Based on Star Wars: The Force Awakens, this movie retelling for kids is perfect for the young Star Wars fan! The removable projector looks like the droid BB-8, and it can cast up to 24 images from the movie with the included six picture discs. Plus, the projector works well as a flashlight when reading time is over!
Based on the classic Star Wars trilogy, this lightsaber projector brings classic characters and scenes from the Star Wars saga to the wildly popular Movie Theater Storybook format. The original classics Star Wars: A New Hope; The Empire Strikes Back; and Return of the Jedi are all retold here in this special movie theater storybook that features a movie image projector. Just untwist the base to view 24 exciting scenes as the stories unfold from a long time ago in a galaxy far, far away.... The Force will be with you, always.
The droids are in for an Endor-able adventure! While C-3PO is pleased to once again be treated like a god by the Ewoks, and BB-8 is curious about his new furry companions, R2-D2 finds himself in a camping experience gone wrong when he comes across a small Ewok in need of help. With charming illustrations by Brian Kesinger, this next installment of the fun new Droid Tales picture book series is a delightful addition to any youngling's growing library.
Sarah and her brother have grown up next to the world’s largest garbage dump on Staten Island in New York City. Little do they know, thousands of rodents at the dump have mutated into gruesome, killer rats and one of the workers there has just been badly mauled. Without mercy, the rats wreak havoc and devistation upon the once-peaceful neighborhood, entering homes through kitchen sinks and toilets. Now the entire city stands on the brink of total infestation. Can the kids save millions of innocent people from the approaching and unrelenting rat horde?
The greatly anticipated final book in the New York Times bestselling Hunger Games trilogy by Suzanne Collins. The greatly anticipated final book in the New York Times bestselling Hunger Games trilogy by Suzanne Collins.The Capitol is angry. The Capitol wants revenge. Who do they think should pay for the unrest? Katniss Everdeen. The final book in The Hunger Games trilogy by Suzanne Collins will have hearts racing, pages turning, and everyone talking about one of the biggest and most talked-about books and authors in recent publishing history!
Can you find these droids before the Stormtroopers do? Search for R2-D2, C-3PO, BB-8, and more of your favorite Star Wars droids in this interactive search-and-find with locations from across the Skywalker Saga. The Stormtroopers are looking for droids, and your mission is to find R2-D2, C-3PO, BB-8, and other Star Wars droids and characters as they journey throughout the galaxy in this interactive search-and-find. With nine scenes from Naboo, Hoth, Exegol, and other locations from across the Skywalker Saga, this book is full of non-stop fun for every Star Wars fan. Four additional activities are also included.
Star Wars has reached more than three generations of casual and hardcore fans alike, and as a result many of the producers of franchised Star Wars texts (films, television, comics, novels, games, and more) over the past four decades have been fans-turned-creators. Yet despite its dominant cultural and industrial positions, Star Wars has rarely been the topic of sustained critical work. Star Wars and the History of Transmedia Storytelling offers a corrective to this oversight by curating essays from a wide range of interdisciplinary scholars in order to bring Star Wars and its transmedia narratives more fully into the fold of media and cultural studies. The collection places Star Wars at the center of those studies' projects by examining video games, novels and novelizations, comics, advertising practices, television shows, franchising models, aesthetic and economic decisions, fandom and cultural responses, and other aspects of Star Wars and its world-building in their multiple contexts of production, distribution, and reception. In emphasizing that Star Wars is both a media franchise and a transmedia storyworld, Star Wars and the History of Transmedia Storytelling demonstrates the ways in which transmedia storytelling and the industrial logic of media franchising have developed in concert over the past four decades, as multinational corporations have become the central means for subsidizing, profiting from, and selling modes of immersive storyworlds to global audiences. By taking this dual approach, the book focuses on the interconnected nature of corporate production, fan consumption, and transmedia world-building. As such, this collection grapples with the historical, cultural, aesthetic, and political-economic implications of the relationship between media franchising and transmedia storytelling as they are seen at work in the world's most profitable transmedia franchise.