For library students, paraprofessionals, and librarians who are wondering if they have their ladder against the right wall, Straight from the Stacks fills the need for an up-to-date resource that uncovers the amazing and varied jobs available in the library field.
"A quietly brilliant book that warms slowly in the hands." —Dwight Garner, The New York Times I am not talking about surviving. I am not talking about becoming human, but about how I came to realize that I had always already been human. I am writing about all that I wanted to have, and how I got it. I am writing about what it cost, and how I was able to afford it. Jan Grue was diagnosed with spinal muscular atrophy at the age of three. Shifting between specific periods of his life—his youth with his parents and sister in Norway; his years of study in Berkeley, St. Petersburg, and Amsterdam; and his current life as a professor, husband, and father—he intersperses these histories with elegant, astonishingly wise reflections on the world, social structures, disability, loss, relationships, and the body: in short, on what it means to be human. Along the way, Grue moves effortlessly between his own story and those of others, incorporating reflections on philosophy, film, art, and the work of writers from Joan Didion to Michael Foucault. He revives the cold, clinical language of his childhood, drawing from a stack of medical records that first forced the boy who thought of himself as “just Jan” to perceive that his body, and therefore his self, was defined by its defects. I Live a Life Like Yours is a love story. It is rich with loss, sorrow, and joy, and with the details of one life: a girlfriend pushing Grue through the airport and forgetting him next to the baggage claim; schoolmates forming a chain behind his wheelchair on the ice one winter day; his parents writing desperate letters in search of proper treatment for their son; his own young son climbing into his lap as he sits in his wheelchair, only to leap down and run away too quickly to catch. It is a story about accepting one’s own body and limitations, and learning to love life as it is while remaining open to hope and discovery.
A witty and thought-provoking collection of visual poems constructed from stacks of books. Delighting in the look and feel of books, conceptual artist Nina Katchadourian’s playful photographic series proves that books’ covers—or more specifically, their spines—can speak volumes. Over the past two decades, Katchadourian has perused libraries across the globe, selecting, stacking, and photographing groupings of two, three, four, or five books so that their titles can be read as sentences, creating whimsical narratives from the text found there. Thought-provoking, clever, and at times laugh-out-loud funny (one cluster of titles from the Akron Museum of Art’s research library consists of: Primitive Art /Just Imagine/Picasso/Raised by Wolves), Sorted Books is an enthralling collection of visual poems full of wry wit and bookish smarts. Praise for Sorted Books “Katchadourian’s project . . . takes on a weight beyond its initial novelty. It’s a love letter to books, book collecting and the act of reading.” —San Francisco Chronicle “As a longtime fan of [Katchadourian’s] long-running Sorted Books project I’m thrilled for the release of Sorted Books—a collection spanning nearly two decades of her witty and wise minimalist mediations on life by way of ingeniously arranged book spines. . . . In an era drowned in periodic death tolls for the future of the physical book, her project stands as a celebration of the spirit embedded in the magnificent materiality of the printed page.” —Brain Pickings “Katchadourian’s stacks possess an understated sophistication; they are true to the intimate nature of books and yet reveal their dramatic features and unexpected potential.” —Publishers Weekly
In 1859, ex-East India Company smuggler Merrick Tremayne is trapped at home in Cornwall after sustaining an injury that almost cost him his leg. When the India Office recruits Merrick for an expedition to fetch quinine--essential for the treatment of malaria--from deep within Peru, he knows it's a terrible idea. Nearly every able-bodied expeditionary who's made the attempt has died, and he can barely walk. But Merrick is desperate to escape the strange events plaguing his family's crumbling estate, so he sets off, against his better judgment, for the edge of the Amazon. There he meets Raphael, a priest around whom the villagers spin unsettling stories of impossible disappearances, cursed woods, and living stone. Merrick must separate truth from fairy tale, and gradually he realizes that Raphael is the key to a secret which will prove more valuable than quinine.
A New York Times Notable Book A revised collection with thirteen essays, including six new to this edition and seven from the original edition, by the “star in the American literary firmament, with a voice that is courageous, honest, loving, and singularly beautiful” (NPR). Brilliant and uncompromising, piercing and funny, How to Slowly Kill Yourself and Others in America is essential reading. This new edition of award-winning author Kiese Laymon’s first work of nonfiction looks inward, drawing heavily on the author and his family’s experiences, while simultaneously examining the world—Mississippi, the South, the United States—that has shaped their lives. With subjects that range from an interview with his mother to reflections on Ole Miss football, Outkast, and the labor of Black women, these thirteen insightful essays highlight Laymon’s profound love of language and his artful rendering of experience, trumpeting why he is “simply one of the most talented writers in America” (New York magazine).
From a patron's missing wetsuit to the scent of crab cakes wafting through the stacks, Sheridan showcases the oddities that have come across her circulation desk: encounters with local eccentrics; bizarre reference requests; and heart-warming stories of patrons who roam the stacks every day.
Librarian Carrie Singleton is building a haven, but one of her neighbors is misbehavin'. Can resident spirit Evelyn help Carrie catch the culprit who made her a ghost? In winter, the Haunted Library is a refuge for homeless townspeople. When a group purchases a vacant house to establish a daytime haven for the homeless, Carrie offers the library as a meeting place for the Haven House committee, but quickly learns that it may be used for illegal activities. As the new Sunshine Delegate, Carrie heads to the hospital to visit her cantankerous colleague, Dorothy, who had fallen outside the local supermarket. She tells Carrie that her husband tried to kill her--and that he murdered her Aunt Evelyn, the library's resident ghost, six years earlier. And then Dorothy is murdered--run off the road as soon as she returns to work. Evelyn implores Carrie to find her niece's killer, but that's no easy task: Dorothy had made a hobby of blackmailing her neighbors and colleagues. Carrie, Evelyn, and Smoky Joe the cat are on the case, but are the library cards stacked against them?
Straight Shooting is a wry, amusing, affectionate look at Hollywood over the years – the public drama and private feuds, the tyrannical reigns of the big studio bosses, the larger-than-life exploits of the big male stars – and what it was like to be part of that world. Stack is renowned for his Emmy Award-winning performance in TV’s “The Untouchables” and for films like “The High and the Mighty” and “Written on the Wind”. Less well known are the other roles this hard-working actor excelled in over the years: son, husband, father, friend to some of Hollywood’s most admired stars, and a consummate sportsman especially skilled in skeet shooting -- National Skeet Shooting Champion at seventeen and a member of the Skeet Shooting Hall of Fame. Stack was the son of a dazzling California socialite and an advertising giant (the man responsible for slogans like “The beer that made Milwaukee famous"). Among their friends, the elder Stacks numbered many well-known Hollywood personalities – lovingly described by the actor as he remembers them from his adolescent years. Each step in Stack’s career brought him in contact with fascinating people who became legends -- story after story rolls by, each more memorable than the last, told with unceasing admiration for the personal style these stars projected and the often profound effect many of them had upon Stack’s life. “The Untouchables” years are depicted with wonderful candor as Stack recalls many fine co-stars and hilarious behind-the-scenes episodes. In addition there are cameo appearances by luminaries Ernst Lubitsch, Betty Grable, W.C. Fields, the Ritz Brothers, Joe Pasternak, “Archie Bunker”, and Lauren Bacall, to make this a rich, engrossing reading experience. Straight Shooting is filled with good feeling, friendship, and a sense of a job well done – as was Stack’s own career and life. Through it all, Robert Stack emerges on target, a straight-shooter in every sense of the word.
At twenty, Ivy Knight feels as if she hasn't accomplished anything of worth. Her life stretches on before her, empty and pointless. Though her faith in God and her mental abilities have been strengthened, she still doubts herself. Does God have a purpose for a socially awkward, often confused and frightened young woman?Jordy McAllen has just returned to Scotland after his education in London. Though he has accomplished a lot for a farm lad such as himself, he fears that what everyone has always said about him may be true: he won't really make a good doctor. Determined to prove himself, Jordy snatches up the opportunity to become the doctor in the village of Keefmore near his parents' farm.Helping Jordy with his work at Keefmore seems like the perfect opportunity for Ivy. Still, she doubts herself. Is there a purpose to Ivy's life?