String Quartet No . 10 in E Flat, Op. 74 "Harp", String Quartet, No. 14, in C Sharp Minor, Op. 131. --
Author: Ludwig van Beethoven
Publisher:
Published: 1989
Total Pages:
ISBN-13:
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Author: Ludwig van Beethoven
Publisher:
Published: 1989
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: David Milsom
Publisher: Boydell & Brewer
Published: 2020
Total Pages: 337
ISBN-13: 1783275278
DOWNLOAD EBOOKWhat are the key topics that define Romantic violin playing?
Author: Benedict Taylor
Publisher: Cambridge University Press
Published: 2023-11-30
Total Pages: 133
ISBN-13: 131651384X
DOWNLOAD EBOOKExplores the unique qualities of Fanny Hensel's String Quartet and how it sits within wider scholarly discussion about female composers.
Author: Ning Zhang
Publisher: Fulton Books, Inc.
Published: 2024-05-17
Total Pages: 139
ISBN-13: 1639851291
DOWNLOAD EBOOKThis is a monograph on Western classical music written by a Chinese American. It contains the results of the author's years of work, i.e., more than two hundred thousand words of Beethoven-themed essays in the form of poems, essays, prose, and reviews. The book covers all aspects of the great composer Beethoven's life and career from his birth experience to his emotional life, from the background of the times to his ideology, from the review of his works to the analysis of music appreciation. The book is rich in historical information, rigorous in argumentation, incisive in commentary, and fluent in sentiment and reason. As a nonacademic scholar of Beethoven, this book is characterized by a distinctive personality, free from the constraints of traditional rules and regulations. Based on a comprehensive and profound understanding of the historical figure and his works, the author presents his original arguments and opinions on some important professional topics and fields.
Author: David Dubal
Publisher: Macmillan + ORM
Published: 2003-10-24
Total Pages: 1194
ISBN-13: 1466807261
DOWNLOAD EBOOKThe ultimate guide to classical composers and their music-for both the novice and the experienced listener Music, according to Aaron Copland, can thrive only if there are "gifted listeners." But today's listeners must choose between classical and rock, opera and rap, and the choices can seem overwhelming at times. In The Essential Canon of Classical Music, David Dubal comes to the aid of the struggling listener and provides a cultural-literacy handbook for classical music. Dubal identifies the 240 composers whose works are most important to an understanding of classical music and offers a comprehensive, chronological guide to their lives and works. He has searched beyond the traditional canon to introduce readers to little-known works by some of the most revered names in classical music-Bach, Haydn, Mozart, Schubert-as well as to the major works of lesser-known composers. In a spirited and opinionated voice, Dubal seeks to rid us of the notion of "masterpieces" and instead to foster a new generation of master listeners. The result is an uncommon collection of the wonders classical music has to offer.
Author: Robin Wallace
Publisher: University of Chicago Press
Published: 2021-10-06
Total Pages: 294
ISBN-13: 0226815366
DOWNLOAD EBOOKWe're all familiar with the image of a fierce and scowling Beethoven, struggling doggedly to overcome his rapidly progressing deafness. That Beethoven continued to play and compose for more than a decade after he lost his hearing is often seen as an act of superhuman heroism. But the truth is that Beethoven's response to his deafness was entirely human. And by demystifying what he did, we can learn a great deal about Beethoven's music. Perhaps no one is better positioned to help us do so than Robin Wallace, who not only has dedicated his life to the music of Beethoven but also has close personal experience with deafness. One day, at the age of forty-four, Wallace's late wife, Barbara, found she couldn't hear out of her right ear-the result of radiation administered to treat a brain tumor early in life. Three years later, she lost hearing in her left ear as well. Over the eight and a half years that remained of her life, despite receiving a cochlear implant, Barbara didn't overcome her deafness or ever function again like a hearing person. Wallace shows here that Beethoven didn't do those things, either. Rather than heroically overcoming his deafness, as we're commonly led to believe, Beethoven accomplished something even more difficult and challenging: he adapted to his hearing loss and changed the way he interacted with music, revealing important aspects of its very nature in the process. Creating music became for Beethoven a visual and physical process, emanating from visual cues and from instruments that moved and vibrated. His deafness may have slowed him down, but it also led to works of unsurpassed profundity.
Author: Giacomo Meyerbeer
Publisher: Fairleigh Dickinson Univ Press
Published: 1999
Total Pages: 732
ISBN-13: 9780838638453
DOWNLOAD EBOOKVolume 4 is devoted to the last years (1857-64); while age and declining health saw a waning of the composer's personal optimism. It contains a series of glossaries listing his compositions and the musical and theatrical works he attended throughout his life, as well as a bibliography.
Author: Michel Ruppli
Publisher: Greenwood
Published: 1996
Total Pages: 1040
ISBN-13:
DOWNLOAD EBOOKAuthor: Michael Talbot
Publisher: Oxford Monographs on Music
Published: 2001
Total Pages: 272
ISBN-13: 9780198166955
DOWNLOAD EBOOKThe knowledge that finales are by tradition (and perhaps also necessarily) 'different' from other movements has been around a long time, but this is the first time that the special nature of finales in instrumental music has been examined comprehensively and in detail. Three main types offinale, labelled 'relaxant', 'summative', and 'valedictory', are identified. Each type is studied closely, with a wealth of illustration and analytical commentary covering the entire period from the Renaissance to the present day. The history of finales in five important genres -- suite, sonata,string quartet, symphony, and concerto -- is traced, and the parallels and divergences between these traditions are identified. Several wider issues are mentioned, including narrativity, musical rounding, inter-movement relationships, and the nature of codas. The book ends with a look at thefinales of all Shostakovich's string quartets, in which examples of most of the types may be found.
Author:
Publisher: PediaPress
Published:
Total Pages: 553
ISBN-13:
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