"The Strange Likeness" by Harriet Pyne Grove. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
FAMILY SECRETS Something had gone wrong with the London end of the Dilhorne business empire, and Alan had been sent to England to make things right. But almost immediately after his arrival Alan met Ned Hatton, and to his total astonishment found that they were almost identical. It wasn’t until he met Ned’s sister, Eleanor, and learned more of their family background that he realized the likeness was more than a coincidence. The trouble was, as he grew to love Eleanor, the family secret could sweep away any hope he had of a lifetime with his true love.
The histories told about American Indian and European encounters on the frontiers of North America are usually about cultural conflict. This book takes a different tack by looking at how much Indians and Europeans had in common. In six chapters, this book compares Indian and European ideas about land, government, recordkeeping, international alliances, gender, and the human body. Focusing on eastern North America in the 18th century, up through the end of the Seven Years War in 1763, each chapter discusses how Indians and Europeans shared some core beliefs and practices. Paradoxically, the more American Indians and Europeans came to know each other, the more they came to see each other as different, so different indeed that they appeared to be each other's opposite. European colonists thought Indians a primitive people, laudable perhaps for their simplicity but not destined to possess and rule over North America. Simultaneously, Indians came to view Europeans as their antithesis, equally despicable for their insatiable greed and love of money. Thus, even though American Indians and Europeans started the 18th century with ideas in common, they ended the century convinced of their intractable differences. The 18th century was a crucial moment in American history, as British colonists and their Anglo-American successors rapidly pushed westward, sometimes making peace and sometimes making war with the powerful Indian nations-the Iroquois and Creek confederacies, Cherokee nation, and other Native peoples-standing between them and the west. But the 18th century also left an important legacy in the world of ideas, as Indians and Europeans abandoned an initial willingness to recognize in each other a common humanity so as to instead develop new ideas rooted in the conviction that, by custom and perhaps even by nature, Native Americans and Europeans were peoples fundamentally at odds.
Back after 45 years, Margaret Sutton's young detective, Judy Bolton, returns for her 39th mystery adventure. At the end of book #38, The Secret of the Sand Castle, the author gave the title of the next book in the series, The Strange Likeness. However, the series was canceled, and the promised book was not written...until now. Beloved author Margaret Sutton (1903-2001) published her first Judy Bolton mysteries in 1932. The original series continued until 1967, making it the longest-lasting juvenile series written by a single author. The books are noted not only for their engaging plots and thrilling stories, but also for their realism and social commentary. To many young girls Judy was an ideal role model--smart, capable, courageous, nurturing, and always unwavering in her core beliefs. Based on conversations with Margaret Sutton and her family, plus extensive research, coauthors Kate Duvall and Beverly Hatfield recreate the magic of Judy and her friends, who find themselves pursuing a criminal who resembles Judy's husband. Courage and keen observation are Judy's trademarks, and they prove her up to the task once again.
A follow-up to In the Woods finds a traumatized detective Cassie Maddox struggling in her career and relationship with Sam O'Neill while investigating the unsettling murder of a young woman whose name matches an alias Cassie once had used as an undercover officer. 50,000 first printing.
"This book affirms the experience of likeness at the heart of many, if not all, disciplines of knowledge and seeks to formalize that basic experience into a science of its own, "homeotics.""--
The Unsignificant: Three Talks on Poetry and Pictures is a selection of lectures that poet and Griffin Award–finalist Srikanth Reddy presented for the Bagley Wright Lecture Series in 2015. True to its title, The Unsignificant is concerned with what it’s not about—not the logical proofs of philosophy but the affective flux of poetry. The lectures approach poetry from Homer to Gertrude Stein to Ronald Johnson obliquely, refracted through images such as Brueghel’s “Landscape with Fall of Icarus,” Hermann Rorschach’s inkblots, or Galileo’s drawings of the moon. Ranging from pictorial backgrounds in visual art to portraiture and similes to the poetics of wonder, The Unsignificant embarks on an unsystematic, errant, and eccentric tour of Western poetry and poetics from the ancient world to our continuous present.
Edwin Morgan's restless imagination moved easily between multiple worlds, voices and identities. His own life story, told here for the first time, also reveals a range of identities - as academic, cultural activist, radical writer, international traveller, gay man and national poet. These identities were sometimes in conflict, or kept hidden and apart. Beyond the Last Dragon, written with his full support, explores hitherto unknown archive resources and creative work. It recounts an amazing and sometimes troubled career, using the poet's own letters, poems and plays from the 1930s to the present day to uncover the origins of his remarkable - and life-long - inventiveness and flair. All this is set against Edwin Morgan's moving struggle against 'the last dragon' of cancer, and to remain creatively alive in the face of suffering in the final years of his life. This prize-winning biography was published just days after the poet's death. James McGonigal now adds a new chapter to describe subsequent events.
