* Our summary is short, simple and pragmatic. It allows you to have the essential ideas of a big book in less than 30 minutes. By reading this summary, you will learn what interests you in identifying and cultivating your gifts. You will also learn: that your talents reveal part of your individuality; that strengthening your faculties gives you the opportunity to accomplish yourself; that by perfecting his chess skills, the main character has sharpened his intelligence and learned to better control his emotions; that by devoting yourself to your passion, you can overcome moral trials. Published posthumously in 1943, Stefan Zweig's short story The Chess Player relates the meeting and confrontation of two chess players who are at odds with each other. One is a peasant who has become a world champion thanks to his skill at chess, the only talent he possesses. The other is an Austrian aristocrat, whom the Gestapo officers have subjected to total isolation in a hotel room. To resist this psychological torture, he played mental chess games. Despite their different backgrounds, each of them benefited from exploiting their talent. What benefits can you gain from your passion? *Buy now the summary of this book for the modest price of a cup of coffee!
This collection of short stories by a major German writer of the twentieth century includes Fear, Amok, The Burning Secret, The Royal Game, and Letter From an Unknown Woman
Chess Story, also known as The Royal Game, is the Austrian master Stefan Zweig’s final achievement, completed in Brazilian exile and sent off to his American publisher only days before his suicide in 1942. It is the only story in which Zweig looks at Nazism, and he does so with characteristic emphasis on the psychological. Travelers by ship from New York to Buenos Aires find that on board with them is the world champion of chess, an arrogant and unfriendly man. They come together to try their skills against him and are soundly defeated. Then a mysterious passenger steps forward to advise them and their fortunes change. How he came to possess his extraordinary grasp of the game of chess and at what cost lie at the heart of Zweig’s story. This new translation of Chess Story brings out the work’s unusual mixture of high suspense and poignant reflection.
It's the 1930s. Christine, a young Austrian woman whose family has been impoverished by the war, toils away in a provincial post office. Out of the blue, a telegram arrives from an American aunt she's never known, inviting her to spend two weeks in a Grand Hotel in a fashionable Swiss resort. She accepts and is swept up into a world of almost inconceivable wealth and unleashed desire, where she allows herself to be utterly transformed. Then, just as abruptly, her aunt cuts her loose and she has to return to the post office, where - yes - nothing will ever be the same.
Collected in one volume for the first time: 22 classic short stories of love and death, betrayal and hope—from a master storyteller hailed as “the Updike of his day” (New York Observer) In this magnificent collection of Stefan Zweig’s short stories, the very best and worst of human nature is captured with sharp observation, understanding, and vivid empathy. Ranging from love and death to faith restored and hope regained, these stories present a master at work, at the top of his form. Perfectly paced and brimming with passion, these 22 tales from one of the great storytellers of the 20th century are translated by the award-winning Anthea Bell. Included: Forgotten Dreams In the Snow The Miracles of Life The Star Above the Forest A Summer Novella The Governess Twilight A Story Told in Twilight Wondrak Compulsion Moonbeam Alley Amok Fantastic Night Letter from an Unknown Woman The Invisible Collection Twenty-Four Hours in the Life of a Woman Downfall of the Heart Incident on Lake Geneva Mendel the Bibliophile Leporella Did He Do It? The Debt Paid Late
The great Austrian writer Stefan Zweig was a master anatomist of the deceitful heart, and Impatience of the Heart, the only novel he published during his lifetime, uncovers the seed of selfishness within even the finest of feelings. Hofmiller, an Austro-Hungarian cavalry officer stationed at the edge of the empire, is invited to a party at the home of a rich local landowner, a world away from the dreary routine of the barracks. The surroundings are glamorous, wine flows freely, and the exhilarated young Hofmiller asks his host's lovely daughter for a dance, only to discover that sickness has left her painfully crippled. It is a minor blunder that will destroy his life, as pity and guilt gradually implicate him in a well-meaning but tragically wrongheaded plot to restore the unhappy invalid to health.
A DOCTOR IN the Dutch East Indies torn between his medical duty to help and his own mixed emotions; a middle-aged maidservant whose devotion to her master leads her to commit a terrible act; a hotel waiter whose love for an unapproachable aristocratic beauty culminates in an almost lyrical death and a prisoner-of-war longing to be home again in Russia. In these four stories, Stefan Zweig shows his gift for the acute analysis of emotional dilemmas. His four tragic and moving cameos of the human condition are played out against cosmopolitan and colonial backgrounds in the first half of the twentieth century.
Mary, Queen of Scots (1542–1587), also known as Mary Stuart or Mary I of Scotland, reigned over Scotland from 14 December 1542 to 24 July 1567. Mary, the only surviving legitimate child of James V of Scotland, was six days old when her father died and she acceded to the throne. She spent most of her childhood in France while Scotland was ruled by regents, and in 1558, she married the Dauphin of France, Francis. He ascended the French throne as King Francis II in 1559, and Mary briefly became queen consort of France, until his death in December 1560. Widowed, Mary returned to Scotland, arriving in Leith on 19 August 1561. Four years later, she married her first cousin, Henry Stuart, Lord Darnley, but their union was unhappy. In February 1567, his residence was destroyed by an explosion, and Darnley was found murdered in the garden. James Hepburn, 4th Earl of Bothwell, was generally believed to have orchestrated Darnley’s death, but he was acquitted of the charge in April 1567, and the following month he married Mary. Following an uprising against the couple, Mary was imprisoned in Lochleven Castle. On 24 July 1567, she was forced to abdicate in favour of James VI, her one-year-old son by Darnley. After an unsuccessful attempt to regain the throne, she fled southwards seeking the protection of her first cousin once removed, Queen Elizabeth I of England. Mary had previously claimed Elizabeth’s throne as her own and was considered the legitimate sovereign of England by many English Catholics, including participants in a rebellion known as the Rising of the North. Perceiving her as a threat, Elizabeth had her confined in various castles and manor houses in the interior of England. After eighteen and a half years in custody, Mary was found guilty of plotting to assassinate Elizabeth in 1586 and was beheaded the following year. “The story has all the emotional savor of a crime passionnel; it is adroitly worked up to a climax of violence and calamity, and it subsides as skillfully to an end of tragic pity... With his talent for simple exposition on a large scale, his sense of drama, his ready flow of emotion, his inventiveness in detail of the moments of his character’s life, his resources of metaphor, parallel and illustration, and his rich psychological adornment of human life, Herr Zweig has no difficulty in reducing his material into its essential drama... whatever Mary’s story, and we shall never know, Zweig’s book has every right to be set down as one of the most brilliant guesses at the truth, and it is an amazing piece of virtuosity to plunge her into the blackest of guilt, and then restore her to our sympathy and pity.” — Peter Munro Jack, The New York Times “Mr. Zweig... is not a historian but... a litterateur practising biography as a branch of letters. The distinction is not derogatory... It... is the clue to the strength and weakness of the book. The litterateur borrows from the craft and exercises some of the liberty of the novelist. He is interested in character and psychology and indulges in imaginative reconstruction more freely than the historian who is forever... haunted by the words, ‘We do not know.’... [Zweig] makes a real person of Mary, a convincing portrait, and there is sympathetic understanding even when he is presenting her as the accomplice of her lover, Bothwell, in the murder of Darnley. Needless to say the style is remarkably easy and readable... [C]riticism would be unjust to the brilliant qualities of Mr. Zweig’s book, and though I hope that all he says will not be taken for gospel truth, I am certain of the pleasure he will give to his readers. There are many descriptive passages to be scored and many sentences that one would give a great deal to have written. The whole book goes with the swing of a novel. The translation is beyond praise.” — J. E. Neale, The Saturday Review
Mavis Gallant is the modern master of what Henry James called the international story, the fine-grained evocation of the quandaries of people who must make their way in the world without any place to call their own. The irreducible complexity of the very idea of home is especially at issue in the stories Gallant has written about Montreal, where she was born, although she has lived in Paris for more than half a century. Varieties of Exile, Russell Banks's extensive new selection from Gallant's work, demonstrates anew the remarkable reach of this writer's singular art. Among its contents are three previously uncollected stories, as well as the celebrated semi-autobiographical sequence about Linnet Muir—stories that are wise, funny, and full of insight into the perils and promise of growing up and breaking loose.
A new critical assessment of the works of the Austrian-Jewish author, in whom there has been a recent resurgence of interest, from the perspective of world literature.
