Women and Music in America Since 1900 [2 Volumes]

Women and Music in America Since 1900 [2 Volumes]

Author: Kristine H. Burns

Publisher: Greenwood

Published: 2002-12-30

Total Pages: 400

ISBN-13:

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This two-volume reference describes the role of women in all types of music in the U.S. since 1900. The alphabetically-arranged entries cover important individuals (chosen for the significance of their contributions rather than for their popularity), biographical overviews, gender issues, education, music genres, honors and awards, organizations and professions. Entries (ranging from half a page to several pages in length) conclude with a short list of further readings, and about 100 are accompanied by a b & w photograph. A historical overview and a chronology are also included. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).


Music and Narrative Since 1900

Music and Narrative Since 1900

Author: Michael L. Klein

Publisher: Indiana University Press

Published: 2013

Total Pages: 445

ISBN-13: 0253006449

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This comprehensive volume offers a wide-ranging perspective on the stories that art music has told since the start of the 20th century. Contributors challenge the broadly held opinion that the loss of tonality in some music after 1900 also meant the loss of narrative in that music. To the contrary, the editors and essayists in this book demonstrate how experiments in approaching narrative in other media, such as fiction and cinema, suggested fresh possibilities for musical narrative, which composers were quick to exploit. The new conceptions of time, narrative voice, plot, and character that accompanied these experiments also had a significant impact on contemporary music. The repertoire explored in the collection ranges across a wide variety of genres and includes composers from Charles Ives and the Pet Shop Boys to Thomas Adès and Dmitri Shostakovich.


Music in the Late Twentieth Century

Music in the Late Twentieth Century

Author: Richard Taruskin

Publisher: Oxford University Press

Published: 2006-08-14

Total Pages: 609

ISBN-13: 0199795932

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The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. Music in the Late Twentieth Century is the final installment of the set, covering the years from the end of World War II to the present. In these pages, Taruskin illuminates the great compositions of recent times, offering insightful analyses of works by Aaron Copland, John Cage, Milton Babbitt, Benjamin Britten, Steve Reich, and Philip Glass, among many others. He also looks at the impact of electronic music and computers, the rise of pop music and rock 'n' roll, the advent of postmodernism, and the contemporary music of Laurie Anderson, John Zorn, and John Adams. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.


Arthur Bliss

Arthur Bliss

Author: Stewart R. Craggs

Publisher: Routledge

Published: 2018-10-24

Total Pages: 358

ISBN-13: 1351765051

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This title was first published in 2002. This volume of essays seeks to reflect aspects of the life and work of Arthur Bliss, Master of the Queen's Music. Though each is self-contained, the editor has attempted to keep a theme running throughout. Looking beyond surface impressions is an attitude constantly expressed.


Cecilia Reclaimed

Cecilia Reclaimed

Author: Susan C. Cook

Publisher: University of Illinois Press

Published: 1994

Total Pages: 260

ISBN-13: 9780252063411

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Cecilia, a fifteenth-century Christian martyr, has long been considered the patron saint of music. In this pathbreaking volume, ten of the best known scholars in the newly emerging field of feminist musicology explore both how gender has helped shape genres and works of music and how music has contributed to prevailing notions of gender. The musical subjects include concert music, both instrumental and vocal, and the vernacular genres of ballads, salon music, and contemporary African American rap. The essays raise issues not only of gender but also of race and class, moving among musical practices of the courtly ruling class and the elite discourse of the twentieth-century modernist movement to practices surrounding marginal girls in Renaissance Venice and the largely white middle-class experiences of magazine and balladry.


New Music at Darmstadt

New Music at Darmstadt

Author: Martin Iddon

Publisher: Cambridge University Press

Published: 2013-04-18

Total Pages: 355

ISBN-13: 1107033292

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The first full-length English-language discussion of the Darmstadt New Music Courses, showing the rise and fall of the 'Darmstadt School'.


Stravinsky and the Russian Period

Stravinsky and the Russian Period

Author: Pieter C. van den Toorn

Publisher: Cambridge University Press

Published: 2012-05-10

Total Pages: 337

ISBN-13: 1107021006

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A fresh look at Stravinsky's musical style, from a variety of analytical, critical and aesthetic angles.


Oxford History of Western Music

Oxford History of Western Music

Author: Richard Taruskin

Publisher: Oxford University Press

Published: 2009-07-27

Total Pages: 6390

ISBN-13: 0199813698

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The Oxford History of Western Music is a magisterial survey of the traditions of Western music by one of the most prominent and provocative musicologists of our time. This text illuminates, through a representative sampling of masterworks, those themes, styles, and currents that give shape and direction to each musical age. Taking a critical perspective, this text sets the details of music, the chronological sweep of figures, works, and musical ideas, within the larger context of world affairs and cultural history. Written by an authoritative, opinionated, and controversial figure in musicology, The Oxford History of Western Music provides a critical aesthetic position with respect to individual works, a context in which each composition may be evaluated and remembered. Taruskin combines an emphasis on structure and form with a discussion of relevant theoretical concepts in each age, to illustrate how the music itself works, and how contemporaries heard and understood it. It also describes how the c