"Life is never easy for Sheriff Dan Rhodes. Even in a small Texas county, there's always something going on for a sheriff to look into, whether it's an attempted robbery, a marijuana patch guarded by an alligator, or a murder. This time the murdered man seems to be connected to a string of recent burglaries, but just how isn't easy to figure out. It takes some time and another murder before Sheriff Rhodes discovers the answers.Survivors Will Be Shot Again, Bill Crider's latest installment in the critically-acclaimed Sheriff Dan Rhodes mystery series, finds Rhodes dealing with murders, thefts, marijuana, and gators in Clearview, a small Texas town where secrets are easier to keep than you might think"--
On Brokeback Mountain: Meditations About Masculinity, Fear, and Love in the Story and the Film provides a close, detailed, comparative discussion of the short story and the film in relation to ways of understanding masculinity and love between men in American culture. It uses analytical ideas from gay and lesbian/queer studies, American studies, social history, film history, and literary history, but avoids specialized theoretical language in order to be accessible to the many people interested in the story and the film. Original, interdisciplinary, and engaging, On Brokeback Mountain is intended to be not only useful to academic specialists but also accessible and readable for any interested, educated reader. The two versions of Brokeback Mountain are significant for taking readers and audiences inside the perspectives of men who love men, showing what physical and emotional passion, and hostility toward that passion, may be like for them. The story and the film help in understanding the many men who love men and who don't fit stereotypes of gay men or participate in the gay/queer worlds of urban/academic communities, especially men in rural areas and in working class contexts. This book examines the presentation of friendship, sex, and love between men in Brokeback Mountain, as well as the depiction of homophobia and its effects on men who love men and their families. It relates the story and the film to the literary tradition of the homoerotic pastoral, the literary/movie tradition of the Western, and the tradition of the tragic romantic love story.
This big, informed, witty, and entertaining book, actually several books in one, covers all the aspects of the secular holiday unlike any other. Only the exhaustive is interesting. - Thomas Mann HALLOWEEN HISTORY AND TRADITION, THE JACK-O- LANTERN, TRICK OR TREAT, HOLIDAY FOLKLORE, MASKS AND VARIOUS COSTUMES, HALLOWEEN BUSINESS, HALLOWEEN AROUND THE WORLD, HALLOWEEN PARADES AND PARTIES, HALLOWEEN RECIPES AND PARTY IDEAS, HALLOWEEN STORIES AND OTHER LITERATURE, HUNDREDS OF BIG AND SMALL SCREEN DELIGHTS FOR YOUR WATCHING AT HALLOWEEN WITH A FULL, CASUAL, GIANT ANNOTATED FILMOGRAPHY, & COMMENTS ON HORROR IN ARTS OF YESTERDAY AND TODAY.
a grim faerie tale of murder, money laundering, buggery, incest, insecticide and lycanthropy-- an account of life within a disorganized and dysfunctional crime family.
Investigating the shooting murder of a kayaker at a women-only Minnesota resort, investigator Virgil Flowers finds more suspects than anticipated including the victim's fellow patrons and a talented local country singer.
In Dundas' assured hands, one man's search for answers makes for a lyrical, riveting meditation on memory.--EW One man knows the connection between two extraordinary acts of arson, fifteen years apart, in his Montana hometown--if only he could remember it. Having lost much of his memory from a traumatic brain injury sustained in Iraq, army veteran Matthew Rose is called back to Montana after his father's death to settle his affairs, and hopefully to settle the past as well. It's not only a blank to him, but a mystery. Why as a teen did he suddenly become sullen and vacant, abandoning the activities and people that had meant most to him? How did he, the son of hippy activists, wind up enlisting in the first place? Then on his first night back, Matthew sees a house go up in flames, and it turns out a local college student has died inside. And this event sparks a memory of a different fire, an unsolved crime from long ago, a part of Matthew's past that might lead to all the answers he's been searching for. What he finds will connect the old fire and the new, a series of long-unsolved mysteries, and a ruthless act of murder.
Private property is everywhere. Almost anywhere you walk in the United States, you will spot “No Trespassing” and “Private Property” signs on trees and fence posts. In America, there are more than a billion acres of grassland pasture, cropland, and forest, and miles and miles of coastlines that are mostly closed off to the public. Meanwhile, America’s public lands are threatened by extremist groups and right-wing think tanks who call for our public lands to be sold to the highest bidder and closed off to everyone else. If these groups get their way, public property may become private, precious green spaces may be developed, and the common good may be sacrificed for the benefit of the wealthy few. Ken Ilgunas, lifelong traveler, hitchhiker, and roamer, takes readers back to the nineteenth century, when Americans were allowed to journey undisturbed across the country. Today, though, America finds itself as an outlier in the Western world as a number of European countries have created sophisticated legal systems that protect landowners and give citizens generous roaming rights to their countries' green spaces. Inspired by the United States' history of roaming, and taking guidance from present-day Europe, Ilgunas calls into question our entrenched understanding of private property and provocatively proposes something unheard of: opening up American private property for public recreation. He imagines a future in which folks everywhere will have the right to walk safely, explore freely, and roam boldly—from California to the New York island, from the Redwood Forest to the Gulf Stream waters.
When Kelsey and her friends find an abandoned pug puppy, it looks like another case for the Curious Cat Spy Club. But shortly thereafter, Kelsey's mother goes missing—possibly in the line of duty as an Animal Control officer—and it's up to the CCSC to discover what happened. As they search for Kelsey's mom, they start to wonder if her disappearance is somehow linked to the puppy they found. The fifth book in the Curious Cat Spy Club series is filled with twists and turns and, of course, tons of animal adventures!
"On March 6, 1998, a disgruntled employee went on a rampage at the Connecticut Lottery Corporation, killing four executives before turning the gun on himself. The tragedy made headlines and topped newscasts across the country for weeks. In The Unspeakable, Denise Brown, who lost her husband in the shootings, gives voice to the deeper part of the story left untold by the tabloids." "The Unspeakable is based on the author's journal entries of the year following her husband's death - a record of debilitating nightmares and fears, of fruitless encounters with cooperation and state officials, of the struggle to help her children cope with the loss of a devoted father. It charts a path from bitterness to hope, and reveals the difficult steps that a survivor must take to move beyond rage and rise above the profound and complicated grief that is the legacy of violence."--BOOK JACKET.
American Landscapes: Meditations on Art and Literature in a Changing World is a major contemporary survey of landscapes in art and literature of the United States, especially the American South. Inspired by William Dunlap’s extraordinary landscape Meditations on the Origins of Agriculture in America and a collection of forty paintings and photographs by Southern artists, this volume brings together artists, authors, and scholars to present new perspectives on art and literature both past and present. The volume includes art and text from artists John Alexander, Jason Bouldin, William Dunlap, Carlyle Wolfe Lee, Ke Francis, Linda Burgess, Randy Hayes; photographers Sally Mann, Ed Croom, and Huger Foote; museum directors Betsy Bradley, Jane Livingston, and Julian Rankin; and authors W. Ralph Eubanks, John Grisham, J. Richard Gruber, Jessica B. Harris, Lisa Howorth, Julia Reed, Natasha Trethewey, Curtis Wilkie, Joseph M. Pierce, and Drew Gilpin Faust. This diverse group explores major eras of American history portrayed in Dunlap’s painting, a landscape that evokes the displacement and genocide of Native Americans, the enslavement of Africans, the Civil War, and William Faulkner’s fiction. They examine the history of landscape art in America, connecting art with the works of major writers like William Faulkner, Eudora Welty, Natasha Trethewey, and Jesmyn Ward. In eighteen new essays written during the pandemic and since the events of January 6, 2021, the essayists emphasize how the key issues Dunlap addressed in his 1987 artwork have become part of the national discourse and make his work even more vital today.
