The tango is easily the most iconic dance of the last century, its images as familiar as an old friend. But are they the whole story? Peeling back the poster propaganda that has always characterized the tango publicly, this intimate study shows the invisible heart of the dance and the culture that raised it. Drawing on direct experience and conversations with dancers, it reveals much about the role of the tango in Argentinean culture. Instructors considering this book for use in a course may request an examination copy here.
Why do soldiers fight? What keeps them going? What compels them to face death when their long-time comrades have fallen around them? Strangers in Arms addresses these questions in a groundbreaking study of the behaviour, morale, and motivations of Canadian infantrymen on the front lines of the Second World War. Canada’s army has long faced intense criticism for its combat performance during the war, and Canada’s official history has presented Canadian soldiers as deficient, inexperienced, and unprepared in comparison with their enemies. Questioning entrenched views, Robert Engen explores a trove of contemporaneous documents to create a remarkable new portrait of Canadians at war. Rather than the popular "band of brothers" image of soldier cohesion in battle, he finds staggering casualty rates and personnel turmoil that left Canadian infantrymen often working with and fighting beside men they hardly knew. Yet these strangers in arms continued to fight - effectively and in good spirits - against a tenacious and deadly enemy, triumphing in the face of heartrending loss and sacrifice. Challenging old narratives about the Canadian soldier and supported by cutting-edge empirical and qualitative research, Strangers in Arms crafts a new understanding of what happens at the sharp end of battle.
The story of what it was like to grow up Jewish in Nazi Germany, to escape danger and fear, and also to leave family and friends, on the British Kindertransport scheme. Among the voices we hear are those of two of the organisers, an English foster mother, and 13 surviving children.
Lara's had been an arranged marriage to a man who was cold and mostly absent, so when word reached Lady Hawksworth that her husband was lost at sea, she happily gave up her title and position and proceeded to lead an exemplary life as a volunteer at the community orphanage. But suddenly - after a over a year - Lara receives word that her husband is alive and on his way home. While Lara couldn't deny that the handsome man who appeared before her resembled her husband in every way, and knew things that only he could know, the "new" Hunter was attentive and loving in ways he never had been before. Was it possible that her rake of a husband had reformed - or was Lara being seduced by a cunning stranger?
Home is where your people are. But who are your people? Adelaide has lived her whole life in rural Ethiopia as the white American daughter of an anthropologist. Then her family moves to South Carolina, in 1964. Adelaide vows to find her way back to Ethiopia, marry Maicaah, and become part of the village for real. But until she turns eighteen, Adelaide must adjust to this strange, white place that everyone tells her is home. Then Adelaide becomes friends with the five African-American students who sued for admission into the white high school. Even as she navigates her family's expectations and her mother's depression, Adelaide starts to enjoy her new friendships, the chance to learn new things, and the time she spends with a blond football player. Life in Greenville becomes interesting, and home becomes a much more complex equation. Adelaide must finally choose where she belongs: the Ethiopian village where she grew up, to which she promised to return? Or this place where she's become part of something bigger than herself? "The Means That Make Us Strangers is a beautifully written coming-of-age story that will satisfy experienced readers as well as younger ones. Christine Kindberg treats all of these characters graciously and with deep generosity. The result is a gorgeous meditation on growing up, experiencing love, and finding home.” —Pinckney Benedict, three-time winner of the Pushcart Prize, author of Dogs of God and Miracle Boy and Other Stories "Christine Kindberg's fiction explores the complexity of identity, love, and faith with extraordinary intimacy and skill. Her bracing prose draws you into the lives of characters who live and breathe upon the page." —Naeem Murr, author of The Perfect Man (long-listed for the Man Booker Prize)
From the USA TODAY bestselling author of Sweet Thing and Nowhere But Here comes a love story about a Craigslist “missed connection” post that gives two people a second chance at love fifteen years after they were separated in New York City. To the Green-eyed Lovebird: We met fifteen years ago, almost to the day, when I moved my stuff into the NYU dorm room next to yours at Senior House. You called us fast friends. I like to think it was more. We lived on nothing but the excitement of finding ourselves through music (you were obsessed with Jeff Buckley), photography (I couldn’t stop taking pictures of you), hanging out in Washington Square Park, and all the weird things we did to make money. I learned more about myself that year than any other. Yet, somehow, it all fell apart. We lost touch the summer after graduation when I went to South America to work for National Geographic. When I came back, you were gone. A part of me still wonders if I pushed you too hard after the wedding… I didn’t see you again until a month ago. It was a Wednesday. You were rocking back on your heels, balancing on that thick yellow line that runs along the subway platform, waiting for the F train. I didn’t know it was you until it was too late, and then you were gone. Again. You said my name; I saw it on your lips. I tried to will the train to stop, just so I could say hello. After seeing you, all of the youthful feelings and memories came flooding back to me, and now I’ve spent the better part of a month wondering what your life is like. I might be totally out of my mind, but would you like to get a drink with me and catch up on the last decade and a half? M
In June 1994 the United States went to the brink of war with North Korea. With economic sanctions impending, President Bill Clinton approved the dispatch of substantial reinforcements to Korea, and plans were prepared for attacking the North's nuclear weapons complex. The turning point came in an extraordinary private diplomatic initiative by former President Jimmy Carter and others to reverse the dangerous American course and open the way to a diplomatic settlement of the nuclear crisis. Few Americans know the full details behind this story or perhaps realize the devastating impact it could have had on the nation's post-Cold War foreign policy. In this lively and authoritative book, Leon Sigal offers an inside look at how the Korean nuclear crisis originated, escalated, and was ultimately defused. He begins by exploring a web of intelligence failures by the United States and intransigence within South Korea and the International Atomic Energy Agency. Sigal pays particular attention to an American mindset that prefers coercion to cooperation in dealing with aggressive nations. Drawing upon in-depth interviews with policymakers from the countries involved, he discloses the details of the buildup to confrontation, American refusal to engage in diplomatic give-and-take, the Carter mission, and the diplomatic deal of October 1994. In the post-Cold War era, the United States is less willing and able than before to expend unlimited resources abroad; as a result it will need to act less unilaterally and more in concert with other nations. What will become of an American foreign policy that prefers coercion when conciliation is more likely to serve its national interests? Using the events that nearly led the United States into a second Korean War, Sigal explores the need for policy change when it comes to addressing the challenge of nuclear proliferation and avoiding conflict with nations like Russia, Iran, and Iraq. What the Cuban missile crisis was to fifty years of superpower conflict, the North Korean nuclear crisis is to the coming era.
Based on a true story, a stray dog befriends an orphan boy in a refugee camp on a Greek island. The fishermen on Lesvos call her Kanella because of her cinnamon color. She’s a scrawny, nervous stray — easily intimidated by the harbor cats and the other dogs that compete for handouts on the pier. One spring day a dinghy filled with weary, desperate strangers comes to shore. Other boats follow, laden with refugees who are homeless and hungry. Kanella knows what that is like, and she follows them as they are taken to a makeshift refugee camp. There she comes to trust a bearded man, an aid worker, and gradually settles into a contented routine. Kanella grows healthy and confident. She has a job now — to keep watch over the people in her camp. One day, a little boy arrives and does not leave like the others. He seems to have no family and, like Kanella, he is taken in by the workers. He sleeps on a cot in the food hut, and Kanella keeps him warm and calm. When two new adults come to the camp. Kanella is ready to defend the boy from them, until she is pulled away by the bearded man. They are the boy’s parents, and now he must go with them. Eventually, the camp is dismantled, and Kanella finds herself homeless again. Until one night, huddled in the cold, she awakens to see two bright lights shining in her eyes — the headlights of a car. The bearded man has come back for her, and soon Kanella is on a journey, too, to a new home of her own. Key Text Features maps illustrations author's note Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.5.6 Describe how a narrator's or speaker's point of view influences how events are described.
In her startling new collection of poetry, Alice Derry contemplates an awkward, even taboo, subject -- the persecution and suffering of the German population before, during, and after World War II. Sparked by her desire to capture in verse the torment of her German cousins, who had survived the horrors of war only to be separated by the division of Germany, Derry composed these poems over a quarter century, ultimately chronicling the anguish of an entire people who "deserved" their lot, a people permanently tainted by the horrifying events of the Third Reich and the Holocaust. "Before I realized that I was becoming part of a contaminated language and people, I was part of them", writes Derry in her powerful introductory essay, an eloquent discussion of racism, ethnic prejudice, and learned hatred. Indeed, Derry's intensely personal poems have an immediacy that approaches documentary. She divides the poems into two sections, the first telling the stories of her German relatives trapped behind the Iron Curtain, often from their point of view. "When I felt our first son move inside me . . . / I walked into the cold, muddy spring, / the rubbled streets, and took my place / in the food lines". The second section ponders the distinct experiences of German Americans. By giving voice to a group that Americans and others have been given permission to hate, Derry eloquently reveals a subtle truth about blame and guilt -- in the end we are all implicated, all human suffering is a part of each of us.
