Time and Time Again part 7, continued from SUPERMAN (1987-2006) #55. Catapulted to the time of the Legion of Super-Heroes, Superman's found a way back to his present...propelled by the force of Earth's exploding moon.
'Time and Time Again' part 4, continued from SUPERMAN (1987-2006) #54. Superman's involuntary jaunt through time lands him in the future where he encounters the Legion of Super-Heroes again€only this time they're older and battling the deadly threat of the Sun-Eater. Continued in ACTION COMICS (1938-2011) #664.
While the hunt for Lex Luthor's heir heats up in Metropolis, Pete Ross and Lana Lang move to Washington, D.C. Plus, a mass murderer stalks the Metropolis subways.
Red Glass Trilogy part 2, continued from SUPERMAN (1987-2006) #56. The nightmares continue, devastating Metropolis and rendering Superman helpless to do anything. Continued in ACTION COMICS (1938-2011) #666.
'Mark of the Krypton Man' part 3, continued from SUPERMAN (1987-2006) #57. The Krypton Man drags Superman toward Earth's newly red sun, which could mean a certain death for the Man of Steel. Continued in ACTION COMICS (1938-2011) #667.
Time and Time Again part 1! When Superman and Booster Gold tangle with a menace from the future, the Man of Steel pays a high price when he's drawn into the time-stream. Continued in ACTION COMICS (1938-2011) #663.
From the late 1940s until the early 1990s, the Cold War was perhaps the most critical and defining aspect of American culture, influencing television, music, and movies, among other forms of popular entertainment. Films in particular were at the center of the battle for the hearts and minds of the American public. Throughout this period, the Cold War influenced what movies got produced, how such movies were made, and how audiences understood the films they watched. In the post–Cold War era, some genres of film suffered from the shift in our national narratives, while others were quickly reimagined for an audience with different political and social fears. In Hollywood and the End of the Cold War: Signs of Cinematic Change, Bryn Upton compares films from the late Cold War era with movies of similar themes from the post–Cold War era. In this volume, Upton pays particular attention to shifts in narrative that reflect changes in American culture, attitudes, and ideas. In exploring how the absence of the Cold War has changed the way we understand and interpret film, this volume seeks to answer several key questions such as: Has the end of the Cold War altered how we tell our stories? Has it changed how we perceive ourselves? In what ways has our popular culture been affected by the absence of this once dominant presence? With its focus on themes that are central to the concerns of many historians—including civil religion, social fracture, and the culture wars—Hollywood and the End of the Cold War will serve as a useful tool for those seeking to integrate film into the classroom, as well as for film scholars exploring representations of sociopolitical change on screen.