When Lex Luthor finally regained control of LexCorp, he thought he had everything he wanted. But in BLACKEST NIGHT, he briefly became an Orange Lantern and got a taste of true power. Now he'll do anything to get that power back. Buckle up for a greatest hits tour of the DCU's most wanted as Lex Luthor begins an epic quest for power, all brought to you by writer Paul Cornell (Dr. Who, Captain Britain and MI-13) and artist Pete Woods (WORLD OF NEW KRYPTON).
"Doomsday has returned in these tales from ACTION COMICS #900-904! The monster that once Superman's life in a battle that destroyed half of Metropolis is back for another round with the Man of Steel. Writer Paul Cornell (Doctor Who, KNIGHT AND SQUIRE) pens a tale that not only puts Superman in a fight for his life -- but in a fight for the life of Superboy, Supergirl and all members of the Superman family. "--Publisher.
When Lex Luthor finally regained control of LexCorp, he thought he had everything he wanted. But in BLACKEST NIGHT, he briefly became an Orange Lantern and got a taste of true power. Now he'll do anything - anything - to get that power back. Bucklein for a greatest hits tour of the DCU's most wanted as Lex Luthor begins an epic quest for power, all brought to you by writer Paul Cornell (Dr. Who, Captain Britain and MI-13) and artist Pete Woods (WORLD OF NEW KRYPTON). Collects ACTION COMICS#896-900, SECRET SIX #29 and ACTION COMICS ANNUAL #13.
Lex Luthor finds himself literally at Death's door, which leads to a fascinating look not only into the mind of one of the all-time greatest villains, but also at what Death means in the DC Universe. Featuring Death of the Endless from Neil Gaiman's SANDMAN! 'The Black Ring' part 5.
Faster than a speeding bullet, Superman burst onto the comic book scene in 1938, just as America was on the terrifying precipice of a world war. In a desperate time, legendary creators Jerry Siegel and Joe Shuster brought to life the world’s first modern superhero. The Man of Steel emerged as a champion of the oppressed, taking down any enemy with his super-strength and speed, both foreign and near to home. In his distinctive royal blue, red and yellow costume, complete with cape, the stalwart Kryptonian emanated strength and fearlessness. He swiftly became a symbol of hope for a downtrodden America.Collecting all of the Metropolis Wonder’s first-ever adventures from ACTION COMICS #1-19, SUPERMAN #1-3 and NEW YORK WORLD’S FAIR COMICS #1!
Gil Kane, one of the most influential and dynamic artists in comics, made his name with his 1960s work on GREEN LANTERN and THE ATOM. After working at Marvel Comics in the 1970s on titles including The Amazing Spider-Man, Conan and more, Kaneshifted to animation, where he served as a character designer on the 1988 Superman animated TV series. He returned to DC in the 1980s to illustrate the adventures of Superman. Kane's dynamic artwork shined on titles like ACTION COMICS, SUPERMAN and others, where he drew not only The Man of Steel and his supporting cast but also numerous guest stars including The Flash, The Atom, the Teen Titans, Hawkman and Animal Man.
Contributions by Phil Bevin, Blair Davis, Marc DiPaolo, Michele Fazio, James Gifford, Kelly Kanayama, Orion Ussner Kidder, Christina M. Knopf, Kevin Michael Scott, Andrew Alan Smith, and Terrence R. Wandtke In comic books, superhero stories often depict working-class characters who struggle to make ends meet, lead fulfilling lives, and remain faithful to themselves and their own personal code of ethics. Working-Class Comic Book Heroes: Class Conflict and Populist Politics in Comics examines working-class superheroes and other protagonists who populate heroic narratives in serialized comic books. Essayists analyze and deconstruct these figures, viewing their roles as fictional stand-ins for real-world blue-collar characters. Informed by new working-class studies, the book also discusses how often working-class writers and artists created these characters. Notably Jack Kirby, a working-class Jewish artist, created several of the most recognizable working-class superheroes, including Captain America and the Thing. Contributors weigh industry histories and marketing concerns as well as the fan community's changing attitudes towards class signifiers in superhero adventures. The often financially strapped Spider-Man proves to be a touchstone figure in many of these essays. Grant Morrison's Superman, Marvel's Shamrock, Alan Moore and David Lloyd's V for Vendetta, and The Walking Dead receive thoughtful treatment. While there have been many scholarly works concerned with issues of race and gender in comics, this book stands as the first to deal explicitly with issues of class, cultural capital, and economics as its main themes.
Go beyond the cape and into the mind of the Man of Steel, in time for release of Zack Snyder's Man of Steel movie and Superman's 75th anniversary He has thrilled millions for 75 years, with a legacy that transcends national, cultural, and generational borders, but is there more to the Man of Steel than just your average mythic superhero in a cape? The 20 chapters in this book present a fascinating exploration of some of the deeper philosophical questions raised by Superman, the Last Son of Krypton and the newest hero in the Blackwell Philosophy and Pop Culture arsenal.
Almost immediately after his first appearance in comic books in June 1938, Superman began to be adapted to other media. The subsequent decades have brought even more adaptations of the Man of Steel, his friends, family, and enemies in film, television, comic strip, radio, novels, video games, and even a musical. The rapid adaptation of the Man of Steel occurred before the character and storyworld were fully developed on the comic book page, allowing the adaptations an unprecedented level of freedom and adaptability. The essays in this collection provide specific insight into the practice of adapting Superman from comic books to other media and cultural contexts through a variety of methods, including social, economic, and political contexts. Authors touch on subjects such as the different international receptions to the characters, the evolution of both Clark Kent's character and Superman's powers, the importance of the radio, how the adaptations interact with issues such as racism and Cold War paranoia, and the role of fan fiction in the franchise. By applying a wide range of critical approaches to adaption and Superman, this collection offers new insights into our popular entertainment and our cultural history.
