The city series continues with Stratford-Upon-Avon, birthplace of the brilliant bard A quaint and cute tourist town today, Shakespeare's Stratford was far from pleasant and Terry Deary reveals the civil war struggls and brutal beheadings that made its history so horrible. Readers can explore all the horrible highlights of the town using the frightful fold-out map, including spooky Sheep Street, hom of an awful axeman, a weird witch and possibly the most haunted house in England.
England in the 1520s is a heartbeat from disaster. If the king dies without a male heir, the country could be destroyed by civil war. Henry VIII wants to annul his marriage of twenty years and marry Anne Boleyn. The pope and most of Europe oppose him. The quest for the king’s freedom destroys his advisor, the brilliant Cardinal Wolsey, and leaves a power vacuum and a deadlock. Into this impasse steps Thomas Cromwell. The son of a brutal blacksmith, a political genius, a briber, a bully and a charmer, Cromwell has broken all the rules of a rigid society in his rise to power. Narrowly escaping personal disaster—the loss of his young family and of Wolsey, his beloved patron—he picks his way deftly through a court where “man is wolf to man.” Pitting himself against parliament, the political establishment and the papacy, he is prepared to reshape England to his own and Henry’s desires. In inimitable style, Hilary Mantel presents a picture of a half-made society on the cusp of change, where individuals fight or embrace their fate with passion and courage. Wolf Hall re-creates an era when the personal and political are separated by a hair’s breadth, where success brings unlimited power, but a single failure means death.
Before William Shakespeare wrote world-famous plays on the themes of power and political turmoil, the Shakespeare family of Stratford-upon-Avon and their neighbors and friends were plagued by false accusations and feuds with the government — conflicts that shaped Shakespeare's sceptical understanding of the realities of power. This ground-breaking study of the world of the young William Shakespeare in Stratford and Warwickshire discusses many recent archival discoveries to consider three linked families, the Shakespeares, the Dudleys, and the Ardens, and their battles over regional power and government corruption. Robert Dudley, earl of Leicester, and Ambrose Dudley, earl of Warwick, used politics, the law, history, and lineage to establish their authority in Warwickshire and Stratford, challenging political and social structures and collective memory in the region. The resistance of Edward Arden — often claimed as kin to Mary Arden, Shakespeare's mother — and his friends and family culminated in his execution on false treason charges in 1583. By then the Shakespeare family also had direct experience with the London government's power: in 1569, Exchequer informers, backed by influential politicians at Court, accused John Shakespeare, William's father, of illegal wool- dealing and usury. Despite previous claims that John had resolved these charges by 1572, the book's new sources show the Exchequer's continuing demands forced his withdrawal from Stratford politics by 1577, and undermined his business career in the early 1580s, when young William first gained an understanding of his father's troubles. At the same time, Edward Arden's condemnation by the Elizabethan regime proved problematic for the Shakespeares' friends and neighbours, the Quineys, who were accused of maintaining financial connections to the traitorous Ardens — though Stratford people were convinced of their innocence. This complicated community directly impacted Shakespeare's own perspective on local and national politics and social structures, connecting his early experiences in Stratford and Warwickshire with many of the themes later found in his plays.
Using the evidence of wills and inventories, Jeanne Jones has built up a detailed picture of everyday life in Stratford, with chapters on where and how people lived, what they did for a living, standards of literacy, marriage, families and friends
Birthplace of Shakespeare, Stratford-upon-Avon has a lively history from its origins as a monastic settlement to its present identity as a tourist destination. This book is a celebration of a wonderful town and of all those who have been Stratfordians.
Step into Compton Verney’s Marvellous Mechanical Museum, a world which reimagines the spectacular automata exhibitions of the 18th century and invites us to explore the boundaries of what is lifelike and what is alive, where artists, inventors and engineers collide. Automata have always been fascinating to us. Throughout history they have represented the human condition and allowed us to view ourselves and raise questions about our existence. They have also entertained and amazed us with spectacular musical performances and simulations of life. (The Marvellous Mechanical Museum coincides with the 200th anniversary of the publication of Mary Shelley’s Frankenstein, who is believed to have seen the famous 18th century automata of Pierre Jaquet-Droz before bringing her own creation to life). This exhibition will include early and rare automata and clockwork dating back to the 17th century from collections such as The British Museum, V&A and Royal Collection alongside new commissions by contemporary artists exploring our current and often complex relationship with technology. From a miniature Faberge moving elephant to the uncanny 'Crimson Prince' by kinetic artist Tim Lewis, the exhibition also includes work by Sarah Angliss & Caroline Radcliffe, Ting Tong Chang, James Cox, Pierre Jaquet-Droz, Jane Edden, Rowland Emett, Ron Fuller, Fi Henshall, Rebecca Horn, Tim Hunkin, Peter Markey, John Joseph Merlin, Keith Newstead, Stuart Patience, Henry Phalibois, Harrison Pearce, Rodney Peppe, Sam Smith and Paul Spooner.
Birthplace of Shakespeare, Stratford-upon-Avon has a lively history from its origins as a monastic settlement to its present identity as a tourist destination. This book is a celebration of a wonderful town and of all those who have been Stratfordians.