Studies on the Rise of Realistic Landscape Painting in Holland, 1610-1625
Author: Åke Bengtsson
Publisher:
Published: 1952
Total Pages: 104
ISBN-13:
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Author: Åke Bengtsson
Publisher:
Published: 1952
Total Pages: 104
ISBN-13:
DOWNLOAD EBOOKAuthor: Ake Bengtsson
Publisher:
Published: 1952
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Åke Bengtsson
Publisher: Hassell Street Press
Published: 2021-09-09
Total Pages: 104
ISBN-13: 9781014812988
DOWNLOAD EBOOKThis work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Christopher Richard Joby
Publisher: Peeters Publishers
Published: 2007
Total Pages: 260
ISBN-13: 9789042919235
DOWNLOAD EBOOKIt is often thought that the French Reformer John Calvin (1509-1564) had a negative attitude towards the arts, particularly visual art. However, in Calvinism and the Arts: A Re-assessment, Dr. Joby argues that in Calvin's writings and in the development of the Reformed tradition more generally, it is possible to discern a more positive attitude than has hitherto been recognized. He makes a start by examining exactly what type of visual art Calvin rejected and what type he affirmed. He goes on to consider how Calvin's epistemology and eschatology can be used to argue for the placing of certain types of art, notably histories and landscape paintings, within Reformed churches and then devotes separate chapters to reflecting on how music, architecture and church decoration within the Reformed tradition provide further arguments for the use of these works of art. In the final section, he looks at specific histories and landscapes from the Dutch Golden Age and considers how the form and content of both of these types of art provide us with further ontological and epistemological arguments which inevitably lead to the conclusion that their continued exclusion from Reformed churches is no longer tenable.
Author: Madlyn Millner Kahr
Publisher: Routledge
Published: 2018-02-23
Total Pages: 322
ISBN-13: 0429980523
DOWNLOAD EBOOKThis new edition of an established survey of the Golden Age of Dutch painting has been revised, corrected, and updated in the text, notes, and bibliography as a result of new scholarship. The author has written a new preface to this edition. Rembrandt, Vermeer, Hals, Ruisdael, Cuyp, de Witte, van Goyen, van de Velde, Hobbema, Fabritius, de Hooch, and Saenrendam are some of the painters included and discussed.
Author: Arie Wallert
Publisher: Getty Publications
Published: 1995-08-24
Total Pages: 241
ISBN-13: 0892363223
DOWNLOAD EBOOKBridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Author:
Publisher: BRILL
Published: 2011-10-14
Total Pages: 422
ISBN-13: 900422243X
DOWNLOAD EBOOKIn response to the dominance of Latin as the language of intellectual debate in early modern Europe, regional centers started to develop a new emphasis on vernacular languages and forms of cultural expression. This book shows that the local acts as a mark of distinction in the early modern cultural context. Interdisciplinary in scope, essays examine vernacular strands in the visual arts, architecture and literature from the fourteenth to seventeenth centuries. Contributions focus on change, rather than consistencies, by highlighting the transformative force of the vernacular over time and over different regions, as well as the way the concept of the vernacular itself shifts depending on the historical context. Contributors include James J. Bloom, Jessica E. Buskirk, C. Jean Campbell, Lex Hermans, Sun Jing, Trudy Ko, David A. Levine, Eelco Nagelsmit, Alexandra Onuf, Bart Ramakers, and Jamie L. Smith
Author: Kenneth Olwig
Publisher: Routledge
Published: 2019-07-09
Total Pages: 581
ISBN-13: 1317996208
DOWNLOAD EBOOKLandscape is now on the agenda in a new way. The increasing interest in justice, power and the political landscape expresses a sea change occurring in the meaning of landscape itself, from landscape as scenery to landscape as polity and place. As Lionella Scazzosi argues "The meaning of the term ‘landscape’ has become broader than that of a view or panorama, which characterized many national protection laws and policies until the middle of the 20th century, and that of environment or nature, to which it has often been limited during the recent years of environmentalist battles." This is reflected in the new European Landscape Convention, for which: "’Landscape’ means an area, as perceived by people." The tide thus has turned towards J. B. Jackson’s view of landscape as not "a scenic or ecological entity but as a political or cultural entity, changing in the course of history." It is in this socio-political context that it becomes necessary to consider the role of power, and the importance of justice, in the shaping of the landscape as an area of practice and performance with both cultural and environmental implications. This book was previously published as two special issues of Landscape Research.
Author: Wolfgang Stechow
Publisher:
Published: 1968
Total Pages: 518
ISBN-13:
DOWNLOAD EBOOKAuthor: Paula Findlen
Publisher: Routledge
Published: 2021-03-01
Total Pages: 492
ISBN-13: 1351055739
DOWNLOAD EBOOKEarly Modern Things supplies fresh and provocative insights into how objects – ordinary and extraordinary, secular and sacred, natural and man-made – came to define some of the key developments of the early modern world. Now in its second edition, this book taps a rich vein of recent scholarship to explore a variety of approaches to the material culture of the early modern world (c. 1500–1800). Divided into seven parts, the book explores the ambiguity of things, representing things, making things, encountering things, empires of things, consuming things, and the power of things. This edition includes a new preface and three new essays on ‘encountering things’ to enrich the volume. These look at cabinets of curiosities, American pearls, and the material culture of West Central Africa. Spanning across the early modern world from Ming dynasty China and Tokugawa Japan to Siberia and Georgian England, from the Kingdom of the Kongo and the Ottoman Empire to the Caribbean and the Spanish Americas, the authors provide a generous set of examples in how to study the circulation, use, consumption, and, most fundamentally, the nature of things themselves. Drawing on a broad range of disciplinary perspectives and lavishly illustrated, this updated edition of Early Modern Things is essential reading for all those interested in the early modern world and the history of material culture.