This is the story of the fifty-year adventure of one man's shooting and wilderness education and how it evolved into what it is today. It started in 1958 on the south shore of Long Island, advanced through Upstate New York, North Carolina, Georgia, Alaska, California, Africa, New Zealand, and, currently, back to California. Every incident in this book is true, thus allowing the author the luxury of being both opinionated and, perhaps, a little unorthodox in his odyssey. It is filled with great humor, bone-chilling dangers, high triumphs and devastating tragedies.
"Wild Spirits, Strong Medicine: African Art and the Wilderness explores African concepts of the nature/culture, wilderness/village dichotomy as it is expressed through works of art. The opposition between nature and culture, one of the fundamental organizing principles of African cosmologies, is an old topic in anthropological discourse. It has, however, never been closely examined in African art. African ideas about the qualities of the wilderness and the village give us insights into African concepts of civilization. These ideas are explored through a sifting of past research and current studies on the subject, and the inclusion of related works of art"--Jacket.
High above the noise and traffic of metropolitan Phoenix, Native American rock art offers mute testimony that another civilization once thrived in the Arizona desert. In the city's South Mountains, prehispanic peoples pecked thousands of images into the mountains' boulders and outcroppings—images that today's hikers can encounter with every bend in the trail. Todd Bostwick, an archaeologist who has studied the Hohokam for more than twenty years, and Peter Krocek, a professional photographer with a passion for archaeology, have combed the South Mountains to locate nearly all of the ancient petroglyphs found in the canyons and ridges. Their years of learning the landscape and investigating the ancient designs have resulted in a book that explores this wealth of prehistoric rock art within its natural and cultural contexts, revealing what these carvings might mean, how they got there, and when they were made. Landscape of the Spirits is the first book to cover these ancient images and is one of the most comprehensive treatments of a rock art location ever published. It conveys the range of different rock art elements and compositions found in the South Mountains—animals, humans, and geometric shapes, as well as celestial and calendrical markings at key sites—through accurate descriptions, drawings, and photographs. Interpretations of the petroglyphs are based on Native American ethnographic accounts and consider the most recent theories concerning shamanism and archaeoastronomy. Written in a simple and accessible style, Landscape of the Spirits is an indispensable volume for anyone exploring the South Mountains, and for rock art enthusiasts everywhere who wish to broaden their understanding of the prehistoric world. It is both an authoritative overview of these ancient wonders and an unprecedented benchmark in southwestern rock art research at a single geographic location.
Seventeen tales of untamed spirits in the newly expanded edition of the Spur Award finalist from the “custodian of the twilight zone” (Southern Living). In these seventeen ghostly tales—including five new stories—Roberts expertly guides readers through eerie encounters and harrowing hauntings across Kansas, Montana, Wyoming, Colorado, Arizona, New Mexico, Texas, and the Dakotas. Along the way her accounts intersect with the lives (and afterlives) of legendary figures such as Wild Bill Hickok, Wyatt Earp, Bat Masterson, and Doc Holliday. Roberts also justifies the fascination among ghost hunters, folklorists, and interested tourists with notoriously haunted locales such as Deadwood, Tombstone, and Abilene through her tales of paranormal legends linked to these gunslinger towns synonymous with violence and vice in Western lore. But not all of these encounters feature frightening specters or wandering souls. Roberts also details episodes of animal spirits, protective presences, and supernatural healings. Forever destined to be associated with adventure, romance, and risk taking, the Wild West of yore still haunts the American imagination. Roberts reminds us here that our imaginations aren’t the only places where restless ghosts still roam. “Tales of vaporous ghost lights, haunted mesas, phantom gunmen, and reanimated skeletons. It’s a book sure to please collectors of Western lore, fans of well-told, old-fashioned ghost tales and, it would seem to me, school librarians looking for just the right book to introduce middle school and high school readers to American folklore.” —Michael Norman, author of Haunted Heartland
This book includes: A comprehensive look at the spirit reflection of the World of Darkness, designed for mortal and supernatural chronicles alike, Extended rules on the interplay between the flesh and the spirit, providing ways to use spirits and the spirit-touched in any chronicle, A variety of mortal perspectives, as well as an extensive selection of antagonists that come from the other side, New spirits, Ridden, rules and setting lore for Vampire: The Requiem[Registered], Werewolf: The Forsaken[Registered], Mage: The Awakening[Registered] and more. Book jacket.
After retiring from a career as a public relations representative with Lockheed Martin Corporation, Joseph Earl Dabney currently enjoys a career as a writer, author, and speaker. He also has experience as a reporter and editor for several Southern newspapers. Dabney has written three other books: More Mountain Spirits; Herk: Hero of the Skies; and Smokehouse Ham, Spoon Bread, and Scuppernong Wine, which was named Cookbook of the Year by the James Beard Foundation for 1999. Joe is a native of Kershaw, South Carolina, and lives in Atlanta. Book jacket.
In Nature's Kindred Spirits James McClintock shows how their mystical experiences with the wild led to dramatic conversions in their thinking and behavior. By embracing the ecstasy of nature, they reject modern alienation and spiritual confusion. From Aldo Leopold, America’s most important conservationist and author of the classic A Sand County Almanac, to Pulitzer Prize winners Annie Dillard and Gary Snyder and defenders of the desert Joseph Wood Krutch and Edward Abbey, these writers share a common vision that harkens back to Henry David Thoreau and John Muir. To nineteenth-century Romantic ideals, they add the authority of modern ecological science. Collectively they have elevated nature’s importance in American culture, shaping the growth of the environmental movement and influencing American environmental policies. Widely admired among educated readers but relatively neglected by the literary establishment, these writers unite the experiential with the metaphysical, the ordinary with the sacred, the personal with the public, and the natural with the social. Using ecology as a touchstone, McClintock further draws connections among science, politics, religion, and philosophy to create an enlightening overview of the work of these “kindred spirits.”
