Structure and Meaning in Tonal Music

Structure and Meaning in Tonal Music

Author: Carl Schachter

Publisher: Pendragon Press

Published: 2006

Total Pages: 300

ISBN-13: 9781576471128

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Introduction -- Expression. The two curious moments in Chopin's E-flat major prelude / Charles Burkhart ; Circular motion in Chopin's late B-major nocturne (op. 62, no. 1) / William Rothstein ; Of species counterpoint, gondola songs, and sordid boons / Poundie Burstein -- Theory. The spirit and technique of Schenker pedagogy / David Gagné and Allen Cadwallader ; Prolongational and hierarchical structures in 18th-century theory / Joel Lester ; Thoughts on Schenker's treatment of diminution and repetition in part III of Free composition, and its implications for analysis / Wayne Petty ; Looking at the Urlinie / Hedi Siegel -- Style. Rhythmic displacement in the music of Bill Evans / Steven Larson ; Levels of voice leading in the music of Louis Couperin / Drora Pershing ; The analysis of east Asian music / David Loeb ; Baroque styles and the analysis of baroque music / Channan Willner -- Words and music. Schumann's Das ist ein Flöten und Geigen : conflicts between local and global perspectives / Lauri Suurpaa ; Reinterpreting the past : Brahms's link to Bach in the setting of Mit Fried und Freud ich fahr dahin, from the motet op. 74, no. 1 / Robert Cuckson ; Hinauf strebt's : song study with Carl Schachter / Timothy Jackson ; Intimate immensity in Schubert's The shepherd on the rock / Frank Samarotto -- Form. Tonal conflicts in Haydn's development sections : the role of C major in symphonies nos. 93 and 102 / Mark Anson-Cartwright ; Aspects of structure in Bach's F-minor fugue, WTC II / William Renwick ; The andante from Mozart's symphony no. 40, K. 5


A Generative Theory of Tonal Music, reissue, with a new preface

A Generative Theory of Tonal Music, reissue, with a new preface

Author: Fred Lerdahl

Publisher: MIT Press

Published: 1996-06-03

Total Pages: 385

ISBN-13: 026262107X

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A search for a grammar of music with the aid of generative linguistics. This work, which has become a classic in music theory since its original publication in 1983, models music understanding from the perspective of cognitive science.The point of departure is a search for the grammar of music with the aid of generative linguistics.The theory, which is illustrated with numerous examples from Western classical music, relates the aural surface of a piece to the musical structure unconsciously inferred by the experienced listener. From the viewpoint of traditional music theory, it offers many innovations in notation as well as in the substance of rhythmic and reductional theory.


Structural Hearing

Structural Hearing

Author: Felix Salzer

Publisher: Courier Corporation

Published: 1962-01-01

Total Pages: 687

ISBN-13: 0486222756

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Written by a pupil of Heinrich Schenker, this outstanding work develops and extends Schenker's approach. More than 500 examples of music from the Middle Ages to the 20th century complement the detailed discussions and analyses.


The Structure of Atonal Music

The Structure of Atonal Music

Author: Allen Forte

Publisher: Yale University Press

Published: 1973-01-01

Total Pages: 244

ISBN-13: 9780300021202

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Describes and cites examples of pitch-class sets and relations in atonal music


Tonal Structures in Early Music

Tonal Structures in Early Music

Author: Cristle Collins Judd

Publisher: Routledge

Published: 2014-04-23

Total Pages: 420

ISBN-13: 1135704694

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Discussion of tonal structure has been one of the most problematic and controversial aspects of modern study of Medieval and Renaissance polyphony. These new essays written specifically for this volume consider the issue from historical, analytical, theoretical, perceptual and cultural perspectives.


Analysis of Tonal Music

Analysis of Tonal Music

Author: Allen Clayton Cadwallader

Publisher: Oxford University Press, USA

Published: 2007

Total Pages: 424

ISBN-13:

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Introduces the fundamental principles of Schenkerian analysis within the context of the music itself.


Tonal Music

Tonal Music

Author: Franz Sauter

Publisher: BoD – Books on Demand

Published: 2020-01-23

Total Pages: 146

ISBN-13: 375043459X

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This book is about the aesthetics of the tonal music. It therefore deals with sound forms such as consonance, dissonance, tonality, bar, counterpoint or motif. Thereby, it shows that all harmonic, rhythmic, and melodic sound figures are essentially relations in which similar sound components go well together. The whole secret of the musical aesthetics lies in this abstract determination. In this sense, the musical sound forms are systematically built on each other and form an ensemble of eight aesthetic principles, to each of which a chapter of this book is dedicated. The logical progression of these chapters reveals the inner connection between harmony, rhythm, and melody. Musical phenomena that have so far been interpreted differently and controversially are explained and derived in a comprehensible way in this context. The theoretical results of this book are, at the same time, a critique of previously common dogmas in musicology. For example, the prejudice that the difference between consonance and dissonance cannot be objectively grasped clearly contradicts the results of a rational music theory. Nor will the reader find the usual talk about the supposed anachronism or the transience of the tonal music in this book - for good reasons.


Harmonic Materials in Tonal Music

Harmonic Materials in Tonal Music

Author: Greg A. Steinke

Publisher:

Published: 2002

Total Pages: 424

ISBN-13:

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This self-paced, auto-instructional book in two volumes has become a “classic” in the field of music. A wealth of clearly laid-out lessons and exercises provide learners with continual feedback and reinforcement as they work through the activities and assignments at their own pace.Chapter topics include some definitions, the structure of tonality, triads in root position: doubling and spacing, triads in root position: voice leading, triads in first and second inversion, introduction to seventh chords and the dominant seventh, phrase structure and cadences, nonharmonic tones, harmonic progression, and the technique of harmonization.For music studio teachers and students, and use in preparatory music programs.