How has the history of rock ‘n’ roll been told? Has it become formulaic? Or remained, like the music itself, open to outside influences? Who have been the genre’s primary historians? What common frameworks or sets of assumptions have music history narratives shared? And, most importantly, what is the cost of failing to question such assumptions? "Stories We Could Tell:Putting Words to American Popular Music" identifies eight typical strategies used when critics and historians write about American popular music, and subjects each to forensic analysis. This posthumous book is a unique work of cultural historiography that analyses, catalogues, and contextualizes music writing in order to afford the reader new perspectives on the field of cultural production, and offer new ways of thinking about, and writing about, popular music.
The average American watches 5 hours of TV every day. Collectively, we spend roughly $30 billion on movies each year. Simply put, we're entertainment junkies. But can we learn something from our insatiable addiction to stories? Mike Cosper thinks so. From horror flicks to rom-coms, the tales we tell and the myths we weave inevitably echo the narrative underlying all of history: the story of humanity's tragic sin and God's triumphant salvation. This entertaining book connects the dots between the stories we tell and the one, great Story—helping us better understand the longings of the human heart and thoughtfully engage with the movies and TV shows that capture our imaginations.
“A lyrical exploration of love and longing, secrets and suspicion, family and friendship”from the bestselling author of The Secret Book of Flora Lea (Mary Kay Andrews, New York Times–bestselling author). Eve and Cooper Morrison are Savannah’s power couple. They’re on every artistic board and deeply involved in the community. The perfect juxtaposition of the old and the new, they are the beautiful people. The lucky ones. And they have the wealth and name that comes from being part of an old Georgia family. But things may not be as good as they seem. After twenty-one years together, Eve and Cooper know each other. They count on each other. They know what to expect. But when Cooper and Eve’s sister are involved in a car accident, the questions surrounding the event bring the family close to the breaking point. Sifting between the stories—of Cooper, of her sister, of the evidence—Eve has to find out what really happened. And what she’s going to do about it. A riveting story about the power of truth, The Stories We Tell will open your eyes and rearrange your heart. “From the intriguing beginning to the touching ending, The Stories We Tell is filled with the warmth, heart, and compassion that have become the trademark of her novels.” —Diane Chamberlain, New York Times–bestselling author “Full of twists and turns, this book will be one that you just can’t put down.” —Southern Living “Everything you expect from Patti Callahan Henry—lyrical writing, characters worth rooting for, a sure-footed belief in the power of goodness—plus a twisty plot that will keep the pages turning long into the night.” —Joshilyn Jackson, New York Times–bestselling author
There are stories we never talk about. Stories we are afraid to share. Simply because they hurt too much or no one wants to listen to them. Such was the story of Jhanvi, who is a budding social media influencer. She appears to have it all together, living her ideal life, but something is missing: Jhanvi has this impossible need that drives her to be more perfect than any person could possibly be. And the story of Ashray, who had a rocky start in life. With hard work and determination, he translates his dreams into reality, but his deep-seated insecurities come to the fore when life throws him a curveball. As their stories intersect, their lives change in ways they never expected. In a world of loss, darkness and destruction, will Jhanvi and Ashray be able to tell a story of hope, light and recovery?
A collection of twenty-six of the finest stories by the finest women writers to come out of the U.S. and Canada in the past fifty years. Organized by publication date, authors include Eudora Welty, Flannery O'Connor, Joyce Carol Oates, Ann Beattie, Margaret Atwood, Anne Tyler, Tama Janowitz, Sandra Cisneros, Mary Gordon, and Alice Walker.
Hunter S. Thompson, “smart hillbilly,” boy of the South, born and bred in Louisville, Kentucky, son of an insurance salesman and a stay-at-home mom, public school-educated, jailed at seventeen on a bogus petty robbery charge, member of the U.S. Air Force (Airmen Second Class), copy boy for Time, writer for The National Observer, et cetera. From the outset he was the Wild Man of American journalism with a journalistic appetite that touched on subjects that drove his sense of justice and intrigue, from biker gangs and 1960s counterculture to presidential campaigns and psychedelic drugs. He lived larger than life and pulled it up around him in a mad effort to make it as electric, anger-ridden, and drug-fueled as possible. Now Juan Thompson tells the story of his father and of their getting to know each other during their forty-one fraught years together. He writes of the many dark times, of how far they ricocheted away from each other, and of how they found their way back before it was too late. He writes of growing up in an old farmhouse in a narrow mountain valley outside of Aspen—Woody Creek, Colorado, a ranching community with Hereford cattle and clover fields . . . of the presence of guns in the house, the boxes of ammo on the kitchen shelves behind the glass doors of the country cabinets, where others might have placed china and knickknacks . . . of climbing on the back of Hunter’s Bultaco Matador trail motorcycle as a young boy, and father and son roaring up the dirt road, trailing a cloud of dust . . . of being taken to bars in town as a small boy, Hunter holding court while Juan crawled around under the bar stools, picking up change and taking his found loot to Carl’s Pharmacy to buy Archie comic books . . . of going with his parents as a baby to a Ken Kesey/Hells Angels party with dozens of people wandering around the forest in various stages of undress, stoned on pot, tripping on LSD . . . He writes of his growing fear of his father; of the arguments between his parents reaching frightening levels; and of his finally fighting back, trying to protect his mother as the state troopers are called in to separate father and son. And of the inevitable—of mother and son driving west in their Datsun to make a new home, a new life, away from Hunter; of Juan’s first taste of what “normal” could feel like . . . We see Juan going to Concord Academy, a stranger in a strange land, coming from a school that was a log cabin in the middle of hay fields, Juan without manners or socialization . . . going on to college at Tufts; spending a crucial week with his father; Hunter asking for Juan’s opinion of his writing; and he writes of their dirt biking on a hilltop overlooking Woody Creek Valley, acting as if all the horrible things that had happened between them had never taken place, and of being there, together, side by side . . . And finally, movingly, he writes of their long, slow pull toward reconciliation . . . of Juan’s marriage and the birth of his own son; of watching Hunter love his grandson and Juan’s coming to understand how Hunter loved him; of Hunter’s growing illness, and Juan’s becoming both son and father to his father . . .
From the bestselling author of NYC Basic Tips and Ettiquette comes 99 Stories I Could Tell, a guided journal with 99 prompts plus a customizable cover. Nathan Pyle takes journalers for a creative ride through the pages of this product--each prompt comes with a mix of black lines (solid boundaries to color) and blue lines (to trace and use as a jumping off point for further imagination. The prompts move from extremely suuportive towards the start of the journal (giving the journaler lots of structure so as not to intimidate them) to more free-form , the idea being that the journalers skills will increase the more they progress. The prompts themselves are a collection of inventive and humorous trips down memory lane, helping journalers curate and draw their most prized recollections, and also to unearth memories they didn't know they had (a lie you were told as a child that you believed until recently, or the first fictional death you experienced). With a well-honed sensibility for what shares well online and what people are searching for, each of the 99 stories has been chosen because it prompts emotional resonance and will be content people will be excited to share on their social media. The prompts can also be mixed and matched to create all new narratives, the way musical notes can be lined up differently to make new tunes. Package wise, this journal is a large square, big enough to satisfy doodlers, but light enough to easily fit in a backpack or totebag. The book's jacket is a silk-screened PVC case which adds to the nostalgic feel (reminiscent of a toy); the jacket is also removemable to reveal an uncoated cover where journalers can embellish the design in their own way, making each and every journal totally customizable.