"Along the way we see the growth of Earle's political consciousness and his courage in tackling thorny topics such as "American Taliban" John Walker Lindh (in the song "John Walker's Blues"), his opposition to the death penalty, and his recent appearance in support of Iraq war protester Cindy Sheehan. Author David McGee also examines the early '70s east Texas singer-songwriter scene - where Earle met his future mentors Guy Clark and Townes Van Zandt - and the rise of the New Traditionalist and Americana movements.".
Doc Ebersole lives with the ghost of Hank Williams. Literally. In 1963, ten years after giving Hank the overdose that killed him, Doc is wracked by addiction. Having lost his licence to practise medicine, he lives in a rented room in the red-light district on the south side of San Antonio, performing abortions and patching up the odd knife or gunshot wound. But when Graciela, a young Mexican immigrant, appears in the neighbourhood in search of Doc's services, miraculous things begin to happen. Everyone she meets is transformed for the better, except, maybe, for Hank's angry ghost - who isn't at all pleased to see Doc doing well. I'll Never Get Out of This World Alive is a poetic ghost story, as well as a ballad of regret and redemption, and miracles.
If Steve Earle weren't a living, breathing person, he'd be a character in a blues song -- a raucous ballad about a gifted rebel who drank too much, lost most of his women in a blizzard of crack and cocaine addiction, and always came out on the wrong side of the law. Somewhere in the midst of all this, he also managed to weld rock to country, the Beatles to Springsteen, and bluegrass to punk, establishing himself among the most thoroughly original and politically astute musicians of his generation. Granted unrestricted access to Steve and his family and friends, Lauren St John has given us a sometimes shocking, often moving, and completely unvarnished biography of one of America's most talismanic sons.
"Earle's narrative voice sounds like a sage in a smoky bar..." Kirkus Reviews "[A] surprisingly fine short story collection…" The Star Tribune "A heartfelt, beautifully observed collection of stories." The Oregonian "[Earle's] ability to write so close to the bone…makes Doghouse Roses such an entertaining read." The Los Angeles Times "They haven't been shaped…by the small magazines or mainstream monthly editors. There's an appealing sort of innocence to them." Salon —
From legendary singer/songwriter Steve Earle comes the fascinating memoir he swore he'd never write. I CAN'T REMEMBER IF WE SAID GOODBYE Steve Earle's entirely self-written memoir is a literary work in three acts. It opens with Steve dropping out of school and quitting a construction job, and meeting the troubled, genius musician Townes Van Zandt, with whom he embarks on a very complicated lifelong friendship. Steve's memoir will delve deeply into his heroes and what they meant to him, from Guy Clark and Willie and Waylon, to Steve's uncle who gave him his first guitar as well as his first shot of dope. It will take readers into the heart of the singular, dynamic and fascinating Texas music scene in the 60s and 70s, through the pain and desperation of Steve's drug addiction and, finally, to the grace of recovery through the Twelve Steps. Unlike many musicians penning memoirs, Earle is a genuine and talented writer who has authored a collection of short stories and a beautiful, haunting novel. This book, the one his fans want, brings that same lyrical prose to Steve's own incredible life, from the exhilarating highs to the crushing lows and back again--showing that recovery is possible for even the hardest of cases.
When Allison’s son, John Henry, stopped using his growing vocabulary just before his second birthday, she knew in her bones that something was shifting. In the years since his autism diagnosis, Allison and John Henry have embarked on an intense journey filled with the adventure, joy, heartbreak, confusion, and powerful love lessons that are the hallmarks of a quest for understanding. In I Dream He Talks to Me, Allison details the meltdowns and the moments of grace, and how the mundane expectations of a parent turn into extraordinary achievements. The saying goes, “If you know one person with autism, you know one person with autism”; no two stories are alike, and yet there are universal truths that apply to all parent-child relationships. With gorgeous prose, Allison shares her and John Henry’s experience while also creating a riveting narrative that will speak to anyone who parents—and who has questioned their own ability to do so. An exploration of resilience and compassion—both for ourselves and for others—I Dream He Talks to Me is also a moving meditation on our place in the world and how we get there; what words mean, what they don’t; and, ultimately, how we truly express ourselves and truly know those whom we love.
I love it. Earle understands the big climate picture and paints it with exceptional clarity. — JAMES HANSEN, director, Climate Science, Awareness and Solutions, Columbia University Earth Institute What's natural, what's caused by humans, and why climate change is a disaster for all A Brief History of the Earth's Climate is an accessible myth-busting guide to the natural evolution of the Earth's climate over 4.6 billion years, and how and why human-caused global warming and climate change is different and much more dangerous. Richly illustrated chapters cover the major historical climate change processes including evolution of the sun, plate motions and continental collisions, volcanic eruptions, changes to major ocean currents, Earth's orbital variations, sunspot variations, and short-term ocean current cycles. As well as recent human-induced climate change and an overview of the implications of the COVID pandemic for climate change. Content includes: Understanding natural geological processes that shaped the climate How human impacts are now rapidly changing the climate Tipping points and the unfolding climate crisis What we can do to limit the damage to the planet and ecosystems Countering climate myths peddled by climate change science deniers. A Brief History of the Earth's Climate is essential reading for everyone who is looking to understand what drives climate change, counter skeptics and deniers, and take action on the climate emergency. AWARDS SILVER | 2022 IPPY Awards - Science
Twenty-four songs from one of America's greatest songwriters. Contains: Carrie Brown * Copperhead Road * The Devil's Right Hand * Ellis Unit One * Fearless Heart * Good Ol' Boy (Gettin' Tough) * Goodbye * Guitar Town * Hillbilly Highway * I Ain't Ever Satisfied * I Feel Alright * Me and the Eagle * The Mountain * My Old Friend the Blues * No. 29 * Nothing But a Child * Nowhere Road * Someday * Sometimes She Forgets * Telephone Road * Texas Eagle * Tom Ames Prayer * Valentine's Day * The Week of Living Dangerously.
This definitive history of presidential lying reveals how our standards for truthfulness have eroded -- and why Trump's lies are especially dangerous. If there's one thing we know about Donald Trump, it's that he lies. But he's by no means the first president to do so. In Lying in State, Eric Alterman asks how we ended up with such a pathologically dishonest commander in chief, showing that, from early on, the United States has persistently expanded its power and hegemony on the basis of presidential lies. He also reveals the cumulative effect of this deception-each lie a president tells makes it more acceptable for subsequent presidents to lie-and the media's complicity in spreading misinformation. Donald Trump, then, represents not an aberration but the culmination of an age-old trend. Full of vivid historical examples and trenchant analysis, Lying in State is essential reading for anyone seeking to understand how we arrived in this age of alternative facts.
An insightful and wide-ranging look at one of America’s most popular genres of music, Walking the Line: Country Music Lyricists and American Culture examines how country songwriters engage with their nation’s religion, literature, and politics. Country fans have long encountered the concept of walking the line, from Johnny Cash’s “I Walk the Line” to Waylon Jennings’s “Only Daddy That’ll Walk the Line.” Walking the line requires following strict codes, respecting territories, and, sometimes, recognizing that only the slightest boundary separates conflicting allegiances. However, even as the term acknowledges control, it suggests rebellion, the consideration of what lies on the other side of the line, and perhaps the desire to violate that code. For lyricists, the line presents a moment of expression, an opportunity to relate an idea, image, or emotion. These lines represent boundaries of their kind as well, but as the chapters in this volume indicate, some of the more successful country lyricists have tested and expanded the boundaries as they have challenged musical, social, and political conventions, often reevaluating what “country” means in country music. From Jimmie Rodgers’s redefinitions of democracy, to revisions of Southern Christianity by Hank Williams and Willie Nelson, to feminist retellings by Loretta Lynn and Dolly Parton to masculine reconstructions by Merle Haggard and Cindy Walker, to Steve Earle’s reworking of American ideologies, this collection examines how country lyricists walk the line. In weighing the influence of the lyricists’ accomplishments, the contributing authors walk the line in turn, exploring iconic country lyrics that have tested and expanded boundaries, challenged musical, social, and political conventions, and reevaluated what “country” means in country music.
