"A complex, introspective novel with vivid characters. . . . Hauntingly beautiful." — School Library Journal Two loners in a country town find cause for hope when one of them encounters a long-lost animal in this taut, shimmering tale about daring to live a life beyond expectations.
SURRENDER is a mesmerizing psychological thriller from extraordinary novelist Sonya Hartnett. I am dying: it’s a beautiful word. Like the long slow sigh of a cello: dying. But the sound of it is the only beautiful thing about it. As life slips away, Gabriel looks back over his brief twenty years, which have been clouded by frustration and humiliation. A small, unforgiving town and distant, punitive parents ensure that he is never allowed to forget the horrific mistake he made as a child. He has only two friends - his dog, Surrender, and the unruly wild boy, Finnigan, a shadowy doppelganger with whom the meek Gabriel once made a boyhood pact. But when a series of arson attacks grips the town, Gabriel realizes how unpredictable and dangerous Finnigan is. As events begin to spiral violently out of control, it becomes devastatingly clear that only the most extreme measures will rid Gabriel of Finnigan for good.
Master storyteller Sonya Hartnett crafts a magical and moving fable about war and redemption . . . and what it means to be free. When the Germans attack their Romany encampment during World War II, Andrej and his younger brother, Tomas, flee through a ravaged countryside under cover of darkness, guarding a secret bundle. Their journey leads to a bombed-out town, where the boys discover a hidden wonder: a zoo filled with creatures in need of hope. Like Andrej and Tomas, the animals--wolf and eagle, monkey and bear, lioness and seal, kangaroo and llama-- have stories to share and a mission to reclaim their lives.
Award-winning Sonya Hartnett spins a tale for younger readers about mischief, siblings, and taking matters into your own hands. Sadie and Ratz are the names of Hannah’s hands. They aren’t animals, but they behave like wild beasts, says Dad. For one thing, they’re always after four-year-old Baby Boy (whom Sadie wishes were a dog). They jump onto his head and try to rub his ears off. Baby Boy knows how to turn the tables, though, and when he spills milk on the carpet, he tells Grandma that Sadie and Ratz pushed him. But when Baby Boy goes too far, Hannah may have to send Sadie and Ratz on vacation to prove their innocence. Multi-award-winning author Sonya Hartnett brings her original sensibility, wry humor, and engaging characters to a younger audience, aided by Ann James’s inviting illustrations.
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Harper and her family live in a ramshackle house in the country. Her brother, Tin, lives below them, building tunnels. It is the Depression and each of them is coping in their own way. One year their lives are changed forever by the misguided actions of a well heeled neighbour.
"Sophisticated young readers will be awed by the delicate, measured, heartbreaking portrait that emerges." – Kirkus Reviews (starred review) As life slips away, Gabriel looks back over his brief twenty years, which have been clouded by frustration and humiliation. A small, unforgiving town and distant, punitive parents ensure that he is never allowed to forget the horrific mistake he made as a child. He has only two friends - his dog, Surrender, and the unruly wild boy, Finnigan, a shadowy doppelganger with whom the meek Gabriel once made a boyhood pact. But when a series of arson attacks grips the town, Gabriel realizes how unpredictable and dangerous Finnigan is. As events begin to spiral violently out of control, it becomes devastatingly clear that only the most extreme measures will rid Gabriel of Finnigan for good.
This book begins with the assumption that the presence of non-human creatures causes an always-already uncanny rift in human assumptions about reality. Exploring the dark side of animal nature and the ‘otherness’ of animals as viewed by humans, and employing cutting-edge theory on non-human animals, eco-criticism, literary and cultural theory, this book takes the Gothic genre into new territory. After the dissemination of Darwin’s theories of evolution, nineteenth-century fiction quickly picked up on the idea of the ‘animal within’. Here, the fear explored was of an unruly, defiant, degenerate and entirely amoral animality lying (mostly) dormant within all of us. However, non-humans and humans have other sorts of encounters, too, and even before Darwin, humans have often had an uneasy relationship with animals, which, as Donna Haraway puts it, have a way of ‘looking back’ at us. In this book, the focus is not on the ‘animal within’ but rather on the animal ‘with-out’: other and entirely incomprehensible.
"Hartnett again captures the ineffable fragility of childhood in this keenly observed tale." — Publishers Weekly (starred review) Nine-year-old Adrian watches his world closely, but there is much he cannot understand. He does not, for instance, know why three neighborhood children might set out to buy ice cream one summer’s day and never be seen again...In a suburb that is no longer safe and innocent, in a broken family of self-absorbed souls, Sonya Hartnett sets the story of a lone little boy — unwanted, unloved, and intensely curious — a story as achingly beautiful as it is shattering. A Children’s Literature Choice List Title Two starred reviews (Publishers Weekly, Kirkus Reviews)
"A startling coming-of-age story. . . . Through Harper, Hartnett captures the humanity of her spirited, slightly eccentric, and then nearly broken characters." — Publishers Weekly (starred review) Harper Flute believes that her younger brother Tin, with his uncanny ability to dig, was born to burrow. While their family struggles to survive in a bleak landscape during the Great Depression, the silent and elusive little Tin begins to tunnel beneath their tiny shanty. As time passes, Tin becomes a wild thing, leaving his family further and further behind. Sonya Hartnett tells a breathtakingly original coming-of-age story through the clear eyes of an observant child, with exquisite prose, richly drawn characters, and a touch of magical realism.