Sudoku puzzles are super fun to solve, but su-dude-ku are way better. Instead of writing in the usual nine numbers, you play with magnetic game pieces that have nine numbered "dudes”--hot male models who have been featured in CosmoGIRL! as "Eye Candy” pin-up posters. This game kit includes a pad of tear-off puzzle pages--which are divided into easy, moderate, and difficult levels--and a magnetic frame that will stay put on your school locker. But...be on detention alert. Because if you and your friends play with these boys between classes, you just might end up late for the bell!
This book investigates the particular history and social experience by a marginalized society in Mindanao Island, Philippines, through an analysis of the speech, song and dance in spirit possession ritual. Using the concepts of exchange and reciprocity, Buenconsejo connects the performativity of ritual song to the formation and maintenance of sociability, personhood and subjectivity. Also inlcludes maps.
Ute is a Uto-Aztecan language of the northernmost (Numic) branch, currently spoken on three reservations in western Colorado and eastern Utah. Like many other native languages of Northern America, Ute is severely endangered. This book is part of the effort toward its preservation. Typologically, Ute offers a cluster of intriguing features, best viewed from the perspective of diachronic change and grammaticalization. The book presents a comprehensive synchronic description of grammatical structures and their communicative functions, as well as a diachronic account of a grammar in the midst of change. The book is the first of a 3-volume series which also includes a collection of oral texts and a dictionary. Ute speakers and tribal members may find in the present volume a step-by-step description of how words are combined into meaningful communication. Linguists may find a detailed account of one language, an account that is unabashedly informed by universals of grammar, communication and change.
For centuries the Chinese referred to their fiction as xiaoshuo, etymologically meaning roadside gossip or small talk, and held it in relative disregard.
The Royal Inscription of Esarhaddon, King of Assyria (680–669 BC) is the inaugural volume of the Royal Inscriptions of the Neo-Assyrian Period Project. The volume provides reliable, up-to-date editions of all of the known royal inscriptions of Esarhaddon, a son of Sennacherib who ruled Assyria for twelve years (680–669 BC). Editions of 143 firmly identifiable texts (which mostly describe successful battles and the completion of building projects, all done ad maiorem gloriam deorum), 29 poorly preserved late Neo-Assyrian inscriptions that may be attributed to him, and 10 inscriptions commissioned by his mother Naqia (Zakutu) and his wife Esharra-hammat are included. To make this corpus more user-friendly to both specialist and laymen, each text edition (with its English translation) is supplied with a brief introduction containing general information, a catalogue containing basic information about all exemplars, a commentary containing further technical information and notes, and a comprehensive bibliography (arranged chronologically from earliest to latest). The volume also includes: (1) a general introduction to the reign of Esarhaddon, the corpus of inscriptions, previous studies, and dating and chronology; (2) translations of the relevant passages of three Mesopotamian chronicles; (3) 19 photographs of objects inscribed with texts of Esarhaddon; (4) indexes of museum and excavation numbers and selected publications; and (5) indexes of proper names (Personal Names; Geographic, Ethnic, and Tribal Names; Divine, Planet, and Star Names; Gate, Palace, Temple, and Wall Names; and Object Names). The book is accompanied by a CD-ROM containing transliterations of selected inscriptions arranged in a ‘musical score’ format. The Royal Inscriptions of the Neo-Assyrian Period (RINAP) series will present up-to-date editions of the royal inscriptions of a number of late Neo-Assyrian rulers, beginning with Tiglath-pileser III (744–727 BC). This new series is modeled on the publications of the now-defunct Royal Inscriptions of Mesopotamia (RIM) series and will carry on where its RIMA (Royal Inscriptions of Mesopotamia, Assyrian Periods) publications ended. The project is under the direction of G. Frame (University of Pennsylvania) and is supported by the National Endowment for the Humanities.
