Arthur Sullivan
Arthur Sullivan

Author: Benedict Taylor

Publisher: Routledge

Published: 2017-08-09

Total Pages: 395

ISBN-13: 1317178262

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Arthur Sullivan (1842–1900) was Victorian Britain’s most celebrated and popular composer, whose music to this day reaches a wider audience than that of any of his contemporaries. Yet the comic operas on which Sullivan’s reputation is chiefly based have been consistently belittled or ignored by the British musicological establishment, while his serious works have until recently remained virtually unknown. The time is thus long overdue for scholarly re-engagement with Sullivan. The present book offers a new appraisal of the music of this most notable nineteenth-century British composer, combining close analytical attention to his music with critical consideration of the wider aesthetic and social context to his work. Focusing on key pieces in all the major genres in which Sullivan composed, it includes accounts of his most important serious works – the music to The Tempest, the ‘Irish’ Symphony, The Golden Legend, Ivanhoe – alongside detailed examination of the celebrated comic operas created with W.S. Gilbert to present a balanced portrayal of Sullivan’s musical achievement.

Arthur Sullivan
Arthur Sullivan

Author: Ian Bradley

Publisher: Oxford University Press

Published: 2021-04-08

Total Pages: 227

ISBN-13: 0192608355

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This book charts the life of Arthur Sullivan—the best loved and most widely performed British composer in history. While he is best known for his comic opera collaborations with W. S. Gilbert, it was his substantial corpus of sacred music which meant most to him and for which he wanted to be remembered. His upbringing and training in church music, and his own religious beliefs, substantially affected both his compositions for the theatre and his more serious work, which included oratorios, cantatas, sacred ballads, liturgical pieces, and hymns. Focusing on the spiritual aspects of Sullivan's life—which included several years as a church organist, involvement in Freemasonry, and an undying attachment to Anglican church music—Ian Bradley uses hitherto undiscovered letters, diary entries, and other sources to reveal the important influences on his faith and his work. No saint and certainly no ascetic, he was a lover of life and enjoyed its pleasures to the full. At the same time, he had a rare spiritual sensitivity, a sincere Christian faith, and a unique ability to uplift through both his character and his music that can best be described as a quality of divine emollient.

Gilbert and Sullivan
Gilbert and Sullivan

Author: Michael Ainger

Publisher: Oxford University Press

Published: 2002-11-21

Total Pages: 529

ISBN-13: 0195349008

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'A Gilbert is of no use without a Sullivan.' With these words, W.S. Gilbert summed up his reasons for persisting in his collaboration with Arthur Sullivan despite the combative nature of their relationship. In fact, Michael Ainger suggests in Gilbert and Sullivan the success of the pair's work is a direct result of their personality clash, as each partner challenged the other to produce his best work. After exhaustive research into the D'Oyly Carte collection of documents, Ainger offers the most detailed account to date of Gilbert and Sullivan's starkly different backgrounds and long working partnership. Having survived an impoverished and insecure childhood, Gilbert flourished as a financially successful theater professional, married happily and established himself as a property owner. His sense of proprietorship extended beyond real estate, and he fought tenaciously to protect the integrity of his musical works. Sullivan, the product of a supportive family who nourished his talent, was much less satisfied with stability than his collaborator. His creative self-doubts and self-demands led to nervous and physical breakdowns, but it also propelled the team to break the successful mode of their earliest work to produce more ambitious pieces of theater, including The Mikado and The Yeoman of the Guards . Offering previously-unpublished draft libretti and personal letters, this thorough double-biography will be an essential addition to the library of any Gilbert and Sullivan fan.

The Life and Times of Gilbert and Sullivan
The Life and Times of Gilbert and Sullivan

Author: Jim Whiting

Publisher: Mitchell Lane

Published: 2019-12-05

Total Pages: 69

ISBN-13: 154574887X

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What is probably the most famous pairing in musical history began without fanfare in 1871 when writer William S. Gilbert and composer Arthur Sullivan teamed up to produce a Christmas entertainment called Thespis. The two men parted ways soon afterward and it took a theatrical promoter named Richard D Oyly Carter to reunite them four years later. Their first big hit came in 1878 with their operetta H.M.S. Pinafore. It reached the United States the following year and created the same excitement that we associate with a major rock concert or blockbuster movie. Despite some disagreements, the two men produced 11 other operettas before going their separate ways. Today Gilbert and Sullivan societies exist all over the world. Audiences still enjoy their combination of clever, humorous lyrics and tuneful melodies.

The English Musical Renaissance and the Press 1850-1914: Watchmen of Music
The English Musical Renaissance and the Press 1850-1914: Watchmen of Music

Author: Meirion Hughes

Publisher: Routledge

Published: 2017-07-05

Total Pages: 261

ISBN-13: 1351544845

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The importance of nineteenth-century writing about culture has long been accepted by scholars, yet so far as music criticism is concerned, Victorian England has been an area of scholarly neglect. This state of affairs is all the more surprising given that the quantity of such criticism in the Victorian and Edwardian press was vast, much of it displaying a richness and diversity of critical perspectives. Through the study of music criticism from several key newspapers and journals (specifically The Times, Daily Telegraph, Athenaeum and The Musical Times), this book examines the reception history of new English music in the period surveyed and assesses its cultural, social and political, importance. Music critics projected and promoted English composers to create a national music of which England could be proud. J A Fuller Maitland, critic on The Times, described music journalists as 'watchmen on the walls of music', and Meirion Hughes extends this metaphor to explore their crucial role in building and safeguarding what came to be known as the English Musical Renaissance. Part One of the book looks at the critics in the context of the publications for which they worked, while Part Two focuses on the relationship between the watchmen-critics and three composers: Arthur Sullivan, Hubert Parry and Edward Elgar. Hughes argues that the English Musical Renaissance was ultimately a success thanks largely to the work of the critics. In so doing, he provides a major re-evaluation of the impact of journalism on British music history.

Richard D’Oyly Carte
Richard D’Oyly Carte

Author: Paul Seeley

Publisher: Routledge

Published: 2019-01-02

Total Pages: 231

ISBN-13: 135104589X

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The first biography of Richard D’Oyly Carte, this is a critical survey of the career of the impresario whose ambitions went beyond the famous partnership of Gilbert and Sullivan. Errors and misconceptions in current literature are challenged and corrected to give a truer portrayal of one of the most influential music theatre promoters in the nineteenth century.