Kids who dream of the action-filled life of stunt performers and doubles will be drawn to this book and its dynamic photos and at-level text. They'll build their vocabularies as they learn of the dangers and attractions of the job and how to prepare for a career in the field.
You may not know it, but you've seen Vic Armstrong's work in countless movies. From performing stunts in the James Bond movie You Only Live Twice to directing the actions scenes for recent blockbusters The Green Hornet and Thor, the Academy Award-winning Vic Armstrong has been a legend in the movie industry for over 40 years. Along the way he's been the stunt double for a whole host of iconic heroes, including 007, Superman, and most memorably, Indiana Jones - as Harrison Ford once joked to him, "If you learn to talk I'm in deep trouble." As a stunt co-ordinator and second unit director, Vic is behind the creation of such movies as Total Recall, The Mission, Dune, Rambo III, Terminator 2, Charlie's Angels, Gangs of New York, War of the Worlds, I Am Legend and Mission: Impossible III, to name but a few, as well as several Bond films. He's got a lot of amazing stories to tell, and they're all here in this hugely entertaining movie memoir, which also features exclusive contributions from many of Vic's colleagues and friends, including Harrison Ford, George Lucas, Martin Scorsese, Pierce Brosnan, Arnold Schwarzenegger, Angelina Jolie, Kenneth Branagh and Sir Christopher Lee. With an introduction by Steven Spielberg, and over 100 previously unpublished on-set photos from Vic's own collection.
They've traded punches in knockdown brawls, crashed biplanes through barns, and raced to the rescue in fast cars. They add suspense and drama to the story, portraying the swimmer stalked by the menacing shark, the heroine dangling twenty feet below a soaring hot air balloon, or the woman leaping nine feet over a wall to escape a dog attack. Only an expert can make such feats of daring look easy, and stuntwomen with the skills to perform -- and survive -- great moments of action in movies have been hitting their mark in Hollywood since the beginning of film. Here, Mollie Gregory presents the first history of stuntwomen in the film industry from the silent era to the twenty-first century. In the early years of motion pictures, women were highly involved in all aspects of film production, but they were marginalized as movies became popular, and more important, profitable. Capable stuntwomen were replaced by men in wigs, and very few worked between the 1930s and 1960s. As late as the 1990s, men wore wigs and women's clothes to double as actresses, and were even "painted down" for some performances, while men and women of color were regularly denied stunt work. For decades, stuntwomen have faced institutional discrimination, unequal pay, and sexual harassment even as they jumped from speeding trains and raced horse-drawn carriages away from burning buildings. Featuring sixty-five interviews, Stuntwomen showcases the absorbing stories and uncommon courage of women who make their living planning and performing action-packed sequences that keep viewers' hearts racing.
Veteran stuntman Fred "Krunch" Krone, Stuntmen's Assn. co-founder and first secretary, treasurer, said "Jesse has written what no one has ever said or would dare say. It's a must read."Jesse's attention to detail made this book hard to put down. As a youngster, I grew up visiting the sets watching Jesse work with my father (a veteran stuntman himself). Now being a stuntman myself for many years, it has been a pleasure to relive a lot of those historic days through Jesse's words. I've read all of the books by stunt performers and Jesse's is the best. Great job Jesse! Veteran stuntman Vince Deadrick, Jr."If you would like to take a book trip through a day to day and year to year life of a stuntman, this is the real deal. The path is laden with egos, conditions, danger, personalities, talent, and lack of talent. I'm a thirty-two year veteran stuntman and Jesse took my mind out of retirement, and back on the set with this book." Jack Verbois SAMP Lifetime MemberNot all stunt men are six-feet tall. Confessions of a Hollywood Stunt Man is the thrilling saga of a five-foot-four, 18 year old kid who became a stunt double for Hollywood's most famous short men, women and children. In an adventurous, daring career spanning 40 years, Jesse Wayne details the many comedic and tragic incidents in front & behind the cameras, including a vicious murder of an 8 year old black kid on a New Orleans film location. When the Stuntmen's Association of Motion Pictures was formulated in 1961, he documented its history as secretary, treasurer and board member. Jesse appeared in over 500 TV productions and feature films, in addition to hundreds of live stunt shows. If this seems like a lot, it's because he began in the early days of Los Angeles' live television, when he was eight years old. His most exhilarating experiences was meeting and working with the greatest actors, writers, producers and directors of the 20th Century.In 1959, Jesse became Mickey Rooney's stunt double at MGM. Continuing, he doubled small men, women, and virtually every child actor in Tinseltown. Jesse performed Fights, Car Work, Stair Falls, Bicycles, High Work, High Falls and Horse Work. Fire Gags became one of his prime specialties. He quit water stunts after the "Julia Belle Swain" riverboat ran over him in the Missouri River on Tom Sawyer (1973) while doubling Jeff East.Jesse also stunt-doubled The Three Stooges (Moe Howard and Larry Fine), Robert Morse, Kurt Russell, Red Buttons, Sir John Mills, Frankie Avalon, Kay Lenz, David Wayne, Leslie Caron, Barbara Stanwyck, Helen Hayes, Harry Morgan, Arte Johnson, José Feliciano, Johnny Crawford, George Gobel, Robin Williams, Gary Burghoff, Strother Martin, John Hillerman, Donald Pleasence, Mel Brooks, Don Johnson, Billie Hayes (aka "WitcheePoo"), Brenda Vaccaro, Barbara Rhoades, Pamela Austin, Lurene Tuttle, Eddie Hodges, Michael Burns, Buck Kartalian, William 'Billy' Benedict, Richard Bakalyan, Michael J. Pollard, and Mel Tormé and so many more.Jesse has also performed behind the camera as a first assistant director, cinematographer, videographer, director, gun coach, and just about every other job on a movie set.
“Starring human flies, daredevil aviators, bridge jumpers, and lion tamers, The Thrill Makers is a great read, as evocative as it is theoretically savvy, and convincingly argued. Culling telling details from a host of long-overlooked sources, Jacob Smith’s account of sensational, high-risk public performance from the Victorian age to the 1930s unearths and illuminates the interwoven histories of public spectacle, masculinity, the motion picture industry, new forms of celebrity, and the expanding American metropolis.”—Greg Waller, Department of Communication and Culture, Indiana University. “The Thrill Makers is an historical tour-de-force that illuminates the origins of risk-taking performance in American entertainment, and shows how its practitioners were gradually marginalized as invisible stunt doubles during the rise of the motion picture industry. Smith’s analysis of the lion tamer, the human fly, and the airplane wing-walker—as well as the many others who thrilled audiences before and during the advent of cinema—inspires us to reconsider the nature of media spectacle, masculinity, performance, celebrity, and labor at the turn of the last century. Impeccably researched, this book is a captivating read that re-frames the emergence of cinema in the context of its relationship to other forms of modern entertainment.”—Barbara Klinger, author of Beyond the Multiplex: Cinema, New Technologies, and the Home.
A fascinating history of motion pictures through the lens of the Academy Awards, the Best Picture winners, and the box-office contenders. In Best Pick: A Journey through Film History and the Academy Awards, John Dorney, Jessica Regan, and Tom Salinsky provide a captivating decade-by-decade exploration of the Oscars. For each decade, they examine the making of classic films, trends and innovations in cinema, behind-the-scenes scandals at the awards ceremony, and who won and why. Twenty films are reviewed in-depth, alongside ten detailed “making-of” accounts and capsule reviews of every single Best Picture winner in history. In addition, each Best Picture winner is carefully scrutinized to answer the ultimate question: “Did the Academy get it right?” Full of wonderful stories, cogent analysis, and fascinating insights, Best Pick is a witty and enthralling look at the people, politics, movies, and trends that have shaped our cinematic world.
This biographical dictionary shines the spotlight on several hundred unheralded stunt performers who created some of the cinema's greatest action scenes without credit or recognition. The time period covered encompasses the silent comedy days of Buster Keaton and Harold Lloyd, the early westerns of Tom Mix and John Wayne, the swashbucklers of Douglas Fairbanks, Errol Flynn, and Burt Lancaster, the costume epics of Charlton Heston and Kirk Douglas, and the action films of Steve McQueen, Clint Eastwood, and Charles Bronson. Without stuntmen and women working behind the scenes the films of these action superstars would not have been as successful. Now fantastic athletes and leading stunt creators such as Yakima Canutt, Richard Talmadge, Harvey Parry, Allen Pomeroy, Dave Sharpe, Jock Mahoney, Chuck Roberson, Polly Burson, Bob Morgan, Loren Janes, Dean Smith, Hal Needham, Martha Crawford, Ronnie Rondell, Terry Leonard, and Bob Minor are given their proper due. Each entry covers the performer's athletic background, military service, actors doubled, noteworthy stunts, and a rundown of his or her best known screen credits.
In his book, Andy Armstrong opens up his knowledge gained designing, coordinating and directing action on some of the largest and most successful action movies of the last four decades. Fire, water, high falls, fight scenes, vehicle chases, car crashes, on set safety and systems for success are just a few of the subjects covered in his action movie making guide. Andy Armstrong's book is the first complete instruction manual for anyone serious about making action movies, written by someone who has done just that to extreme success for over four decades.