resolutions of longstanding paradoxes in these theories, such as those of Schroedinger's cat and the arrow of time. Layzer's main concerns in the second half of the book are with the philosophical issues surrounding science. He develops a highly original reconciliation of the conflict between traditional scientific determinism and the intuitive notion of individual freedom. He argues that although the elementary processes underlying biological evolution and human development are governed by physical laws, they are nevertheless genuinely creative and unpredictable.