"F.G. Bailey’s classic political-anthropology text is reissued here with a Postscript that comments critically on the book’s scope, its reception, and its uses. First published in 1969, Stratagems and"
"F.G. Bailey's classic political-anthropology text is reissued here with a Postscript that comments critically on the book's scope, its reception, and its uses. First published in 1969, Stratagems and"
Treasons, Stratagems, and Spoils is a sequel to the author's highly regarded Stratagems and Spoils.Treason, the new word in the title, indicates a heightened attention to morality—to ideas of duty and conscience—as a foil to rational calculations of advantage. By providing sets of propositions and questions that illuminate narratives of political events, this book helps anyone interested in struggles for power understand politics and political leaders in their own and in other cultures. The method can be used to make sense of power struggles in peasant villages, electoral and presidential maneuvering in the United States, the confusions of post-Soviet Eastern Europe, or Gandhi's morality deployed as a weapon to drive the British out of India.
NEW YORK TIMES BESTSELLER • A celebration of American history through the music that helped to shape a nation, by Pulitzer Prize winner Jon Meacham and music superstar Tim McGraw “Jon Meacham and Tim McGraw form an irresistible duo—connecting us to music as an unsung force in our nation's history.”—Doris Kearns Goodwin Through all the years of strife and triumph, America has been shaped not just by our elected leaders and our formal politics but also by our music—by the lyrics, performers, and instrumentals that have helped to carry us through the dark days and to celebrate the bright ones. From “The Star-Spangled Banner” to “Born in the U.S.A.,” Jon Meacham and Tim McGraw take readers on a moving and insightful journey through eras in American history and the songs and performers that inspired us. Meacham chronicles our history, exploring the stories behind the songs, and Tim McGraw reflects on them as an artist and performer. Their perspectives combine to create a unique view of the role music has played in uniting and shaping a nation. Beginning with the battle hymns of the revolution, and taking us through songs from the defining events of the Civil War, the fight for women’s suffrage, the two world wars, the Great Depression, the civil rights movement, the Vietnam War, and into the twenty-first century, Meacham and McGraw explore the songs that defined generations, and the cultural and political climates that produced them. Readers will discover the power of music in the lives of figures such as Harriet Tubman, Franklin Roosevelt, Eleanor Roosevelt, and Martin Luther King, Jr., and will learn more about some of our most beloved musicians and performers, including Marian Anderson, Elvis Presley, Sam Cooke, Aretha Franklin, Bob Dylan, Duke Ellington, Carole King, Bruce Springsteen, and more. Songs of America explores both famous songs and lesser-known ones, expanding our understanding of the scope of American music and lending deeper meaning to the historical context of such songs as “My Country, ’Tis of Thee,” “God Bless America,” “Over There,” “We Shall Overcome,” and “Blowin’ in the Wind.” As Quincy Jones says, Meacham and McGraw have “convened a concert in Songs of America,” one that reminds us of who we are, where we’ve been, and what we, at our best, can be.
The field of political anthropology is complicated by a breadth and depth of interests that include every kind of ethnographically and historically represented political community, and nearly every kind of recorded political practice, behavior, and organization. To make sense of this array of information, political anthropologists examine political topics and issues in the context of research paradigms that include structural-functionalism, pro-cessualism, political economy, political evolution, and, arguably, post-modernism. In Political Anthropology, Donald V. Kurtz examines how anthropologists think about politics, political organizations, and problems fundamental to political anthropology. He explores the ideas with which they address universal political concerns, the paradigms that direct political research by anthropologists, and political topics of special interest.
Shylock, the cunning moneylender in Shakespeare's The Merchant of Venice, is one of the great familiar figures of the world of drama. He is also one of the most controversial characters ever conceived. Photos.
The works of F. G. Bailey (1924–2020) provide a seminal template for good ethnography. Central to this is Bailey’s ability to conceptually connect the well-described micro-contexts of individual interactions to the macro-context of culture. Bailey’s core concerns – the tension between individual and collective interests, the will to power, and the dialectics of social forces which foster both collective solidarity as well as divisiveness and discontent – are themes of universal interest; the beauty of his work lies in his analyses of how these play out in local arenas between real people. His models provide nuanced, yet explicit road maps to analysing the different leadership styles of everyday people and contemporary leaders. This volume seeks to inspire new generations of anthropologists to revisit Bailey’s seminal texts, to help them navigate their way through the ethnographic thicket of their own research.
‘Our neurosensory system is inwardly configured music, and we experience music as an artistic quality to the degree that a piece of music is in tune with the mystery of our own musical structure.’ – Rudolf Steiner What is music? Rudolf Steiner regards the essence of music as something spiritual, inaudible to the senses. The world of tones, borne on the vibrations of air, is not the essential element. ‘The true nature of music, the spiritual element in music’, he says, ‘is found between the tones, lies in the intervals as an inaudible quality.’ Rudolf Steiner spoke repeatedly about music as something inherent both in the cosmos and the human being. It played an important role in many forms of ritual and worship, and people once perceived a link between music and the world of stars, which was seen as the dwelling place of the gods. Nowadays our view of music is divorced from such religious outlooks, but research repeatedly demonstrates the profound effect it continues to have on us. In this unique anthology of texts, compiled with a commentary and notes by Michael Kurtz, Steiner describes the realm of the spiritually-resonating harmonies of the spheres and our intrinsic connection to this cosmic music. He also explores the phenomenon of musical listening and experience, as well as Goethe’s approach to music.