Ernst Israel Bornstein had been eighteen when his world collapsed; youthful adaptability, self-possession and above all, luck, combined to preserve his husk in seven work camps which might have been modeled on the sequence of Dante's circles of hell.
A groundbreaking, haunting, and profoundly moving history of modernity's greatest tragedy: concentration camps. For over 100 years, at least one concentration camp has existed somewhere on Earth. First used as battlefield strategy, camps have evolved with each passing decade, in the scope of their effects and the savage practicality with which governments have employed them. Even in the twenty-first century, as we continue to reckon with the magnitude and horror of the Holocaust, history tells us we have broken our own solemn promise of "never again." In this harrowing work based on archival records and interviews during travel to four continents, Andrea Pitzer reveals for the first time the chronological and geopolitical history of concentration camps. Beginning with 1890s Cuba, she pinpoints concentration camps around the world and across decades. From the Philippines and Southern Africa in the early twentieth century to the Soviet Gulag and detention camps in China and North Korea during the Cold War, camp systems have been used as tools for civilian relocation and political repression. Often justified as a measure to protect a nation, or even the interned groups themselves, camps have instead served as brutal and dehumanizing sites that have claimed the lives of millions. Drawing from exclusive testimony, landmark historical scholarship, and stunning research, Andrea Pitzer unearths the roots of this appalling phenomenon, exploring and exposing the staggering toll of the camps: our greatest atrocities, the extraordinary survivors, and even the intimate, quiet moments that have also been part of camp life during the past century. "Masterly"-The New Yorker A Smithsonian Magazine Best History Book of the Year
A first-rate novel that provides vivid descriptions of Alabama during an important period in the state's history. The Long Night is set in the vicinity of Montgomery, Alabama, between 1850 and 1865.
In Becoming the Tupamaros, Lindsey Churchill explores an alternative narrative of US-Latin American relations by challenging long-held assumptions about the nature of revolutionary movements like the Uruguayan Tupamaros group. A violent and innovative organization, the Tupamaros demonstrated that Latin American guerrilla groups during the Cold War did more than take sides in a battle of Soviet and US ideologies. Rather, they digested information and techniques without discrimination, creating a homegrown and unique form of revolution. Churchill examines the relationship between state repression and revolutionary resistance, the transnational connections between the Uruguayan Tupamaro revolutionaries and leftist groups in the US, and issues of gender and sexuality within these movements. Angela Davis and Eldridge Cleaver, for example, became symbols of resistance in both the United States and Uruguay. and while much of the Uruguayan left and many other revolutionary groups in Latin America focused on motherhood as inspiring women's politics, the Tupamaros disdained traditional constructions of femininity for female combatants. Ultimately, Becoming the Tupamaros revises our understanding of what makes a Movement truly revolutionary.
Supernatural science fiction. How do the seen and the unseen parts of Reality compare, contrast, and interact? What are the parallels, and what are the conflicts?
Before Father Patrick Bergquist moved to Alaska, he imagined himself spending his free evenings wrapped in a warm quilt, reading novel after novel during the long arctic winters. Those idealized expectations were met with the unavoidable reality of winter's harshness, a pervasive darkness that made it neither realistic nor helpful to merely wait out the winter and hope for spring." And yet, says Bergquist, this is what we as a Catholic Church are tempted to do in the enduring darkness of the sexual abuse crisis. We want to wrap ourselves in the secure blanket of tradition and memory, thinking that this crisis too will pass-or worse still, that it has already passed. Bergquist admits he is "but a simple parish priest, no saint and surely no scholar." But it is precisely his perspective as a parish priest that gives rise to his poetic and prophetic voice. He speaks from his heart, soul, and experience in a way few others have done. He names and validates the pain and fear, the hopes and dreams that so many of us share. The Long Dark Winter's Night is both realistic and helpful. Patrick Bergquist was ordained in 1990. He is a diocesan priest of the Missionary Diocese of Northern Alaska and has been pastor of St. Raphael Catholic parish in Fairbanks since 1998. "
Set in the Niger Delta this novel tells the tale of a women's struggle for equality in a traditional patriachal society. Against the backdrop of a once-in-a-generation festival at which the one chosen by the gods performs the dance of "the mother mask", Ojaide weaves a tale of suspense while at the same time displaying the traditions and religious beliefs that define the Niger Delta.