Superhero Culture Wars

Superhero Culture Wars

Author: Monica Flegel

Publisher: Bloomsbury Publishing

Published: 2021-01-14

Total Pages: 208

ISBN-13: 1350148660

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The reactionary Comicsgate campaign against alleged “forced” diversity in superhero comics revealed the extent to which comics have become a key battleground in America's Culture Wars. In the first in-depth scholarly study of Marvel Comics' most recent engagement with progressive politics, Superhero Culture Wars explores how the drive towards greater diversity among its characters and creators has interacted with the company's commercial marketing and its traditional fan base. Along the way the book covers such topics as: · Major characters such as Miles Morales's Spider-man, Kamala Khan's Ms. Marvel, Jane Foster's Thor, Sam Wilson's Captain America and the Secret Empire series' turncoat Captain America · Creators such as G. Willow Wilson, Jason Aaron, Nick Spencer and Michael Bendis · Marketing, the Marvel Universe, and online fan culture Superhero Culture Wars demonstrates how the marketing of Marvel comics as politically progressive has both indelibly shaped its in-world universe and characters, and led to conflicts between its corporate interests, its creators, and it audience.


Superhero Culture Wars

Superhero Culture Wars

Author: Monica Flegel

Publisher: Bloomsbury Publishing

Published: 2021-01-14

Total Pages: 209

ISBN-13: 1350148652

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The reactionary Comicsgate campaign against alleged “forced” diversity in superhero comics revealed the extent to which comics have become a key battleground in America's Culture Wars. In the first in-depth scholarly study of Marvel Comics' most recent engagement with progressive politics, Superhero Culture Wars explores how the drive towards greater diversity among its characters and creators has interacted with the company's commercial marketing and its traditional fan base. Along the way the book covers such topics as: · Major characters such as Miles Morales's Spider-man, Kamala Khan's Ms. Marvel, Jane Foster's Thor, Sam Wilson's Captain America and the Secret Empire series' turncoat Captain America · Creators such as G. Willow Wilson, Jason Aaron, Nick Spencer and Michael Bendis · Marketing, the Marvel Universe, and online fan culture Superhero Culture Wars demonstrates how the marketing of Marvel comics as politically progressive has both indelibly shaped its in-world universe and characters, and led to conflicts between its corporate interests, its creators, and it audience.


Keeping It Unreal

Keeping It Unreal

Author: Darieck Scott

Publisher: NYU Press

Published: 2022-01-18

Total Pages: 277

ISBN-13: 1479840130

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Introduction: Fantastic Bullets -- I Am Nubia: Superhero Comics and the Paradigm of the Fantasy-Act -- Can the Black Superhero Be? -- Erotic Fantasy-Acts: The Art of Desire -- Conclusion: On Becoming Fantastical.


Super Black

Super Black

Author: Adilifu Nama

Publisher: University of Texas Press

Published: 2011-10-01

Total Pages: 201

ISBN-13: 0292726740

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Super Black places the appearance of black superheroes alongside broad and sweeping cultural trends in American politics and pop culture, which reveals how black superheroes are not disposable pop products, but rather a fascinating racial phenomenon through which futuristic expressions and fantastic visions of black racial identity and symbolic political meaning are presented. Adilifu Nama sees the value—and finds new avenues for exploring racial identity—in black superheroes who are often dismissed as sidekicks, imitators of established white heroes, or are accused of having no role outside of blaxploitation film contexts. Nama examines seminal black comic book superheroes such as Black Panther, Black Lightning, Storm, Luke Cage, Blade, the Falcon, Nubia, and others, some of whom also appear on the small and large screens, as well as how the imaginary black superhero has come to life in the image of President Barack Obama. Super Black explores how black superheroes are a powerful source of racial meaning, narrative, and imagination in American society that express a myriad of racial assumptions, political perspectives, and fantastic (re)imaginings of black identity. The book also demonstrates how these figures overtly represent or implicitly signify social discourse and accepted wisdom concerning notions of racial reciprocity, equality, forgiveness, and ultimately, racial justice.


Culture War

Culture War

Author: Alexander Adams

Publisher: Andrews UK Limited

Published: 2019-03-06

Total Pages: 185

ISBN-13: 1788360052

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Why has identity become so central to judging art today? Why are some groups reluctant to defend free speech within culture? Has state support made artists poorer not richer? How does the movement for social justice influence cultural production? Why is Post-Modernism dominant in the art world? Why are consumers of comic books so bitterly divided? In Culture War: Art, Identity Politics and Cultural Entryism Alexander Adams examines a series of pressing issues in today's culture: censorship, Islamism, Feminism, identity politics, historical reparations and public arts policy. Through a series of linked essays, Culture War exposes connections between seemingly unrelated events and trends in high and popular cultures. From fine art to superhero comics, from political cartoons to museum policy, certain persistent ideas underpin the most contentious issues today. Adams draws on history, philosophy, politics and cultural criticism to explain the reasoning of creators, consumers and critics and to expose some uncomfortable truths.


War, Politics and Superheroes

War, Politics and Superheroes

Author: Marc Di Paolo

Publisher: McFarland Publishing

Published: 2011

Total Pages: 330

ISBN-13: 9780786447183

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Superhero adventure comics have a long history of commenting upon American public opinion and government policy, and the surge in the popularity of comics since the events of September 11, 2001, ensures their continued relevance. This critical text examines the seventy-year history of comic book superheroes on film and in comic books and their reflections of the politics of their time. Superheroes addressed include Batman, Wonder Woman, Spider-Man, Superman, the Fantastic Four and the X-Men, and topics covered include American wars, conflicts, and public policy. Instructors considering this book for use in a course may request an examination copy here.


Champions of the Oppressed?

Champions of the Oppressed?

Author: Christopher Murray

Publisher: Hampton Press (NJ)

Published: 2011

Total Pages: 289

ISBN-13: 9781612890029

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This book explores the relationship between American superhero comics and propaganda during World War II. It contends that superhero comics were an important means by which the war was represented to the American people and argues that the ideological links between superhero comics and propaganda resides in the imagery and rhetoric they both employed in order to fashion, maintain and reshape conceptions of identity, power and morality for political purposes.


The Amazing Transforming Superhero!

The Amazing Transforming Superhero!

Author: Terrence R. Wandtke

Publisher: McFarland

Published: 2011-11-16

Total Pages: 256

ISBN-13: 0786490136

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This collection of essays analyzes the many ways in which comic book and film superheroes have been revised or rewritten in response to changes in real-world politics, social mores, and popular culture. Among many topics covered are the jingoistic origin of Captain America in the wake of the McCarthy hearings, the post-World War II fantasy-feminist role of Wonder Woman, and the Nietzschean influences on the "sidekick revolt" in the 2004 film The Incredibles.


Comic Book Nation

Comic Book Nation

Author: Bradford W. Wright

Publisher: JHU Press

Published: 2003-10-17

Total Pages: 364

ISBN-13: 9780801874505

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A history of comic books from the 1930s to 9/11.


Superheroes and American Self Image

Superheroes and American Self Image

Author: Michael Goodrum

Publisher: Routledge

Published: 2017

Total Pages: 0

ISBN-13: 9781138306462

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This book offers an interdisciplinary approach to the study of comic-books, mobilising them as a means to understand better the political context in which they are produced. Structured around key political events during the tumultuous period of US history from the Great Depression to the political trauma of Watergate and the end of the Vietnam War, the author combines analyses of visual and textual discourse, including comic-book letters pages, to come to a more complete picture of the relationship between comic-books as documents and the people who read and created them.