[PDF] Full Stella Adler On Ibsen Strindberg And Chekhov Download eBook

Stella Adler on Ibsen, Strindberg, and Chekhov

Author: Stella Adler

Publisher: Vintage

Published: 2011-04-13

Total Pages: 417

ISBN-13: 0307787931

In her long-awaited book, the legendary acting teacher Stella Adler gives us her extraordinary insights into the work of Henrik Ibsen ("The creation of the modern theater took a genius like Ibsen. . .Miller and Odets, Inge and O'Neill, Williams and Shaw, swallowed the whole of him"), August Strindberg ("He understood and predicted the forces that would break in our lives"), and Anton Chekhov ("Chekhov doesn't want a play, he wants what happens in life. In life, people don't usually kill each other. They talk"). Through the plays of these masters, Adler discusses the arts of playwriting and script interpretation ("There are two aspects of the theater. One belongs to the author and the other to the actor. The actor thinks it all belongs to the author. . .The curtain goes up and all he knows are the lines. . .It is not enough. . .Script interpretation is your profession"). She looks into aspects of society and class, and into our cultural past, as well as the evolution of the modern spirit ("The actor learns from Ibsen what is modern in the modern theater. There are no villains, no heroes. Ibsen understands, more than anything, there is more than one truth"). Stella Adler--daughter of Jacob Adler, who was universally acknowledged to be the greatest actor of the Yiddish theater, and herself a disciple of Stanislavsky--examines the role of the actor and brings to life the plays from which all modern theater derives: Ibsen's Hedda Gabler, The Master Builder, An Enemy of the People, and A Doll's House; Strindberg's Miss Julie and The Father; Chekhov's The Seagull, Uncle Vanya, The Cherry Orchard, and Three Sisters ("Masha is the sister who is the mystery. You cannot reach her. You cannot reach the artist. There is no logical way. Keep her in a special pocket of feelings that are complex and different"). Adler discusses the ideas behind these plays and explores the world of the playwrights and the history--both familial and cultural--that informed their work. She illumines not only the dramatic essence of each play but its subtext as well, continually asking questions that deepen one's understanding of the work and of the human spirit. Adler's book, brilliantly edited by Barry Paris, puts her famous lectures into print for the first time.

Stella Adler on Ibsen, Strindberg, and Chekhov

Author: Stella Adler

Publisher: Alfred A. Knopf

Published: 1999

Total Pages: 360

ISBN-13:

DOWNLOAD EBOOK

In her long-awaited book, the legendary acting teacher Stella Adler gives us her extraordinary insights into the work of Henrik Ibsen ("The creation of the modern theater took a genius like Ibsen. . .Miller and Odets, Inge and O'Neill, Williams and Shaw, swallowed the whole of him"), August Strindberg ("He understood and predicted the forces that would break in our lives"), and Anton Chekhov ("Chekhov doesn't want a play, he wants what happens in life. In life, people don't usually kill each other. They talk"). Through the plays of these masters, Adler discusses the arts of playwriting and script interpretation ("There are two aspects of the theater. One belongs to the author and the other to the actor. The actor thinks it all belongs to the author. . .The curtain goes up and all he knows are the lines. . .It is not enough. . .Script interpretation is your profession"). She looks into aspects of society and class, and into our cultural past, as well as the evolution of the modern spirit ("The actor learns from Ibsen what is modern in the modern theater. There are no villains, no heroes. Ibsen understands, more than anything, there is more than one truth"). Stella Adler--daughter of Jacob Adler, who was universally acknowledged to be the greatest actor of the Yiddish theater, and herself a disciple of Stanislavsky--examines the role of the actor and brings to life the plays from which all modern theater derives: Ibsen's "Hedda Gabler, The Master Builder, An Enemy of the People, and "A Doll's House; Strindberg's "Miss Julie and "The Father; Chekhov's "The Seagull, Uncle Vanya, The Cherry Orchard, and Three Sisters ("Masha is the sister who is the mystery. You cannotreach her. You cannot reach the artist. There is no logical way. Keep her in a special pocket of feelings that are complex and different"). Adler discusses the ideas behind these plays and explores the world of the playwrights and the history--both familial and cultural--that informed their work. She illumines not only the dramatic essence of each play but its subtext as well, continually asking questions that deepen one's understanding of the work and of the human spirit. Adler's book, brilliantly edited by Barry Paris, puts her famous lectures into print for the first time.

Stella Adler on Ibsen, Strindberg, and Chekhov

Author: Stella Adler

Publisher: National Geographic Books

Published: 2000-09-12

Total Pages: 0

ISBN-13: 0679746986

DOWNLOAD EBOOK

An original member of the famed Group Theater, Stella Adler was one of the most influential artists to come out of the American theater. As a Stanislavsky disciple and founder of her own highly esteemed acting conservatory, the extravagant actress was also an eminent acting teacher, training her students--among them Marlon Brando, Al Pacino, and Robert DeNiro--in the art of script interpretation. The classic lectures collected here, delivered over a period of forty years, bring to life the plays of the three fathers of modern drama: Henrik Ibsen, August Strindberg, and Anton Chekhov. With passionate conviction and shrewd insight, Adler explains how their plays forever changed the world of dramaturgy while offering enduring insights on society, class, culture, and the role of the actor. She explores the struggles of Ibsen's characters to free themselves from societal convention, the mortal conflicts that trap Strindberg's men and women, and the pain of loss and transition lyrically evoked by Chekhov. A majestic volume, Stella Adler on Ibsen, Strindberg, and Chekhov allows us to experience the work of these masters "as if to see, hear and feel their genius for the first time." (William H. Gass)

Stella Adler on America's Master Playwrights

Author: Stella Adler

Publisher: Vintage

Published: 2013-09-10

Total Pages: 402

ISBN-13: 0679746994

DOWNLOAD EBOOK

Stella Adler was one of the most influential acting teachers of all time, a legendary force of nature whose generations of students include Marlon Brando, Karl Malden, Anthony Quinn, Diana Ross, Robert De Niro, Warren Beatty, Annette Benning, and Mark Ruffalo. This long-awaited companion to her book on the master European playwrights brings to life America’s most revered playwrights, whom she knew, loved, and worked with. Brilliantly edited by Barry Paris, Adler’s lectures on the giants of twentieth-century theater feature her indispensable insights into such classic plays as “Long Day’s Journey into Night,” “The Skin of Our Teeth,” “A Streetcar Named Desire,” “Come Back, Little Sheba,” “The Glass Menagerie,” and “Death of a Salesman,” while shedding new light on such lesser known gems as Tennessee Williams’s “The Lady of Larkspur Lotion” and Arthur Miller’s “After the Fall.” Illuminating, revelatory, inspiring—this is Stella Adler at her electrifying best.

STELLA ADLER SOBRE IBSEN, STRINDBERG E CHEKHOV

Author: STELLA ADLER

Publisher:

Published:

Total Pages: 376

ISBN-13: 9788528609455

DOWNLOAD EBOOK

Stella Adler, lendária professora de representação, apresenta neste livro toda a sua memória de vida que foi desenvolvida em torno da arte teatral desde a sua mais tenra infância e de seus perspicazes insights sobre os trabalhos de Henrik Ibsen, August Strindberg e Anton Chekhov. A obra discute a dramaturgia e a interpretação de roteiros, mostrando que Ibsen e seus sucessores criaram um tipo de drama baseado na linguagem de vida da classe média. Strindberg retrata o acirrado conflito entre o homem e a mulher; Chekhov é o poeta da perda e da nostalgia; e Ibsen descreve a luta do homem para se libertar das convenções sociais. A forma meticulosa como Stella Adler analisa o teatro, desde os seus primórdios, constitui o principal alicerce de seu estudo e serviu de fonte de inspiração para a eclosão do talento de vários atores.

Henrik Ibsen

Author: G. Wilson Knight

Publisher: Plunkett Lake Press

Published: 2019-08-17

Total Pages: 91

ISBN-13:

DOWNLOAD EBOOK

“G. Wilson Knight approaches Ibsen in substantially the same way he approaches Shakespeare. By weaving a fabric of countless quotations from the plays, he attempts primarily to reconstruct Ibsen’s vision rather than to judge it. What emerges most clearly from his examination are Ibsen’s dominant themes. Knight sees Ibsen’s ‘emphasis on vocation, on the instinctive will, forcing persons to self-realization.’ He sees what, for Ibsen, the struggle for self-realization is: a struggle against ‘convention, hypocrisy, sexual passion, marriages of expedience, a corrupt press, and vested interests; and, hardest of all, the past, either of society or of oneself, which may involve guilt and hamper freedom.’ Each of Ibsen’s plays deals centrally with the protagonist’s search for (or avoidance of) his own destiny, which is to find and realize himself. What Knight sees beyond this quest itself and the specific obstacles to its fulfillment is the grandeur with which Ibsen envisioned that fulfillment. The man who achieved self-realization was of the race of new supermen, a genius whose full destiny, in Knight’s words, ‘will be to surpass art, strive for a wholeness including love, touch the occult, and challenge death.’ To Ibsen, self-realization was the only way of resolving the great ‘discords of human nature and human society.’ It was the means for attaining ‘his dream of a new nobility.’” — Irving Deer, Modern Drama

Acting with Adler

Author: Joanna Rotte

Publisher: Rowman & Littlefield

Published: 2024-09-24

Total Pages: 261

ISBN-13: 1493085123

DOWNLOAD EBOOK

Stella Adler towers high among the memorable acting teachers in American theatre. Her methods of training, her principles of acting and character interpretation, and her analyses of the seminal plays of the modern theatre comprise a legacy for everyone who followed her. Acting with Adler looks at that legacy through the particular immediacy and authenticity of her own spoken words. Over three years in the 1970s, author Joanna Rotté worked under the direction of Adler as a student and actor, all the while taking copious notes that form the heart of this book. Rotté’s recounting of her time with Adler reveals a teacher speaking about her principles in a tough-minded, demanding manner, inspired by her overriding conviction that an actor “becomes bigger through working.” This new edition of Rotté’s acclaimed text includes an entirely new foreword from Isaac Butler, author of The Method; a preface that places Adler more fully in her historical context; and an afterword that reflects on Adler’s philosophical and practical contributions, considering what her teachings have to offer performers working today.

Young Chekhov

Author: Anton Chekhov

Publisher: Faber & Faber

Published: 2015-09-29

Total Pages: 326

ISBN-13: 0571313035

DOWNLOAD EBOOK

Young Chekhov contains a trilogy of plays by the Russian writer Anton Chekhov, written as he emerged as the greatest playwright of the late nineteenth century. The three works, Platanov, Ivanov and The Seagull, in contemporary adaptations by David Hare, will be staged at the Chichester Festival Theatre in the summer of 2015.