Summa Kitharologica, Vol. 2

Summa Kitharologica, Vol. 2

Author: Ricardo Iznaola

Publisher: Mel Bay Publications

Published: 2024-10-17

Total Pages: 137

ISBN-13: 1513480359

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This second volume of Ricardo Iznaola’s monumental Summa Kitharologica trilogy is, according to its author, “a playbook for self-guided discovery” in matters related to the expressive interpretation of music. Its 26 short pieces in all keys, in versions for solo guitar and guitar duo, present the reader with an ample array of musical styles and technical procedures that serve as so many opportunities for exploration of the fascinating and complex growth process that brings the player from basic acquaintance with a score to masterful assimilation of its contents. As the distinguished British guitarist and pedagogue Jonathan Leathwood remarks in his Foreword to the book, at this point, the player “is so at one with the score that they can stretch it – and occasionally contradict it – without ever betraying its essential meaning,” attaining that “desirable imprecision” proposed as a marker of ultimate mastery by cellist and pedagogue Pedro de Alcántara, as Leathwood reminds us. The musical contents are complemented by brief epigraphs preceding each solo miniature, ranging from the factual to the poetic, whose purpose is to anchor the music in an evocative, affect-charged context that may hopefully stir the player’s imagination, as will the excellent recordings by Laura Husbands and the Arabesque Duo. Additional commentaries in the Working Notes section, in the appendix, and in the afterword deal with topics as diverse as mental practice, synesthesia, musical peak experiences, prosody and rhythm theory, the hazards of a performing career, and the performer’s need for (and the challenges of) introspective self-assessment. Throughout, the book advocates, as its core thesis, the importance of a questioning stance: “what if…” as the path to discovery through changes in points of view, a consistently variable perspectivist approach, in which comparison and evaluation of multiple alternatives, rather than prescriptive pre-ordained solutions, is taken as the foundation for true understanding. Volume 3 of Summa Kitharologica, Handbook of Comparative Fingering Analysis, completes the set with a comprehensive analytical overview of guitar fingering strategies since the early 19th century.


Summa Kitharologica, Volume 1 The Physiology of Guitar Playing: Functional Anatomy and Physiomechanics

Summa Kitharologica, Volume 1 The Physiology of Guitar Playing: Functional Anatomy and Physiomechanics

Author: Ricardo Iznaola

Publisher: Mel Bay Publications

Published: 2015-10-06

Total Pages: 171

ISBN-13: 1619115360

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Ricardo Iznaola's long-awaited Summa Kitharologica (vol. 1) is the culmination of three decades of deep exploration of the guitarist's playing mechanism and is the most comprehensive presentation of his thinking about these matters to date. Structured in three chapters, Chapter 1 surveys basic anatomy and physiology of the upper limb, with additional sections discussing general pedagogical considerations. Chapter 2, devoted to the right hand, presents detailed information regarding digital joint behavior in general and as applied in actualactivity on the guitar, as well as introducing an analytical system to study anddescribe positional attitudes, or `frames', adopted by the hand in the course ofplaying. Chapter 3 discusses at length left-hand physiomechanics, taking the concepts of shifting and mobility as fundamental categories encompassing all aspects of left-hand technique. Twenty-six anatomical figures, over fifty photosand more than sixty musical examples, with access to online video amply illustrate the text. In the spirit of ground-breaking scientific pioneers, celebrated performer and pedagogue Ricardo Iznaola offers the guitar world the first volume of SummaKitharologica, a comprehensive and highly insightful examination of guitar technique in a remarkable mixture of soaring erudition and down-to-earth practical and applicable approaches to the instrument. Like a modern-day Charles Darwin of the guitar, his insatiable passion for discovery, keen eye of the `naturalist' and relentless analytical mind have carefully and methodically recorded previously little-known or little-recognized observations, relationships and nuances about the natural principles at work in artful guitar playing. For guitar instructors, serious students and even advanced performers who desire to go beyond the `what' ofguitar technique and delve into its `whys' and `hows', this may well be thedefinitive text. Henry Adams, former editor, Guitar and Lute Magazine


Ricardo Iznaola: Kitharologus The Path to Virtuosity

Ricardo Iznaola: Kitharologus The Path to Virtuosity

Author: Ricardo Iznaola

Publisher: Mel Bay Publications

Published: 2010-10-07

Total Pages: 129

ISBN-13: 1609741153

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The premise of Kitharologus is that Guitar technique is made up of a limited number of procedures with an unlimited number of applications. Therefore, a sound technical methodology is not one that tries to cover all possible forms of a given procedure, but rather one that identifies and trains the essential mechanism which makes the procedure, in all its forms, possible. Covering all grades from novice to expert, this book is certain to be enthusiastically embraced by any classical guitarist wishing to maximize his technique.


Ricardo Iznaola On Practicing

Ricardo Iznaola On Practicing

Author: Ricardo Iznaola

Publisher: Mel Bay Publications

Published: 2010-10-07

Total Pages: 25

ISBN-13: 1609743571

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A concise booklet which presents a complete practicing methodology for guitarists. Topics discussed include the concepts of inner and outer poise, issues affecting practice, visualization and much more.


Kitharologus

Kitharologus

Author: Ricardo Iznaola

Publisher: Mel Bay Publications

Published: 1997

Total Pages: 128

ISBN-13: 9780786617746

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The premise of Kitharologus is that "Guitar technique is made up of a limited number of procedures with an unlimited number of applications. Therefore, a sound technical methodology is not one that tries to cover all possible forms of a given procedure, but rather one that identifies and trains the essential mechanism which makes the procedure, in all its forms, possible". Covering all grades from novice to expert, this book is certain to be enthusiastically embraced by any classical guitarist wishing to maximize his technique.


Classical Guitar Technique: Essential Exercises, Scales, and Arpeggios

Classical Guitar Technique: Essential Exercises, Scales, and Arpeggios

Author: Bradford Werner

Publisher:

Published: 2018-12-10

Total Pages: 122

ISBN-13: 9781790874118

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Classical Guitar Technique: Essential Exercises, Scales, and Arpeggios (2019 Edition). Notation Only with Fingering, String Numbers, and Positions.122 Pages. Includes: Practice Routines, Tips, YouTube Lessons, 100 Open String Exercises, 120 Giuliani Arpeggios, Selected Scales (Major, Minor, 3rds, 6ths, Octaves, 10ths), Slur Exercises, Shifts, Finger Independence, Alignment, Stretch, Barre, Tremolo, Common Harmonics, Speed and Relaxation, and more. This book focuses on essential exercises for the development of classical guitar technique. All the exercises from the headings of the table of contents progress from easy to advanced in a progressive format. Although this is a book of exercises rather than a method, I have included many helpful tips throughout the book to aid students. As with all my materials, the video lessons are an added educational advantage.Intended for beginner to early-advanced classical guitar students (approximately RCM Toronto Grade 1-9). As a basic prerequisite students would have completed both Volume One and Two of my beginner method book series or an equivalent. There are a number of exercises in upper positions that include accidentals, therefore, additional reading experience is required if you wish to study the entire book. The inclusion of fingering, string numbers, and position marks should make the exercises easy to understand. The 100 open string exercises should be very accessible to beginners and advanced students alike.


Ukulele Picking Tunes - Classical Gems

Ukulele Picking Tunes - Classical Gems

Author: Paul Mansell

Publisher: Mel Bay Publications

Published: 2021-12-17

Total Pages: 40

ISBN-13: 1513459333

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Ukulele Picking Tunes: Classical Gems, by professional ukulele player and composer Paul Mansell, provides a unique collection of 20 favorite classical pieces arranged for both high-G and low-G ukulele. All the arrangements appear in both ukulele tablature and standard music notation. Selections include compositions by well-known composers such as J. S. Bach and Beethoven, as well as some lesser-known gems by Dowland, Sor and Carcassi. The book includes access to video footage of the author performing each piece.


10 Brazilian Choros Arranged for Classical Guitar Solo

10 Brazilian Choros Arranged for Classical Guitar Solo

Author: Stephen Guerra

Publisher: Mel Bay Publications

Published: 2021-09-16

Total Pages: 56

ISBN-13: 1513459376

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Choro is a popular instrumental-music tradition flourishing in Brazil and around the world. It preceded, influenced, and in turn was influenced by samba and bossa nova. Its repertory is vast, including thousands of choros composed by all manner of string, wind, keyboard, and percussion players—in addition to the guitar classics by João Pernambuco and Heitor Villa-Lobos. This landmark publication gives guitarists access to this seemingly endless repertory, empowering its readers to turn a choro written for any instrument into a convincing and idiomatic solo guitar arrangement. This process is taught through examples provided by Dr. Stephen Guerra, a versatile guitarist/composer intimately familiar with both classical and Brazilian guitar (violão brasileiro) as well as the choro idiom. This book is intended for both students of Brazilian guitar and classical guitarists seeking to add choros to their repertory and play them authentically. It includes: • Original solo arrangements plus lead sheets and online recordings of 10 choros for the intermediate to advanced classic guitarist. • Biographical and performance notes regarding the selected composers and compositions. • Insightful suggestions for further reading, listening, and study. • Extensive endnotes explaining arrangement choices, notation practice and influences. Dr. Guerra focuses on classics from the pioneering generation of choro composers culminating in the artistry of João Pernambuco, Pixinguinha, and Heitor Villa-Lobos; among others, these include compositions by choro pianists Chiquinha Gonzaga and Ernesto Nazareth, samba singer-composer Noel Rosa, choro bandleaders Joaquim Calado and Anacleto de Medeiros, and Brazil’s early flute virtuoso, Patápio Silva. Includes access to online audio.


Sylvius Leopold Weiss - Three Late Sonatas for Classical Guitar

Sylvius Leopold Weiss - Three Late Sonatas for Classical Guitar

Author: Allen Krantz

Publisher: Mel Bay Publications

Published: 2021-04-23

Total Pages: 80

ISBN-13: 1513459694

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Silvius Leopold Weiss (1687 – 1750) is known to guitarists as the greatest baroque composer for the lute, yet most are only familiar with the earlier portion of Weiss’s prolific output found in the British Library in London. Inspired by a forty-year friendship with the late Douglas Alton Smith - a major figure in the scholarly study of the history of the lute - guitarist, composer, and head of the guitar program at Temple University in Philadelphia, Allen Krantz explored the Weiss manuscripts found in other European cities, particularly the Dresden editions which contain the fifteen sonatas that Weiss produced from the late 1730s to the end of his life. Transcriptions of three of those fifteen late sonatas are featured in this book in modern standard notation along with the original lute tablature as found in the Sächsische Landesbibliothek - Staats- und Universitätsbibliothek, Dresden. While the baroque lute’s tuning makes some works awkward or impossible on the guitar, the three works presented here—Sonatas No. 35 in D minor, No. 42 in A minor and No. 45 in A Major— are in their original keys which happen to be guitar-friendly. The author’s generous and scholarly “Preface” provides thorough historical and performance notes for the music in this volume. While just three of Weiss’s 109 multi-movement lute sonatas are represented here, the importance of this publication cannot be overstated. It contains some of the greatest music of a masterful lutenist— Weiss once faced-off with J. S. Bach on keyboards in a counterpoint improvisation contest—now made accessible to the modern classical guitarist.


20 Flamenco Guitar Etudes

20 Flamenco Guitar Etudes

Author: Yago Santos

Publisher: Mel Bay Publications

Published: 2022-02-11

Total Pages: 141

ISBN-13: 1513459244

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Classic and flamenco guitarists alike will benefit from these etudes as they bridge the gap between traditional mechanical studies and engaging practice and concert material. Although relatively short in duration, a few of these etudes could be combined in a medley to form an effective suite or set. In addition, fourteen of the twenty etudes are provided with chord accompaniment for harmonic analysis, improvisation, or performance with a teacher or second guitarist. The companion online audio for this book has been masterfully recorded by the author using a flamenco guitar to authentically render the typical picado, double-arpeggio, arpeggio-legato, and horquilla techniques as well as the quintuplet flamenco tremolo. Traditional classical elements like octave, interval and arpeggio studies are also thoroughly explored, with one piece in dropped-D tuning—all with a flamenco flavor. In addition to accomplishing its mission of offering a fresh regimen of appealing practice etudes, the truly unique feature of this book is that everything from basic technique to exotic harmony and modal scales has been aflamencado or “flamenco-ized”. Towards that end, a comprehensive glossary of mostly flamenco terminology is provided along with standard notation and tablature for each piece. As a bonus for those new to the flamenco genre, or for the serious aficionado or audiophile, a generous “Recommended Listening” list is included. Practice-related quotations from prominent guitarists in various styles complete this exceptional collection. Includes access to online audio.