When Lex Luthor finally regained control of LexCorp, he thought he had everything he wanted. But in BLACKEST NIGHT, he briefly became an Orange Lantern and got a taste of true power. Now he'll do anything to get that power back. Buckle up for a greatest hits tour of the DCU's most wanted as Lex Luthor begins an epic quest for power, all brought to you by writer Paul Cornell (Dr. Who, Captain Britain and MI-13) and artist Pete Woods (WORLD OF NEW KRYPTON).
When Lex Luthor finally regained control of LexCorp, he thought he had everything he wanted. But in BLACKEST NIGHT, he briefly became an Orange Lantern and got a taste of true power. Now he'll do anything - anything - to get that power back. Bucklein for a greatest hits tour of the DCU's most wanted as Lex Luthor begins an epic quest for power, all brought to you by writer Paul Cornell (Dr. Who, Captain Britain and MI-13) and artist Pete Woods (WORLD OF NEW KRYPTON). Collects ACTION COMICS#896-900, SECRET SIX #29 and ACTION COMICS ANNUAL #13.
"Doomsday has returned in these tales from ACTION COMICS #900-904! The monster that once Superman's life in a battle that destroyed half of Metropolis is back for another round with the Man of Steel. Writer Paul Cornell (Doctor Who, KNIGHT AND SQUIRE) pens a tale that not only puts Superman in a fight for his life -- but in a fight for the life of Superboy, Supergirl and all members of the Superman family. "--Publisher.
Lex Luthor finds himself literally at Death's door, which leads to a fascinating look not only into the mind of one of the all-time greatest villains, but also at what Death means in the DC Universe. Featuring Death of the Endless from Neil Gaiman's SANDMAN! 'The Black Ring' part 5.
The world's most famous superhero, has thrilled readers worldwide for over 60 years! Superman's pal, Jimmy Olsen, is in the spotlight in these exlosive stories, as mysterious events leave Jimmy exhibiting an amazing array of super-powers whenever he is endangered!
Contributions by Phil Bevin, Blair Davis, Marc DiPaolo, Michele Fazio, James Gifford, Kelly Kanayama, Orion Ussner Kidder, Christina M. Knopf, Kevin Michael Scott, Andrew Alan Smith, and Terrence R. Wandtke In comic books, superhero stories often depict working-class characters who struggle to make ends meet, lead fulfilling lives, and remain faithful to themselves and their own personal code of ethics. Working-Class Comic Book Heroes: Class Conflict and Populist Politics in Comics examines working-class superheroes and other protagonists who populate heroic narratives in serialized comic books. Essayists analyze and deconstruct these figures, viewing their roles as fictional stand-ins for real-world blue-collar characters. Informed by new working-class studies, the book also discusses how often working-class writers and artists created these characters. Notably Jack Kirby, a working-class Jewish artist, created several of the most recognizable working-class superheroes, including Captain America and the Thing. Contributors weigh industry histories and marketing concerns as well as the fan community's changing attitudes towards class signifiers in superhero adventures. The often financially strapped Spider-Man proves to be a touchstone figure in many of these essays. Grant Morrison's Superman, Marvel's Shamrock, Alan Moore and David Lloyd's V for Vendetta, and The Walking Dead receive thoughtful treatment. While there have been many scholarly works concerned with issues of race and gender in comics, this book stands as the first to deal explicitly with issues of class, cultural capital, and economics as its main themes.
An eBook box set of bestselling author Cindy Gerard’s Black Ops, Inc. books 4-6: Feel The Heat, Risk No Secrets, With No Remorse. FEEL THE HEAT Tough, beautiful, and blond, B.J. Chase, a covert operative at the Defense Intelligence Agency (DIA), is assigned to the National Security Agency to find out if and how someone at NSA is leaking information about a top-secret new U.S. weapons program to terrorists. When NSA cryptologist Stephanie Tompkins brings suspicious intercepted messages to the attention of her division head, her superior is killed and Stephanie gets embroiled in a terrorist plot that implicates her as a traitor. Black Ops Inc. swings into action because Stephanie is the completely honorable and patriotic sister of one of their fallen comrades and BOI team member Raphael Mendoza is secretly in love with her. First, Stephanie is taken to a safe house where BOI agent Joe Greene will guard her. Then Colombian-born Rafe Mendoza and DIA agent B.J. are sent to Colombia by the Department of Defense to find and destroy the site where a replica of the new U.S. weapon is being constructed (according to Stephanie’s decoded intercepts). Posing as Rafe’s lover, B.J. goes to Medellin with Rafe who is using his family’s shady business connections to infiltrate the drug cartel bankrolling the weapon. As they carry out their deception, demolish the weapon, fake their own deaths and flee Colombia, Rafe and B.J. fall for each other much to their mutual surprise, just as Stephanie and Joe Greene do back in the States. RISK NO SECRETS When Black Ops, Inc. operative Wyatt Savage’s former girlfriend Sophie calls him out of the blue, desperately requesting his help, Wyatt flies down to El Salvador. He’s never stopped loving Sophie, even though she married his former best friend Hugh, who saved Wyatt's life more times than he can count when they worked together on secret missions for the CIA. Now Sophie is frantic because one of her students was abducted from the school she runs near the U.S. embassy in San Salvador. It appears that Sophie’s twelve-year-old daughter was the kidnapper’s target but they took the other girl by mistake. Wyatt is shocked when Sophie tells him that she and Hugh divorced two years ago, and she and her daughter hardly ever see him because he travels around the world protecting high-level business executives. With help from Sophie and two of his BOI brothers, Wyatt tracks down the kidnappers, but he alone undertakes the challenge of winning Sophie’s heart. WITH NO REMORSE Black Ops, Inc. operative Luke—Doc Holliday—Colter, is taking some much needed down time, making his way across the Peruvian Andes via rail, when banditos attack the moving train in the midnight hours. It soon becomes apparent that robbery is not their intent but the abduction of super model “Valentina,” who is traveling incognito while licking her wounds and recovering from a public scandal involving her ex-husband, high profile US Senator, Marcus Chamberlin. Luke whisks Valentina off the train in a daring escape but the two of them become the targets of a relentless manhunt. Enlisting the aid of Luke’s BOI teammates, they soon discover that Val’s intended abduction is linked to a plot put in play by an international gun smuggling alliance. The BOI team lead by Luke and with Val along as a necessary pawn, must race half way around the world to thwart a ruthless attack that would not only result in a devastating loss of life but destroy a tenuous peace the US and her allies have established in a vastly unstable part of the world.
Almost immediately after his first appearance in comic books in June 1938, Superman began to be adapted to other media. The subsequent decades have brought even more adaptations of the Man of Steel, his friends, family, and enemies in film, television, comic strip, radio, novels, video games, and even a musical. The rapid adaptation of the Man of Steel occurred before the character and storyworld were fully developed on the comic book page, allowing the adaptations an unprecedented level of freedom and adaptability. The essays in this collection provide specific insight into the practice of adapting Superman from comic books to other media and cultural contexts through a variety of methods, including social, economic, and political contexts. Authors touch on subjects such as the different international receptions to the characters, the evolution of both Clark Kent's character and Superman's powers, the importance of the radio, how the adaptations interact with issues such as racism and Cold War paranoia, and the role of fan fiction in the franchise. By applying a wide range of critical approaches to adaption and Superman, this collection offers new insights into our popular entertainment and our cultural history.
