In Subterranean Matters, Andrea Marston examines the ongoing history of Bolivian mining cooperatives, an economic formation that has been central to Bolivian politics and to the country’s economy. Marston outlines how mining cooperatives occupy a contradictory place in Bolivian politics. They were major backers of left-wing president Evo Morales in 2006 and participated significantly in the crafting of the constitution that would declare Bolivia a plurinational state. At the same time, many Bolivians regard mining cooperatives as thieves because they derive personal profits from the subterranean mineral resources that are the legal inheritance of all Bolivians. Through extensive fieldwork underground in Bolivian cooperative mines, Marston explores how these miners—and the subterranean spaces they occupy—embody the tensions at the heart of Bolivia’s plurinational project. Marston shows how persistent commitment to nation and nationalism is a shared feature of left-wing and right-wing politics in Bolivia, illustrating how bodies, identities, and resources fit into this complex political matrix.
In Subterranean Twin Cities, geologist, historian, and urban speleologist Greg Brick takes us on an adventurous, educational, and-thankfully-sanitary journey beneath the streets and into the myriad tunnels, caves, and industrial spaces that make up the Twin Cities' fascinating and surprisingly vast underground landscape. In this groundbreaking tour, the first of its kind of the Twin Cities, Brick mines the stories that lie below the city surface.
The problem of change recurs across Frantz Fanon’s writings. As a philosopher, psychiatrist, and revolutionary, Fanon was deeply committed to theorizing and instigating change in all of its facets. Change is the thread that ties together his critical dialogue with Hegel, Marx, Freud, and Nietzsche and his intellectual exchange with Césaire, Kojève, and Sartre. It informs his analysis of racism and colonialism, négritude and the veil, language and culture, disalienation and decolonization, and it underpins his reflections on Martinique, Algeria, the Caribbean, Africa, the Third World, and the world at large. Gavin Arnall traces an internal division throughout Fanon’s work between two distinct modes of thinking about change. He contends that there are two Fanons: a dominant Fanon who conceives of change as a dialectical process of becoming and a subterranean Fanon who experiments with an even more explosive underground theory of transformation. Arnall offers close readings of Fanon’s entire oeuvre, from canonical works like Black Skin, White Masks and The Wretched of the Earth to his psychiatric papers and recently published materials, including his play, Parallel Hands. Speaking both to scholars and to the continued vitality of Fanon’s ideas among today’s social movements, this book offers a rigorous and profoundly original engagement with Fanon that affirms his importance in the effort to bring about radical change.
Beneath the ice at the bottom of the Earth is a magnificent subterranean labyrinth, a place of breathtaking wonders—and terrors beyond imagining. A team of specialists led by archaeologist Ashley Carter has been hand-picked to explore this secret place and to uncover the riches it holds. But they are not the first to venture here—and those they follow did not return. There are mysteries here older than time, and revelations that could change the world. But there are also things that should not be disturbed—and a devastating truth that could doom Ashley and the expedition: they are not alone. With all the trademark elements that have made James Rollins a bestselling author around the world—pulse-pounding adventure, scientific intrigue, nail-biting suspense—Subterranean deserves a place in every thriller lover's collection. Even if you've read it before, you won't want to put this classic Rollins down.
Humans have "gone underground" for survival for thousands of years, from underground cities in Turkey to Cold War-era bunkers. But our burrowing roots go back to the very beginnings of animal life on Earth. Many animal lineages alive now—including our own—only survived a cataclysmic meteorite strike 65 million years ago because they went underground.On a grander scale, the chemistry of the planet itself had already been transformed many millions of years earlier by the first animal burrows which altered whole ecosystems. Every day we walk on an earth filled with an underground wilderness teeming with life. Most of this life stays hidden, yet these animals and their subterranean homes are ubiquitous, ranging from the deep sea to mountains, from the equator to the poles. Burrows are a refuge from predators, a safe home for raising young, or a tool to ambush prey. Burrows also protect animals against all types of natural disasters. Filled with spectacularly diverse fauna, acclaimed paleontologist and ichnologist Anthony Martin reveals this fascinating, hidden world that will continue to influence and transform life on this planet.
"Ph.D. student Alex Kern is having trouble passing his exams, hanging on to his girlfriend, and teaching his composition class-- and that doesn't include the strange hole he's discovered in his scummy office deep under the football stadium, where more than 100,000 students, citizens, and alumni of West Georgia U gather every Saturday to worship at the feet of the mighty Fighting Bobcats. As for the hole, it seemingly has no bottom, as Alex discovers when he drops in first a rock, then his cherished Bobble Head Freud, and finally--during an especially challenging student conference--a troublesome undergraduate. Alex steels himself for the investigation to come, but no one seems to notice the missing student. Things go from bad to worse when Alex is forced to dispose of the world's foremost expert on Ezra Pound in the same way. Once again he steels himself for the consequences--and once again, no one seems to notice. Lowly student or chaired professor--either way, it doesn't seem to matter. West Georgia U can do without them. What it can't do without is its star quarterback, Ulysses Moreno. And when Alex drops him down the hole, all hell breaks loose at West Georgia U..."--Page 4 of cover.
Winner of the Nebula Award and British Fantasy Award for Best Novella Finalist for the Hugo Award, Locus Award, and World Fantasy Award for Best Novella “A window onto a beautifully developed world that widens the meaning of space opera.” —The New York Times Once, the mindship known as The Shadow's Child was a military transport. Once, she leapt effortlessly between stars and planets, carrying troops and crew for a war that tore the Empire apart. Until an ambush killed her crew and left her wounded and broken. Now the war is over, and The Shadow's Child, surviving against all odds, has run away. Discharged and struggling to make a living, she has no plans to go back into space. Until the abrasive and arrogant scholar Long Chau comes to see her. Long Chau wants to retrieve a corpse for her scientific studies: a simple enough, well-paid assignment. But when the corpse they find turns out to have been murdered, the simple assignment becomes a vast and tangled investigation, inexorably leading back to the past--and, once again, to that unbearable void where The Shadow's Child almost lost both sanity and life... “[The Tea Master and the Detective] is a window onto a beautifully developed world that widens the meaning of space opera, one that centers on Chinese and Vietnamese cultures and customs instead of Western military conventions, and is all the more welcome for it.” —Amal El-Mohtar, The New York Times “The Tea Master and the Detective is the Sherlock Holmes retelling I always wanted and now I have it. And I want so much more of it.” —Ana Grilo, Kirkus “The Tea Master is an astonishing Holmesian mystery, in which Holmes is a woman and Watson is a spaceship. It is everything I wanted it to be. Tea, space, and mysteries within mysteries.” —Mary Robinette Kowal “Ingenious... As a classical blend of far-future SF and traditional murder mystery, The Tea Master and the Detective should satisfy readers unfamiliar with the Xuya universe, but at the same time it’s an intriguing introduction to that universe, much of which seems to lie just outside the borders of this entertaining tale.” —Gary K. Wolfe, Locus “De Bodard constructs a convincingly gritty setting and a pair of unique characters with provocative histories and compelling motivations. The story works as well as both science fiction and murder mystery, exploring a future where pride, guilt, and mercy are not solely the province of humans.” —Publishers' Weekly
The Augustan period in Rome was a golden age for poetry, and also the age in which the cult of the author began in the west. By examining some early poetic understandings of what it might have meant to be Vergil, Ovid, and Tibullus, Constructing Authors and Readers in the Appendices Vergiliana, Tibulliana, and Ouidiana explores what those authors meant to near-contemporaries, and what the construction of authorship they were a part of meant to the later western tradition. Constructing Authors and Readers in the Appendices Vergiliana, Tibulliana, and Ouidiana takes its starting point from the Appendices attached to three major Augustan poets, exploring how their different conditions of production, and the differences between their authorising authors, result in different notions of what an appendical text 'ought' to contain. So, for instance, Vergil's biography leaves ample room for 'juvenilia', while Ovid's does not; the Tibullan appendix explicitly engages with a wider poetic community. Moving beyond questions of forgery and deception, some chapters ask how we would be able to know the difference between texts of genuine and of disputed authorship, given that most of the stylistic features that distinguish authors are replicable. Other chapters make the case for re-evaluation of poems that have been neglected or disparaged, and still others make sense of individual works in their likely context of composition. The volume is the first to treat in conjunction the majority of the appendical works ascribed to Vergil, Ovid, and Tibullus, and to draw connections across corpora.
