Stanislavski in Rehearsal

Stanislavski in Rehearsal

Author: Vasiliĭ Osipovich Toporkov

Publisher: Psychology Press

Published: 1998

Total Pages: 228

ISBN-13: 9780878300914

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In this fascinating book one sees Stanislavski's constant revision, his continuing search for more and more helpful ways to assist actors in creating their roles until the very end of his long, fruitful life. Here is a description of the work of his last years, written by one of the outstanding actors of his time, Vasily Osipovich Toporkov. One of Stanislavski's favorite actors, Toporkov was invited by him to participate in the experiments that form the basis of this book. It provides the clearest description of his famous "method of physical actions" from an insider trained by the master himself.


Systems of Rehearsal

Systems of Rehearsal

Author: Shomit Mitter

Publisher: Routledge

Published: 2006-07-13

Total Pages: 180

ISBN-13: 1134917104

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The gap between theory and practice in rehearsal is wide. many actors and directors apply theories without fully understanding them, and most accounts of rehearsal techniques fail to put the methods in context. Systems of Rehearsal is the first systematic appraisal of the three principal paradigms in which virtually all theatre work is conducted today - those developed by Stanislavsky, Brecht and Grotowski. The author compares each system ot the work of the contemporary director who, says Mitter, is the Great Imitator of each of them: Peter Brook. The result is the most comprehensive introduction to modern theatre available.


Experiencing Stanislavsky Today

Experiencing Stanislavsky Today

Author: Stephanie Daventry French

Publisher: Routledge

Published: 2016-02-11

Total Pages: 632

ISBN-13: 1136519343

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This pioneering introduction to Stanislavsky's methods and modes of actor training covers all of the essential elements of his System. Recreating ‘truthful’ behaviour in the artificial environment, awareness and observation, psychophysical work, given circumstances, visualization and imagination, and active analysis are all introduced and explored. Each section of the book is accompanied by individual and group exercises, forming a full course of study in the foundations of modern acting. A glossary explains the key terms and concepts that are central to Stanislavsky’s thinking at a glance. The book’s companion website is full of downloadable worksheets and resources for teachers and students. Experiencing Stanislavsky Today is enhanced by contemporary findings in psychology, neuroscience, anatomy and physiology that illuminate the human processes important to actors, such as voice and speech, creativity, mind-body connection, the process and the production of emotions on cue. It is the definitive first step for anyone encountering Stanislavsky’s work, from acting students exploring his methods for the first time, to directors looking for effective rehearsal tools and teachers mapping out degree classes.


Stanislavski and the Actor

Stanislavski and the Actor

Author: Jean Benedetti

Publisher: Routledge

Published: 2013-12-04

Total Pages: 180

ISBN-13: 1136758038

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In Stanislavski and the Actor , Stanislavski scholar and biographer Jean Bendetti has recovered materials that can stand as a final, last work by the great director and teacher. In this volume readers will find the first English text of Stanislavski s notes and practical exercises from these last sessions. This is a major rediscovered work by Stanislavski, full of new ideas and insights about his working method. To the original materials Jean Benedetti adds his own analysis of Stanislavski's approach to acting and rehearsal methods.The master's own summary of a lifetime of theatrical experience, Stanislavski and the Actor will quickly become an essential tool for actors, students, and teachers everywhere.


Stanislavski Revealed

Stanislavski Revealed

Author: Sonia Moore

Publisher: Hal Leonard Corporation

Published: 1991

Total Pages: 212

ISBN-13: 9781557831033

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Sonia Moore reveals the subtle tissue of ideas behind what Stanislavski regarded as his "major breakthrough," the Method of Physical Actions. Moore's exhaustive analyses of Stanislavski's original texts, letters, journals and production notes have yielded a revised understanding of Stanislavki's method - and his secret of inspiration - the key to spontaneity on the stage and the path to fresh and naturalistic performance.


An Actor's Work on a Role

An Actor's Work on a Role

Author: Konstantin Stanislavski

Publisher: Routledge

Published: 2009-09-01

Total Pages: 488

ISBN-13: 1135203431

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An Actor’s Work on a Role is Konstantin Stanislavski’s exploration of the rehearsal process, applying the techniques of his seminal actor training system to the task of bringing truth to one’s chosen role. Originally published over half a century ago as Creating a Role, this book was the third in a planned trilogy – after An Actor Prepares and Building a Character, now combined in An Actor’s Work – in which Stanislavski sets out his psychological, physical and practical vision of actor training. This new translation from renowned scholar Jean Benedetti not only includes Stanislavski’s original teachings, but is also furnished with invaluable supplementary material in the shape of transcripts and notes from the rehearsals themselves, reconfirming 'The System' as the cornerstone of actor training.


Stanislavski in Practice

Stanislavski in Practice

Author: Nick O'Brien

Publisher: Routledge

Published: 2010-10-04

Total Pages: 277

ISBN-13: 1136945598

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Stanislavski in Practice is an unparalleled step-by-step guide to Stanislavski’s System. Author Nick O’Brien makes this cornerstone of acting accessible to teachers and students alike. This is an exercise book for students and a lesson planner for teachers on syllabi from Edexcel, WJEC and AQA to the practice-based requirements of BTEC. Each element of the System is covered practically through studio exercises and jargon-free discussion. Over a decade’s experience of acting and teaching makes O’Brien perfectly placed to advise anyone wanting to understand or apply Stanislavski’s system. Features include: Practical extension work for students to take away from the lesson Notes for teachers on how to use material with different age groups Exam tips for students based on specific syllabi requirements A chapter dedicated to using Stanislavski when rehearsing a text A glossary of terms that students of the System will encounter


Voice into Acting

Voice into Acting

Author: Christina Gutekunst

Publisher: A&C Black

Published: 2014-01-16

Total Pages: 317

ISBN-13: 1408184508

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How can actors bridge the gap between themselves and the text and action of a script, integrating fully their learned vocal skills? How do we make an imaginary world real, create the life of a role, and fully embody it vocally and physically so that voice and acting become one? Christina Gutekunst and John Gillett unite their depth of experience in voice training and acting to create an integrated and comprehensive approach informed by Stanislavski and his successors – the acting approach widely taught to actors in drama schools throughout the world. The authors create a step-by-step guide to explore how voice can: respond to our thoughts, senses, feelings, imagination and will fully express language in content and form communicate imaginary circumstances and human experience transform to adapt to different roles connect to a variety of audiences and spaces Featuring over fifty illustrations by German artist Dany Heck, Voice into Acting is an essential manual for the actor seeking full vocal identity in characterization, and for the voice teacher open to new techniques, or an alternative approach, to harmonize with the actor's process.


Creating a Role

Creating a Role

Author: Konstantin Stanislavsky

Publisher: Taylor & Francis

Published: 1989

Total Pages: 324

ISBN-13: 9780878309818

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This third volume examines the development of a character from the viewpoint of three widely contrasting plays.