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Author: Joanna T. Steichen
Publisher: Knopf
Published: 2000
Total Pages: 372
ISBN-13: 0679450769
DOWNLOAD EBOOKThe companion volume to a major retrospective exhibition of Steichen's work at the Whitney Museum of Art presents more than three hundred photographs, spanning seven decades of work, including stunning landscapes, still lifes, cityscapes, fashion photographs, and portraits of friends, family, and celebrities. 17,500 first printing.
Author: Joel Smith
Publisher: Princeton Univ Department of Art &
Published: 1999
Total Pages: 167
ISBN-13: 9780691048734
DOWNLOAD EBOOKA stunning visual record of the emergence of Steichen as a great artist which explores the photographer's maturing artistry in the light of contemporary developments in photography, graphic design, and graphic arts. 60 color plates. 25 duotones.
Author: Gerd Hurm
Publisher: Routledge
Published: 2020-08-09
Total Pages: 318
ISBN-13: 100021169X
DOWNLOAD EBOOKThe Family of Man is the most widely seen exhibition in the history of photography. The book of the exhibition, still in print, is also the most commercially successful photobook ever published. First shown at the Museum of Modern Art in New York in 1955, the exhibition travelled throughout the United States and to forty-six countries, and was seen by over nine million people. Edward Steichen conceived, curated and designed the exhibition. He explained its subject as `the everydayness of life' and `the essential oneness of mankind throughout the world'. The exhibition was a statement against war and the conflicts and divisions that threatened a common future for humanity after 1945. The popular international response was overwhelmingly enthusiastic. Many critics, however, have dismissed the exhibition as a form of sentimental humanism unable to address the challenges of history, politics and cultural difference.This book revises the critical debate about The Family of Man, challenging in particular the legacy of Roland Barthes's influential account of the exhibition. The expert contributors explore new contexts for understanding Steichen's work and they undertake radically new analyses of the formal dynamics of the exhibition. Also presented are documents about the exhibition never before available in English. Commentaries by critical theorist Max Horkheimer and novelist Wolfgang Koeppen, letters from photographer August Sander, and a poetic sequence on the images by Polish poet Witold Wirpsza enable and encourage new critical reflections. A detailed survey of audience responses in Munich from 1955 allows a rare glimpse of what visitors thought about the exhibition. Today, when armed conflict, environmental catastrophe and economic inequality continue to threaten our future, it seems timely to revisit The Family of Man.
Author: Mark D. Faram
Publisher: Penguin
Published: 2009
Total Pages: 260
ISBN-13: 9780425221402
DOWNLOAD EBOOKLooks at the history of the Naval Aviation Photographic Unit and their work during World War II.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
Published: 2010
Total Pages: 182
ISBN-13: 0300169019
DOWNLOAD EBOOK"This volume is published in conjunction with the exhibition "Stieglitz, Steichen, Strand," held at The Metropolitan Museum of Art, New York, from November 10, 2010, to April 10, 2011."
Author: Todd Brandow
Publisher:
Published: 2007
Total Pages: 340
ISBN-13:
DOWNLOAD EBOOKBy far the most lavish, thoughtfully selected, and beautifully produced book of Steichen s work.
Author: Gerd Hurm
Publisher: Routledge
Published: 2020-08-09
Total Pages: 295
ISBN-13: 1000213358
DOWNLOAD EBOOKThe Family of Man is the most widely seen exhibition in the history of photography. The book of the exhibition, still in print, is also the most commercially successful photobook ever published. First shown at the Museum of Modern Art in New York in 1955, the exhibition travelled throughout the United States and to forty-six countries, and was seen by over nine million people. Edward Steichen conceived, curated and designed the exhibition. He explained its subject as `the everydayness of life' and `the essential oneness of mankind throughout the world'. The exhibition was a statement against war and the conflicts and divisions that threatened a common future for humanity after 1945. The popular international response was overwhelmingly enthusiastic. Many critics, however, have dismissed the exhibition as a form of sentimental humanism unable to address the challenges of history, politics and cultural difference.This book revises the critical debate about The Family of Man, challenging in particular the legacy of Roland Barthes's influential account of the exhibition. The expert contributors explore new contexts for understanding Steichen's work and they undertake radically new analyses of the formal dynamics of the exhibition. Also presented are documents about the exhibition never before available in English. Commentaries by critical theorist Max Horkheimer and novelist Wolfgang Koeppen, letters from photographer August Sander, and a poetic sequence on the images by Polish poet Witold Wirpsza enable and encourage new critical reflections. A detailed survey of audience responses in Munich from 1955 allows a rare glimpse of what visitors thought about the exhibition. Today, when armed conflict, environmental catastrophe and economic inequality continue to threaten our future, it seems timely to revisit The Family of Man.
Author: Janine Marchessault
Publisher: MIT Press
Published: 2017-08-25
Total Pages: 367
ISBN-13: 0262036460
DOWNLOAD EBOOKWhen media translate the world to the world: twentieth-century utopian projects including Edward Steichen's “Family of Man,” Jacques Cousteau's underwater films, and Buckminster Fuller's geoscope. janine
Author: Jason E. Hill
Publisher: Routledge
Published: 2020-09-09
Total Pages: 320
ISBN-13: 1000211320
DOWNLOAD EBOOKPowerful and often controversial, news pictures promise to make the world at once immediate and knowable. Yet while many great writers and thinkers have evaluated photographs of atrocity and crisis, few have sought to set these images in a broader context by defining the rich and diverse history of news pictures in their many forms. For the first time, this volume defines what counts as a news picture, how pictures are selected and distributed, where they are seen and how we critique and value them. Presenting the best new thinking on this fascinating topic, this book considers the news picture over time, from the dawn of the illustrated press in the nineteenth century, through photojournalism’s heyday and the rise of broadcast news and newsreels in the twentieth century and into today’s digital platforms. It examines the many kinds of images: sport, fashion, society, celebrity, war, catastrophe and exoticism; and many mediums, including photography, painting, wood engraving, film and video. Packed with the best research and full colour-illustrations throughout, this book will appeal to students and readers interested in how news and history are key sources of our rich visual culture.
Author: Eleanor Phillips Brackbill
Publisher: State University of New York Press
Published: 2012-09-07
Total Pages: 266
ISBN-13: 1438443099
DOWNLOAD EBOOKWhen Eleanor Phillips Brackbill bought her suburban Westchester house in 2000, three mysteries came with it. First, from the former owner, came the information that the 1930s house was "a Sears house or something like that." Thrilled to think it might be a Sears, Roebuck & Co. mail-order house, Brackbill was determined to find evidence to prove it. She found instead a house pedigree of a different sort. Second, and even more provocative, was the discovery of several iron stakes protruding from the property's enormous granite outcropping, bigger in square footage than the house itself. When queried about them, the former owner told her, "Someone a long time ago kept monkeys there, chained to the stakes." Monkeys? Was this some kind of suburban legend? A third mystery came to light at closing, when a building inspector's letter contained a reference to the house having had, at one time, a different address. Why would the house have had another address? Her curiosity aroused, and intent upon finding the facts, Brackbill gradually peeled back layers of history, allowing the house and the land to tell their stories, and uncovering a past inextricably woven into four centuries of American history. At the same time, she found thirty-two owners, across 350 years, who had just one thing in common: ownership of a particular parcel of land. An Uncommon Cape not only tells the story of an eight-year odyssey of fact-finding and speculation but also answers the broader question: "What came before?" and, through material presented in twenty-two sidebars, offers readers insights and guidelines on how to find the stories behind their own homes.
