This opulent and expansive volume, published in conjunction with the Los Angeles County Museum of Art's monumental exhibition Made in California: Art, Image, and Identity,1900-2000, charts the dynamic relationship between the arts and popular conceptions of California. Displaying a dazzling array of fine art and material culture, Made in California challenges us to reexamine the ways in which the state has been portrayed and imagined. Unusually inclusive, visually intriguing, and beautifully produced, this volume is a delight throughout--both in image and in text--and will appeal to anyone who has lived in, visited, or imagined California.
Blank comic book each page featuring a variation of comic book cells to fill in and tell your own adventure story. Journal Notebook featuring 120 pages 6"x9"
Blank comic book each page featuring a variation of comic book cells to fill in and tell your own adventure story. Journal Notebook featuring 120 pages 6"x9"
Charlotte Brunsdon's illuminating study explores the variety of cinematic 'Londons' that appear in films made since 1945. Brunsdon traces the familiar ways that film-makers establish that a film is set in London, by use of recognisable landmarks and the city's shorthand iconography of red buses and black taxis, as well as the ways in which these icons are avoided. She looks at London weather – fog and rain – and everyday locations like the pub and the housing estate, while also examining the recurring patterns of representation associated with films set in the East and West Ends of London, from Spring in Park Lane (1948) to Mona Lisa (1986), and from Night and the City (1950) to From Hell (2001). Brunsdon provides a detailed analysis of a selection of films, exploring their contribution to the cinematic geography of London, and showing the ways in which feature films have responded to, and created, changing views of the city. She traces London's transformation from imperial capital to global city through the different ways in which the local is imagined in films ranging from Ealing comedies to Pressure (1974), as well as through the shifting imagery of the River Thames and the Docks. She addresses the role of cinematic genres such as horror and film noir in the constitution of the cinematic city, as well as the recurrence of figures such as the cockney, the gangster and the housewife. Challenging the view that London is not a particularly cinematic city, Brunsdon demonstrates that many London-set films offer their own meditation on the complex relationships between the cinema and the city.
Blank comic book each page featuring a variation of comic book cells to fill in and tell your own adventure story. Journal Notebook featuring 120 pages 6"x9"
A single dad is determined to persuade the prickly woman of his dreams that they can be more than a fling in this heartwarming romance from New York Times bestselling author RaeAnne Thayne Alexandra McKnight prefers a life of long workdays and short-term relationships, and she’s found it in Hope’s Crossing. She’s just been offered her dream job at an exclusive new restaurant being built in town. But when it comes to designing the kitchen, Alex finds herself getting up close and personal with construction foreman Sam Delgado. At first glance, Sam seems perfect for Alex. He’s big, tough, gorgeous—and only in town for a few weeks. But when Sam suddenly moves into a house down the road, Alex suspects that the devoted single father of a six-year-old boy wants more from her than she’s willing to give. Now it’s up to Sam to help Alex see that, no matter what happened in her past, together they can build something more meaningful in Hope’s Crossing.
