Splendour of Rajasthani Painting

Splendour of Rajasthani Painting

Author: Jayasiṃha Nīraja

Publisher: Abhinav Publications

Published: 1991

Total Pages: 122

ISBN-13: 9788170172673

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The Mughals Brought Miniature Painting, An Offshoot Of Manuscript Painting, To India In The 14Th-15Th Centuries. It Took Deep Root In What Is Known Today As Rajasthani Painting. Its Implantation In Rajasthan Is Mainly Due To The Close Political And Social Contacts Between The Mughal Rulers Of North India And Feudal Rajput Princelings Who Flourished In Northwestern India Between The 15Th And 18Th Centuries. Many Rajput Rulers And Their Courtiers Were Highly Cultivated, And Their Courts Were Centers Where The Arts And Artists Received Unstinted Encouragement From Their Royal Patrons. This Was Particularly So Of Painting, And What Began As An Offshoot Of Mughal Painting Because In The Years Between The Inception Of Mughal Rule And The British Occupation Of India From The 18Th Century, There Was A Rich Flowering Of Many Schools And Styles Of Miniature Painting Which Have Found Avid Admirers Among Connoisseurs Of Art The World Over. Unfortunately, Although Rajasthani Paintings Are Treasured Art Collectors Items Much Sought After By Discerning Lovers Of Art Because Of Their Intrinsic Merit, Little Effort Has Been Expended To Delve Deep Into The Various Modes Of This Painting And Present An Overall Picture Of The Numerous Schools, Styles And Substyles Which Are The Priceless Heritage Today Not Only Of Rajasthan, Their Place Of Birth, But Also Of India As A Whole. Art Experts, Mainly Foreign Savants, Have Written Knowledgeable Accounts About Various Aspects Of Rajasthani Painting, But Nobody, It Is Worth Recording, Has Undertaken To Produce A Comprehensive Study In Depth Of This Vast Cultural Field. This Is Absolutely Essential As No Study Of Indian Civilization Is Complete Without It. The Present Study Does Not Claim To Fulfil This Requirement. That Would Need Much More Intensive, Detailed And Patient Research. But It Provides A Good Point Of Takeoff For Such A Study. In Splendour Of Rajasthani Painting, Assembled Obviously With Great Care And Deep Love Of The Subject, Dr. Jai Singh Neeraj Has Laid The Ground Work For Such A Project. He Has Succeeded In Conveying To The Art-Loving Reader The Fact That Rajasthani Art Is A Many-Splendoured Thing That Deserves Much More Attention Than It Has Received So Far.


Rajasthani Miniatures

Rajasthani Miniatures

Author: Daljeet Kaur

Publisher:

Published: 2018

Total Pages: 0

ISBN-13: 9789386906267

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- A comprehensive book on the miniature paintings of Rajasthan, it highlights the distinctiveness of the painting style - This volume contains an exquisite collection of paintings, painstakingly sourced from museums and private collectors - The study covers the various regions and rulers of Rajasthan, their influence on this style and the significant themes of the miniature paintings A large bulk of Indian miniature paintings comes from Rajasthan. These miniatures are endowed with warm colors, primitive vigor, directness of expression and all that corresponds to the unique land of Rajasthan. They encompass its fun and festivities, the charming women and heroic men who fought with valour, loved with great zeal and warmth, celebrated each moment of life and died like great heroes. The major schools of miniatures of Rajasthan are Mewar, Bikaner, Jodhpur, Nagaur, Jaipur, Alwar, Bundi, Kotah, Kishangarh and Nathdwara. The Rajasthani painter saw hardly any contradiction in combining romance with religion, or the mundane with the transcendental. Rajasthani Miniatures: The Magic of Strokes and Colors presents, through a detailed narrative and exquisite photographs, a glimpse into this art that has spanned several millennia. It traces the stylistic sources of Rajasthani miniatures, discovering elements that go beyond geography and time to reveal Rajasthani art's generic growth. The miniatures have varying styles, belong to different schools and have been painted under many succeeding patrons with different tastes and preferences. This book reflects the uniqueness of Rajasthani art, where shades and strokes come together in what almost appears as a divine interplay to create magic. Contents: Preface; Introduction; Stylistic Sources; Perception of Nature; Medium, Style and Color; Significant Themes; Schools of Rajasthani; Paintings; Acknowledgements; Glossary; Bibliography; Index.


The Splendour of Himalayan Art and Culture

The Splendour of Himalayan Art and Culture

Author: Aśoka Jeratha

Publisher: Indus Publishing

Published: 1995

Total Pages: 196

ISBN-13: 9788173870347

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"The Himalayas are a source of inspiration and challenge to the researchers, intellectuals and adventurers. The lofty mountains with snow-clad peaks and lush green forests fascinate one and all. This work on the art and culture of people of the Himalayan region is fourth in sequence by the author. After Folk Art of Duggar; Ripples in the Himalayas; and Rajat Shikhron Ke Rupehle Swar, this work completes the first phase of studies of Himalayan culture. Earlier Kumaon, Garhwal, Kashmir and Ladakh Himalayas and their ranges were covered in detail. With the inclusion of Dhauladhar ranges and nearby surroundings of Kangra, Palampur, Baijnath, Mandi, Kullu, Manali, Lahaul & Spiti, Kinnaur and upper regions of Shimla in this book, it completes the studies of western Himalayas. The author has visited himself in most of these areas and collected the data so that first hand information can be provided to the readers. In a way it is a first endeavour in this field wherein the people and the land are discussed collectively for the first time. However, individual tribes of Himachal Pradesh do find their place in sociological studies done in the field, but we do not find a comparative study for which an objective effort has been made in this book for the benefit of readers and art historians alike. The book covers the art, architecture and cultural aspects of Himachal Pradesh. References have also been made to Basohli, Jammu, Manket, etc. as the Pahari art of minature paintings had its own legacy in these erstwhile kingdoms." -- Cover description.


History of Mewat

History of Mewat

Author: Dr. Aijaz Ahmad

Publisher: Alina Books

Published: 2021-07-09

Total Pages: 248

ISBN-13: 819339142X

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Contents Preface .........................................................................7 1. Geography, Culture and Traditions of Mewat....... 19 2. Origin of the Meo Community ............................. 35 3. Khanzadas of Mewat .............................................57 4. Meo’s Conversion to Islam and Tabligh Movement ................................................... 65 5. Sufi Saints of Mewat................................................ 89 6. Meo’s Retribution under Balban .........................101 7. Raja Bahadur Nahar Khan ....................................109 8. Raja Jalal Khan ........................................................127 9. Raja Hasan Khan.....................................................141 10. Rulers of Firozpur Jhirka.....................................153 11. Narukas of Alwar ...................................................161 12. Jats of Deeg and Bharatpur..................................173 13. Badgujars of Ghasera............................................189 14. Stories as told by Mirasis......................................195 15. Meos and the Uprising of 1857 ..........................201 16. Uncrowned Kings of Mewat ...............................215 Bibliography.........................................................................243


The Artists of Nathadwara

The Artists of Nathadwara

Author: Tryna Lyons

Publisher: Indiana University Press

Published: 2004

Total Pages: 368

ISBN-13: 9780253344175

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A richly illustrated look at the lives and careers of North Indian artists