British connoisseur describes in detail the subject of famous Japanese color prints using 274 reproductions of works by Hokusai, Hiroshige, Utamaro, Shunyei, and other masters. Bibliography. Index.
A collection of more than 100 recipes that introduces Japanese comfort food to American home cooks, exploring new ingredients, techniques, and the surprising origins of popular dishes like gyoza and tempura. Move over, sushi. It’s time for gyoza, curry, tonkatsu, and furai. These icons of Japanese comfort food cooking are the hearty, flavor-packed, craveable dishes you’ll find in every kitchen and street corner hole-in-the-wall restaurant in Japan. In Japanese Soul Cooking, Tadashi Ono and Harris Salat introduce you to this irresistible, homey style of cooking. As you explore the range of exciting, satisfying fare, you may recognize some familiar favorites, including ramen, soba, udon, and tempura. Other, lesser known Japanese classics, such as wafu pasta (spaghetti with bold, fragrant toppings like miso meat sauce), tatsuta-age (fried chicken marinated in garlic, ginger, and other Japanese seasonings), and savory omelets with crabmeat and shiitake mushrooms will instantly become standards in your kitchen as well. With foolproof instructions and step-by-step photographs, you’ll soon be knocking out chahan fried rice, mentaiko spaghetti, saikoro steak, and more for friends and family. Ono and Salat’s fascinating exploration of the surprising origins and global influences behind popular dishes is accompanied by rich location photography that captures the energy and essence of this food in everyday life, bringing beloved Japanese comfort food to Western home cooks for the first time.
Inorganic biomaterials include materials for e.g. dental restorations, biocompatible materials for orthopedic appliances and bioactive materials. However, inorganic biomaterials are also developed for use in tissue regeneration, e.g. wound healing. These products either consist of crystalline phases, such as Al2O3 or ZrO2, which makes them suitable for use in hip bone replacement or they are composed of tricalcium phosphate and used as resorbable biomaterials. Or, they contain glassy phases, such as BIOGLASS®, and are employed as bioactive biomaterials to bond to living bone. Inorganic biomaterials are also used to develop inorganic – organic composites which are suitable for use as bioactive products or to produce dental filling materials. In general, the development of composites is state of the art. However, it is also a future technology. Biomaterials for dental restorations consist of glassy or crystalline phases. Glass-ceramics represent a special group of inorganic biomaterials for dental restorations. Glass-ceramics are composed of at least one inorganic glassy phase and at least one crystalline phase. These products demonstrate a combination of properties, which include excellent aesthetics and the ability to mimic the optical properties of natural teeth, as well as high strength and toughness. They can be processed using special processing procedures, e.g. machining, moulding and sintering, to fabricate high quality products. Sintered oxide ceramics, such as Al2O3 or ZrO2, are also used for the fabrication of dental restorations. These products can be veneered with other biomaterials, or they can be polished to achieve the best possible surface quality. The manuscripts dealing with inorganic biomaterials should focus on the development of the products, especially on their chemical nature, the phase formation processes and all the details related to their processing. Very important are the mechanisms of phase formation. The reader of the manuscript should understand all of these reactions in detail. As far as application is concerned, it is important to describe the main properties of the developed products based on the valid standards, e.g. the ISO standards. The papers published should show that the products comply with these standards. It is very important to understand the relationship between biomass and biomaterials. This will help young scientists to follow the development of biomaterials with new, unexpected properties. He manuscripts published in "Frontiers" should also focus on the application of the biomaterials. Every manuscript should show the most important application of the material presented. There are different journals that deal with specific product categories, eg "Dental Materials". However, "Frontiers" should allow young scientists to publish their research results using all kinds of inorganic biomaterials. On the other hand, fundamental discussion and analysis of the findings should be encouraged and conclusions about possible applications in the field of medicine and dentistry should be drawn.
Japanese Screens in Miniature is a collection of six of Japan's masterpieces reproduced as actual miniature screens, with an introduction to this most colorful, exuberant, and decorative aspects of the Golden Age of Japanese art. The development of the Japanese screen as an ant form in the Momoyama period (1575-1615) presents a fascinating example of the converging influences of art traditions,history, politics, religion, and architecture.
The art of the Ukiyo-e reflected the artistic expression of an isolated civilisation which, when it became accessible to the West, significantly influenced a number of European artists. The three masters of Ukiyo-e, Hokusai, Utamaro and Hiroshige, are united here for the first time to create a true reference on Japanese art. The three masters rank highly among the most famous Japanese artistic productions of all time. This new title of the Prestige of Art collection will be a reference for art students and Japanese art lovers.
This volume recognizes the growing awareness of the importance of images in international relations, exploring the phenomenon over three centuries as it relates to Russia and Japan. The general perception of one country by another – the ‘stereotypical collective mentality’ – is an historic phenomenon that continues to be a fundamental component in international relations at all levels, but especially in the political and business arenas, and remains an ongoing challenge for future generations. Bringing together international scholars from various disciplines, this innovative study focuses especially on modes of seeing and on the enigma of visual experience. It draws on numerous visual representations from propaganda posters and cartoons to artworks and films and to more recent media, such as television, the internet, pop-culture icons, as well as direct visual encounters. The volume raises questions of how different cultures observe, understand and represent each other, how and why mutual representations have changed or remained unchanged during the long history of Japanese-Russian interactions, what mental frameworks exist on both sides of the encounter; and how visions of otherness influence the construction of national, cultural and social identities.