A polemical analysis of the politics and economics of today's vernacular photographic cultures. In Photography After Capitalism, Benedict Burbridge makes the case for a radically expanded conception of photography, encompassing the types of labor too often obscured by black-boxed technologies, slick platform interfaces, and the compulsion to display lives to others. His lively and polemical analysis of today's vernacular photographic cultures shines new light on the hidden work of smartphone assembly teams, digital content moderators, Street View car drivers, Google “Scan-Ops,”low-paid gallery interns, homeless participant photographers, and the photo-sharing masses. Bringing together cultural criticism, social history, and political philosophy, Burbridge examines how representations of our photographic lives—in advertising, journalism, scholarship and, particularly, contemporary art—shape a sense of what photography is and the social relations that comprise it. More precisely, he focuses on how different critical and creative strategies—from the appropriation of social media imagery to performative traversals of the network, from documentaries about secretive manual labor to science fiction fantasies of future sabotage—affect our understanding of photography's interactions with political and economic systems. Drawing insight and inspiration from recent analyses of digital labour, community economies and post-capitalism, Burbridge harnesses the ubiquity of photography to cognitively map contemporary capitalism in search of its weak spots and levers, sites of resistance, and opportunities to build better worlds.
#1 NEW YORK TIMES BESTSELLER • Meghan, The Duchess of Sussex’s first children’s book, The Bench, beautifully captures the special relationship between father and son, as seen through a mother’s eyes. The book’s storytelling and illustration give us snapshots of shared moments that evoke a deep sense of warmth, connection, and compassion. This is your bench Where you’ll witness great joy. From here you will rest See the growth of our boy. In The Bench, Meghan, The Duchess of Sussex, touchingly captures the evolving and expanding relationship between father and son and reminds us of the many ways that love can take shape and be expressed in a modern family. Evoking a deep sense of warmth, connection, and compassion, The Bench gives readers a window into shared and enduring moments between a diverse group of fathers and sons—moments of peace and reflection, trust and belief, discovery and learning, and lasting comfort. Working in watercolor for the first time, Caldecott-winning, bestselling illustrator Christian Robinson expands on his signature style to bring joy and softness to the pages, reflecting the beauty of a father’s love through a mother’s eyes. With a universal message, this thoughtful and heartwarming read-aloud is destined to be treasured by families for generations to come.
In 2003, Sussex County celebrates the two hundred fiftieth anniversary of its creation, which took place on June 8, 1753. At that time, all of present-day Sussex and Warren Counties were set aside from Morris County. Warren County was established by the state legislature in 1824, forming the current boundaries of Sussex County. Among the previously unpublished photographs in this history are views of the county's commercial and residential streets, mining and industrial facilities, and business establishments. The vast majority of the unique vintage images included here are drawn from Wayne T. McCabe's extraordinary collection of more than fifteen thousand photographs, glass negatives, postcards, and stereoscopic views of Sussex County.
Photographer David Cannon began his career in sports photography twenty-five years ago and is considered the premier golf photographer in the world. Having played at more than seven hundred golf courses in over fifty countries, Cannon photographs with a true golfer's eye, offering an extraordinary window into some of the world's most celebrated courses—with more than 40 in North America, dozens in Asia and the South Pacific, and several in both Africa and the Middle East. Savor a view from the 11th hole of the incomparable and historic St. Andrews's Old Course bathed in golden afternoon light; glimpse giraffes and elephants from any green at Leopard Creek, South Africa; vicariously experience Pirate's Plank, the harrowing 15th hole at Cape Kidnappers, New Zealand, which is set at the very end of the clifftop fairway surrounded by dramatic 500-foot drops to the ocean; and take in the serene sea view from the signature 18th hole of the very private Seminole Golf Course in Florida. Golf Courses stunningly captures the singular genius and beauty of golf courses. It is a comprehensive collection of the world's best courses by revered designers including Donald Ross, Pete Dye, and Robert Trent Jones, Sr., and such new talent as Steve Smyers and Tom Doak, among many others—all of whom skillfully orchestrate the exceptional union of nature and course design on five continents. This deluxe, limited-edition volume features over two hundred sumptuous color photographs of courses, some of which have never been photographed or published previously, in full spreads and gatefolds—some measuring over five feet in length—and includes a numbered print signed by the photographer. Golf Courses: Fairways of the World will be strictly limited to 5,000 copies.