Surrealism and Painting

Surrealism and Painting

Author: André Breton

Publisher:

Published: 2002

Total Pages: 454

ISBN-13:

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Long unavailable in English, Surrealism and Painting remains one of the masterworks of twentieth-century art criticism."--BOOK JACKET.


Surrealist Painting

Surrealist Painting

Author: Simon Wilson

Publisher: Phaidon Press

Published: 1998-08-12

Total Pages: 128

ISBN-13: 9780714827223

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Offers commentary on forty-eight paintings, including works by Ernst, Magritte, Masson, and Matta.


Pop Painting

Pop Painting

Author: Camilla d'Errico

Publisher: Watson-Guptill

Published: 2016-01-05

Total Pages: 250

ISBN-13: 160774807X

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A unique behind-the-scenes guide to the painting process of one of the most popular artists working in the growing, underground art scene of Pop Surrealism. Get ready for a behind-the-scenes look at the painting tools, methods, and inspirations of one of the top artists working in the growing field of Pop Surrealism. For the first time, beloved best-selling author and artist Camilla d’Errico pulls back the curtain to give you exclusive insights on topics from the paints and brushes she uses and her ideal studio setup, to the dreams, notions, and pop culture icons that fuel the creation of her hauntingly beautiful Pop Surrealist paintings. With step-by-step examples covering major subject areas such as humans, animals, melting effects, and twisting reality (essential for Pop Surrealism!), Pop Painting gives you the sensation of sitting by Camilla’s side as she takes her paintings from idea to finished work. This front row seat reveals how a leading artist dreams, paints, and creates a successful body of work. For fans of Camilla and the underground art scene, aspiring artists looking to express their ideals in paint, and experienced artists wanting to incorporate the Pop Surrealist style into their work, Pop Painting is a one-of-a-kind, must-have guide.


Women Artists and the Surrealist Movement

Women Artists and the Surrealist Movement

Author: Whitney Chadwick

Publisher: Thames & Hudson

Published: 2021-11-23

Total Pages: 403

ISBN-13: 0500777004

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A revised edition of Whitney Chadwick’s seminal work on the women artists who shaped the Surrealist art movement. This pioneering book stands as the most comprehensive treatment of the lives, ideas, and art works of the remarkable group of women who were an essential part of the Surrealist movement. Leonora Carrington, Frida Kahlo, and Dorothea Tanning, among many others, embodied their age as they struggled toward artistic maturity and their own “liberation of the spirit” in the context of the Surrealist revolution. Their stories and achievements are presented here against the background of the turbulent decades of the 1920s, ’30s, and ’40s and the war that forced Surrealism into exile in New York and Mexico. Whitney Chadwick, author of the highly acclaimed Women, Art, and Society, interviewed and corresponded with most of the artists themselves in the course of her research. Women Artists and the Surrealist Movement, now revised with a new foreword by art historian Dawn Ades, contains a wealth of extracts from unpublished writings and numerous illustrations never before reproduced. Since this book was first published, it has acquired the undeniable status of a classic among artists, art historians, critics, and cultural historians. It has inspired and necessitated a revision of the story of the Surrealist movement.


Painting the Dream

Painting the Dream

Author: Daniel Bergez

Publisher: National Geographic Books

Published: 2018-10-16

Total Pages: 0

ISBN-13: 0789213133

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The first-ever history of the representation of dreams in Western painting, illustrated with works by more than 130 artists Organized by period, from the Middle Ages to the present, this engaging book shows how the idea of the dream, and its depictions, have shifted throughout history, from the biblical dream—a communication from God—to the deeply personal dream, the lighthearted fantasy, the nightmare. Sometimes these ideas have existed simultaneously: thus we have, only a few years apart, Raphael’s limpid High Renaissance composition of Jacob dreaming his Ladder; Albrecht Dürer’s watercolor of a mysterious deluge that he saw in his own slumbers; and Hieronymus Bosch’s nightmarish hellscapes. More recently, movements such as Symbolism and Surrealism have taken the dream as a primary source of inspiration, even conflating dreaming and the creative process itself. This rich vein of visionary art runs from Gustave Moreau and Odilon Redon, through De Chirico and Dalí, down to the present—demonstrating, as Bergez reminds us, that Morpheus was a god of form as well as of dreams.


Leonora Carrington

Leonora Carrington

Author: Susan L. Aberth

Publisher: Lund Humphries Publishers Limited

Published: 2010

Total Pages: 0

ISBN-13: 9781848220560

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Reprint. Paperback edition originally published: 2010.


The Surrealist Mind

The Surrealist Mind

Author: J. H. Matthews

Publisher: Susquehanna University Press

Published: 1991

Total Pages: 252

ISBN-13: 9780945636069

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This work reflects the search for proof of the existence of a mind that may be accurately called surrealist. Concentrating on painting and poetry, it shows how the surrealists envisaged, reacted to, and practiced art as a creative activity.


The Originality of the Avant-Garde and Other Modernist Myths

The Originality of the Avant-Garde and Other Modernist Myths

Author: Rosalind E. Krauss

Publisher: MIT Press

Published: 1986-07-09

Total Pages: 324

ISBN-13: 9780262610469

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Co-founder and co-editor of October magazine, a veteran of Artforum of the 1960s and early 1970s, Rosalind Krauss has presided over and shared in the major formulation of the theory of postmodernism. In this challenging collection of fifteen essays, most of which originally appeared in October, she explores the ways in which the break in style that produced postmodernism has forced a change in our various understandings of twentieth-century art, beginning with the almost mythic idea of the avant-garde. Krauss uses the analytical tools of semiology, structuralism, and poststructuralism to reveal new meanings in the visual arts and to critique the way other prominent practitioners of art and literary history write about art. In two sections, "Modernist Myths" and "Toward Postmodernism," her essays range from the problem of the grid in painting and the unity of Giacometti's sculpture to the works of Jackson Pollock, Sol Lewitt, and Richard Serra, and observations about major trends in contemporary literary criticism.