King Shark and unfortunate tagalong, The Defacer, are swept into a mystical tournament for totemic animal spirits, at the behest of King Shark's father, the God of Sharks!
Defacer must form a partnership with the Man-King to ensure humanity isn't overtaken by shark domination! But she's kinda starting to like King Shark, and the avatar of all humanity kinda sucks!
There is a new player in the game, and Defacer and King Shark will have to get over their differences fast or they won't even get the chance to evolve or die!
This is the second volume of the widely acclaimed Art of the Cut book published in 2017. This follow-up text expands on its predecessor with wisdom from more than 360 interviews with the world’s best editors (including nearly every Oscar winner from the last 30 years). Because editing is a highly subjective art form, and one that is critical to the success of motion picture storytelling, it requires side-by-side comparisons of the many techniques and solutions used by a wide range of editors from around the world. That is why this book compares and contrasts methodologies from a wide array of diverse voices and organizes that information so that it is easily digested and understood. There is no one way to approach editorial problems, so this book allows readers to see multiple solutions from multiple editors. The interviews contained within are carefully curated into topics that are most important to film editors and those who aspire to become film editors. The questions asked, and the organization of the book, are not merely an academic or theoretical view of the art of editing but rather the practical advice and methodologies of actual working film and TV editors, bringing benefits to both students and professional readers. The book is supplemented by a collection of downloadable online exclusive chapters, which cover additional topics ranging from Choosing the Project to VFX. In addition to the supplementary chapters, access to the full-color, full-resolution images printed in the book—and other exclusive images—is included.
The Suicide Squad enters the Future State era as Amanda Waller uses Task Force X to save the world and remake it in her image-but what happens when the team shows up to stop her? And in the second story in this extra-sized issue, Black Adam, the immortal one-time champion of the wizard Shazam, rules the planet Kahndaq in the 853rd century. Can he save the future from a threat rooted in the past?The Suicide Squad enters the Future State era as Amanda Waller uses Task Force X to save the world and remake it in her image-but what happens when the team shows up to stop her? And in the second story in this extra-sized issue, Black Adam, the immortal one-time champion of the wizard Shazam, rules the planet Kahndaq in the 853rd century. Can he save the future from a threat rooted in the past?
In this new collection, the Suicide Squad is assigned to neutralize a group of international super-terrorists known as the Revolutionaries-and the survivors are forced into joining the Squad! Who can Harley Quinn and Deadshot trust when their new teammates are the very people their crew was assigned to kill? This Squad might survive their next mission, but they may not survive each other-and with a “team” like this, the body count starts high, and only gets higher. Tom Taylor, the acclaimed writer of DCeased, delivers his flair for high-octane mayhem to the Suicide Squad in this new series where quite literally no one is safe. Bruno Redondo, Taylor’s collaborator on Injustice, illustrates this deadly new take on DC’s dysfunctional villain team. Collects Suicide Squad #1-11.
Defacer must form a partnership with the Man-King to ensure humanity isn't overtaken by shark domination! But, she's kinda starting to like the King Shark, and the avatar of all humanity kinda sucks!