The end of “The One Who Fell”! Superman and Superboy were duped by the old divide-and-conquer routine, which is especially dangerous on a faraway planet where you can’t tell who your enemy is. As the Shadowbreed makes their big move, Superman discovers what happened to the friend who originally sent the distress beacon that lured him and his son across the galaxy. Let’s just hope it’s not an answer that came too late! Elsewhere, back home on Earth, Jimmy Olsen leads his misfit team on the hunt for the sinister Projectress.
“THE PRESTON GAMBLING RACKET.” Superman investigates the mysterious Preston Club, after a suicide jumper he saves tells him he had lost his entire life’s savings there!
"THE SON OF SUPERMAN" part one. The Last Son of Krypton must decide whether to help his young son use his new and rapidly increasing abilities, or hide them from the world. THE CREATORS: The team supreme that brought fans the adventures of Damian Wayne in BATMAN AND ROBIN returns for the adventures of Superman and his offspring.
Bizarro World' part 4, continued from ACTION COMICS (1938-2011) #697. Having captured Bizarro and saved Lois, the Man of Steel must take his imperfect clone to the only place that can possibly save the deteriorating duplicate: LexCorp. Continued in SUPERMAN (1987-2006) #88.
Darkseid is gone and the crown of Apokolips is there for the taking. Now all the lords of this hellish world will play a game of thrones the likes of which have never been seen. The prize: absolute dominion over unspeakable evil. Only Superman and Lex Luthor stand in their way. These two arch-enemies must put their own war aside and join forces to bring peace to Apokolips before the horror spills out of the hellpits and across the universe. And if that means the Man of Steel must fight on behalf of his nemesis…so be it. Meanwhile, dark deities from Granny Goodness to Steppenwolf will make their own play for power, using Lois Lane and Superboy as pawns in their deadly game. Superman knows the price they’ll all pay if he and Luthor lose. But as the final showdown approaches, only the gods know what Lex will do if they win… The acclaimed creative team of Peter J. Tomasi, Patrick Gleason and Doug Mahnke take their incredible Man of Steel saga to epic new heights in these stories from Superman #33-36 and #39-41!
ÒPrince of GothamÓ part one! After months on the road, Jason Todd has returned to Gotham City! But where the Red Hood once operated as an underground criminal mastermind, Jason Todd is a businessman. Unfortunately for the Penguin, his first order of business is a hostile takeover of the Iceberg Lounge and Casino! A bold new era for Jason Todd begins, and Batman is going to be so pissed off when he finds out about it.
Contributions by Phil Bevin, Blair Davis, Marc DiPaolo, Michele Fazio, James Gifford, Kelly Kanayama, Orion Ussner Kidder, Christina M. Knopf, Kevin Michael Scott, Andrew Alan Smith, and Terrence R. Wandtke In comic books, superhero stories often depict working-class characters who struggle to make ends meet, lead fulfilling lives, and remain faithful to themselves and their own personal code of ethics. Working-Class Comic Book Heroes: Class Conflict and Populist Politics in Comics examines working-class superheroes and other protagonists who populate heroic narratives in serialized comic books. Essayists analyze and deconstruct these figures, viewing their roles as fictional stand-ins for real-world blue-collar characters. Informed by new working-class studies, the book also discusses how often working-class writers and artists created these characters. Notably Jack Kirby, a working-class Jewish artist, created several of the most recognizable working-class superheroes, including Captain America and the Thing. Contributors weigh industry histories and marketing concerns as well as the fan community's changing attitudes towards class signifiers in superhero adventures. The often financially strapped Spider-Man proves to be a touchstone figure in many of these essays. Grant Morrison's Superman, Marvel's Shamrock, Alan Moore and David Lloyd's V for Vendetta, and The Walking Dead receive thoughtful treatment. While there have been many scholarly works concerned with issues of race and gender in comics, this book stands as the first to deal explicitly with issues of class, cultural capital, and economics as its main themes.
After debuting in 1938, Superman soon became an American icon. But why has he maintained his iconic status for nearly 80 years? And how can he still be an American icon when the country itself has undergone so much change? Superman: Persistence of an American Icon examines the many iterations of the character in comic books, comic strips, radio series, movie serials, feature films, television shows, animation, toys, and collectibles over the past eight decades. Demonstrating how Superman’s iconic popularity cannot be attributed to any single creator or text, comics expert Ian Gordon embarks on a deeper consideration of cultural mythmaking as a collective and dynamic process. He also outlines the often contentious relationships between the various parties who have contributed to the Superman mythos, including corporate executives, comics writers, artists, nostalgic commentators, and collectors. Armed with an encyclopedic knowledge of Superman’s appearances in comics and other media, Gordon also digs into comics archives to reveal the prominent role that fans have played in remembering, interpreting, and reimagining Superman’s iconography. Gordon considers how comics, film, and TV producers have taken advantage of fan engagement and nostalgia when selling Superman products. Investigating a character who is equally an icon of American culture, fan culture, and consumer culture, Superman thus offers a provocative analysis of mythmaking in the modern era.
An authoritative guide to the action-packed film genre With 24 incisive, cutting-edge contributions from esteemed scholars and critics, A Companion to the Action Filmprovides an authoritative and in-depth guide to this internationally popular and wide-ranging genre. As the first major anthology on the action film in more than a decade, the volume offers insights into the genre’s historical development, explores its production techniques and visual poetics, and provides reflections on the numerous social, cultural, and political issues it has and continues to embody. A Companion to the Action Film offers original research and critical analysis that examines the iconic characteristics of the genre, its visual aesthetics, and its narrative traits; considers the impact of major directors and stars on the genre’s evolution; puts the action film in dialogue with various technologies and other forms of media such as graphic novels and television; and maps out new avenues of critical study for the future. This important resource: Offers a definitive guide to the action film Contains insightful contributions from a wide range of international film experts and scholars Reviews the evolution of the genre from the silent era to today’s age of digital blockbusters Offers nuanced commentary and analysis of socio-cultural issues such as race, nationality, and gender in action films Written for scholars, teachers and students in film studies, film theory, film history, genre studies, and popular culture, A Companion to the Action Film is an essential guide to one of international cinema’s most important, popular, and influential genres.
