Study Group on Eighteenth-Century Russia Newsletter
Author: Study Group on Eighteenth-Century Russia
Publisher:
Published: 1997
Total Pages: 380
ISBN-13:
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Author: Study Group on Eighteenth-Century Russia
Publisher:
Published: 1997
Total Pages: 380
ISBN-13:
DOWNLOAD EBOOKAuthor: Study Group on Eighteenth-Century Russia
Publisher:
Published: 2005
Total Pages: 118
ISBN-13:
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Publisher: University of Pennsylvania Press
Published:
Total Pages: 378
ISBN-13: 0871692767
DOWNLOAD EBOOKAuthor: Study Group on Eighteenth-Century Russia. International Conference
Publisher: LIT Verlag Münster
Published: 2007
Total Pages: 578
ISBN-13: 9783825898878
DOWNLOAD EBOOKThis volume brings together forty papers from the Study Group's very successful international conference held in Wittenberg in 2004. The contributors include scholars from Russia, Britain, Germany, Italy and the US: papers are written in English and in Russian. Topics range widely over the life of the Empire and its emerging modern society, institutions and discourses. The volume brings together new research on literature and its social context, on cultural models and reception, on social groups and individuals, on history, law and economy: it offers an exciting interdisciplinary insight into Imperial Russia in the 'long' eighteenth century.
Author: Marcus C. Levitt
Publisher: Northern Illinois University Press
Published: 2011-10-01
Total Pages: 377
ISBN-13: 1501757989
DOWNLOAD EBOOKThe Enlightenment privileged vision as the principle means of understanding the world, but the eighteenth-century Russian preoccupation with sight was not merely a Western import. In his masterful study, Levitt shows the visual to have had deep indigenous roots in Russian Orthodox culture and theology, arguing that the visual played a crucial role in the formation of early modern Russian culture and identity. Levitt traces the early modern Russian quest for visibility from jubilant self-discovery, to serious reflexivity, to anxiety and crisis. The book examines verbal constructs of sight—in poetry, drama, philosophy, theology, essay, memoir—that provide evidence for understanding the special character of vision of the epoch. Levitt's groundbreaking work represents both a new reading of various central and lesser known texts and a broader revisualization of Russian eighteenth-century culture. Works that have considered the intersections of Russian literature and the visual in recent years have dealt almost exclusively with the modern period or with icons. The Visual Dominant in Eighteenth-Century Russia is an important addition to the scholarship and will be of major interest to scholars and students of Russian literature, culture, and religion, and specialists on the Enlightenment.
Author: E. S. Shaffer
Publisher: Cambridge University Press
Published: 1989-11-09
Total Pages: 448
ISBN-13: 9780521390149
DOWNLOAD EBOOKVolume 10, dedicated to 'Comedy, Irony, Parody', celebrates the first decade of Comparative Criticism in a light-hearted vein. Michael Silk opens with a wide-ranging essay asserting the primacy of comedy and declaring its independence of tragedy. T. L. S. Sprigge explores philosophers who dared to write on laughter: Schopenhauer and Bergson. Bernard Harrison looks at the twentieth century's favourite comic novel, Tristram Shandy, in the light of Locke's views on 'the particular'. Peter Brand pursues the theatrical arts of disguises, masking, and gender-swapping through Renaissance Europe, from Ariosto to Shakespeare. Jane H. M. Taylor traces the danse macabre in modern 'black humour'. Christine Brooke-Rose, distinguished novelist and critic, reads from and comments on her own witty fictions. Michael Wood describes how Lolita outwitted her seducer.
Author: Elise Kimerling Wirtschafter
Publisher: Northern Illinois University Press
Published: 2013-03-15
Total Pages: 207
ISBN-13: 1501757466
DOWNLOAD EBOOKThis valuable study explores the Russian Enlightenment with reference to the religious Enlightenment of the mid to late eighteenth century. Grounded in close reading of the sermons and devotional writings of Platon (Levshin), Court preacher and Metropolitan of Moscow, the book examines the blending of European ideas into the teachings of Russian Orthodoxy. Highlighting the interplay between Enlightenment thought and Orthodox enlightenment, Elise Wirtschafter addresses key questions of concern to religious Enlighteners across Europe: humanity's relationship to God and creation, the distinction between learning and enlightenment, the role of Christian love in authority relationships, the meaning of free will in a universe governed by Divine Providence, and the unity of church, monarchy, and civil society. Countering scholarship that depicts an Orthodox religious culture under assault from European modernity and Petrine absolutism, Wirtschafter emphasizes the ability of Russia's educated churchmen to assimilate and transform Enlightenment ideas. The intellectual and spiritual vitality of eighteenth-century Orthodoxy helps to explain how Russian policymakers and intellectuals met the challenge of European power while simultaneously coming to terms with the broad cultural appeal of the Enlightenment's universalistic human rights agenda. Religion and Enlightenment in Catherinian Russia defines the Russian Enlightenment as a response to the allure of European modernity, as an instrument of social control, and as the moral voice of an emergent independent society. Because Russia's enlightened intellectuals focused on the moral perfectibility of the individual human being, rather than social and political change, the originality of the Russian Enlightenment has gone unrecognized. This study corrects images of a superficial Enlightenment and crisis-ridden religious culture, arguing that in order to understand the humanistic sensibility and emphasis on individual dignity that permeate Russian intellectual history, and the history of the educated classes more broadly, it is necessary to bring Orthodox teachings into the discussion of Enlightenment thought. The result is a book that explains the distinctive origins of modern Russian culture while also allowing scholars to situate the Russian Enlightenment in European and global history.
Author: P. Ferretti
Publisher: Springer Science & Business Media
Published: 2012-12-06
Total Pages: 320
ISBN-13: 9400707991
DOWNLOAD EBOOKVasilii Fedorovich Malinovskii (1765-1814) is a name which has hitherto lacked true resonance in the history of Russian culture. Tt is of course a name known to all students of Alexander Pushkin's biography, for Malinovskii was the first Director of the new Tsarskoe Selo Lyceum, if, sadly, for only the first three of the young poet's years at the school. For those scholars conversant with the intellectual and literary life of the "beautiful beginning" of the reign of Alexander I's reign Malinovskii has his little niche for his remarkable Rassuzhdenie 0 mire i voine (1803) and less for his Osennie vechera (1803), a little-known journal limited to a mere eight weekly issues and written entirely by the editor. As regards the of his 'eighteenth-century' Malinovskii, who lived the first thirty-five years life predominantly in the reign of the great Catherine, little information encumbers the memory of even specialists of the period. Indeed, his elder brother, Aleksei Fedorovich (1762-1840), is the more likely to be remembered for his literary and translating work as well for his later position as Head of the Moscow Archive of the Ministry of Foreign Affairs, which brought him into contact with Pushkin and, not unexpectedly, with Karamzin. Karamzin referred to him as "one of my few old and genuine friends", but one searches in vain for a similar accolade for VasiIii Fedorovich.
Author: Ernest A. Zitser
Publisher: Cornell University Press
Published: 2018-09-05
Total Pages: 236
ISBN-13: 1501711083
DOWNLOAD EBOOKIn this richly comparative analysis of late Muscovite and early Imperial court culture, Ernest A. Zitser provides a corrective to the secular bias of the scholarly literature about the reforms of Peter the Great. Zitser demonstrates that the tsar's supposedly "secularizing" reforms rested on a fundamentally religious conception of his personal political mission. In particular, Zitser shows that the carnivalesque (and often obscene) activities of the so-called Most Comical All-Drunken Council served as a type of Baroque political sacrament—a monarchical rite of power that elevated the tsar's person above normal men, guaranteed his prerogative over church affairs, and bound the participants into a community of believers in his God-given authority ("charisma"). The author suggests that by implicating Peter's "royal priesthood" in taboo-breaking, libertine ceremonies, the organizers of such "sacred parodies" inducted select members of the Russian political elite into a new system of distinctions between nobility and baseness, sacrality and profanity, tradition and modernity. Tracing the ways in which the tsar and his courtiers appropriated aspects of Muscovite and European traditions to suit their needs and aspirations, The Transfigured Kingdom offers one of the first discussions of the gendered nature of political power at the court of Russia's self-proclaimed "Father of the Fatherland" and reveals the role of symbolism, myth, and ritual in shaping political order in early modern Europe.
Author: Jonathan Miles
Publisher: Simon and Schuster
Published: 2018-03-06
Total Pages: 586
ISBN-13: 1681777169
DOWNLOAD EBOOKEstablished in 1703 by the sheer will of its charismatic founder, the homicidal megalomaniac Peter the Great, St. Petersburg's dazzling yet unhinged reputation was quickly cemented by the sadistic dominion of its early rulers. This city, in its successive incarnations—St. Petersburg, Petrograd, Leningrad and, once again, St. Petersburg—has always been a place of perpetual contradiction.It was a window to Europe and the Enlightenment, but so much of Russia’s unique glory was also created here: its literature, music, dance, and, for a time, its political vision. It gave birth to the artistic genius of Pushkin and Dostoyevsky, Tchaikovsky and Shostakovich, Pavlova and Nureyev. Yet, for all its glittering palaces, fairytale balls and enchanting gardens, the blood of thousands has been spilt on its snow-filled streets.It has been a hotbed of war and revolution, a place of siege and starvation, and the crucible for Lenin and Stalin’s power-hungry brutality. In St. Petersburg, Jonathan Miles recreates the drama of three hundred years in this paradoxical and brilliant city, bringing us up to the present day, when its fate hangs in the balance once more.