Spectacle in the Roman World

Spectacle in the Roman World

Author: Hazel Dodge

Publisher: Bristol Classical Press

Published: 2011-01-27

Total Pages: 0

ISBN-13: 9781853996962

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Gladiatorial combat, animal displays, naumachiae (staged naval battles) and spectacular executions were all an important part of Roman culture. The provision of a wide range of purpose-built buildings (from theatres to amphitheatres to circuses) as venues across the empire is testimony to the popularity and significance of these displays. This book offers an introduction to the main forms of spectacle in the Roman world (human and animal combat, chariot racing, aquatic displays), their nature, context and social importance. It will explore the vast array of sources, from literary to archaeological material, that informs the subject. It will examine the spectacles with special emphasis on their physical setting, and will also consider the variation in the provision of venues and their context across the Empire. A final section will review the modern reception of Roman spectacles, especially those involving gladiators.


Gladiators and Caesars

Gladiators and Caesars

Author: Eckart Köhne

Publisher: Univ of California Press

Published: 2000-01-01

Total Pages: 170

ISBN-13: 9780520227989

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Describes the events and games held in the amphitheaters, cicuses, and theaters in ancient Rome.


Spectacles of Empire

Spectacles of Empire

Author: Christopher A. Frilingos

Publisher: University of Pennsylvania Press

Published: 2004-10-06

Total Pages: 194

ISBN-13: 0812238222

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The author reads the Book of Revelation as a text firmly situated in the world of imperial Roman Asia Minor, where it was written. He argues that Revelation is a Christian version of that world, complete with its own gladiatorial combats and other public spectacles.


Blood in the Arena

Blood in the Arena

Author: Alison Futrell

Publisher: University of Texas Press

Published: 2010-05-28

Total Pages: 448

ISBN-13: 0292792409

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“Fresh perspectives [on] the study of the Roman amphitheater . . . providing important insights into the psychological dimensions” of gladiatorial combat (Classical World). From the center of Imperial Rome to the farthest reaches of ancient Britain, Gaul, and Spain, amphitheaters marked the landscape of the Western Roman Empire. Built to bring Roman institutions and the spectacle of Roman power to conquered peoples, many still remain as witnesses to the extent and control of the empire. In this book, Alison Futrell explores the arena as a key social and political institution for binding Rome and its provinces. She begins with the origins of the gladiatorial contest and shows how it came to play an important role in restructuring Roman authority in the later Republic. She then traces the spread of amphitheaters across the Western Empire as a means of transmitting and maintaining Roman culture and control in the provinces. Futrell also examines the larger implications of the arena as a venue for the ritualized mass slaughter of human beings, showing how the gladiatorial competition took on both religious and political overtones. This wide-ranging study, which draws insights from archaeology and anthropology, as well as Classics, broadens our understanding of the gladiatorial show and its place within the highly politicized cult practice of the Roman Empire.


Sport and Spectacle in the Ancient World

Sport and Spectacle in the Ancient World

Author: Donald G. Kyle

Publisher: Wiley-Blackwell

Published: 2006-09-18

Total Pages: 424

ISBN-13: 063122971X

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This is a readable, up-to-date, illustrated introduction to the history of sport and spectacle in the ancient world from the Ancient Near East through Greek and Hellenistic times and into the Roman Empire. Covers athletics, combat sports, chariot racing, beast fights and gladiators. Traces the precursors of Greek and Roman sports and spectacles in the Ancient Near East and the Bronze Age Aegean. Investigates the origins, nature and meaning of sport, covering issues of violence, professionalism, class, gender and eroticism. Challenges the notion that Greek sport and Roman spectacle were polar opposites. Approaches sport and spectacle as overlapping and compatible features of civilized states and empires.


A Companion to Sport and Spectacle in Greek and Roman Antiquity

A Companion to Sport and Spectacle in Greek and Roman Antiquity

Author: Paul Christesen

Publisher: John Wiley & Sons

Published: 2014-01-07

Total Pages: 692

ISBN-13: 1444339524

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A Companion to Sport and Spectacle in Greek and Roman Antiquity presents a series of essays that apply a socio-historical perspective to myriad aspects of ancient sport and spectacle. Covers the Bronze Age to the Byzantine Empire Includes contributions from a range of international scholars with various Classical antiquity specialties Goes beyond the usual concentrations on Olympia and Rome to examine sport in cities and territories throughout the Mediterranean basin Features a variety of illustrations, maps, end-of-chapter references, internal cross-referencing, and a detailed index to increase accessibility and assist researchers


The Cambridge Companion to the Roman Republic

The Cambridge Companion to the Roman Republic

Author: Harriet I. Flower

Publisher: Cambridge University Press

Published: 2014-06-23

Total Pages: 519

ISBN-13: 1107032245

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This second edition examines all aspects of Roman history, and contains a new introduction, three new chapters and updated bibliographies.


Theater and Spectacle in the Art of the Roman Empire

Theater and Spectacle in the Art of the Roman Empire

Author: Katherine M. D. Dunbabin

Publisher:

Published: 2016

Total Pages: 0

ISBN-13: 9780801454059

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Theater, spectacle, and performance played significant roles in the political and social structure of the Roman Empire, which was diverse in population and language. A wide and varied range of entertainment was available to a Roman audience: the traditional festivals with their athletic contests and dramatic performances, pantomime and mime, the chariot races of the circus, and the gladiatorial shows and wild beast hunts of the arena. In Theater and Spectacle in the Art of the Roman Empire, which is richly illustrated in color throughout, Katherine M. D. Dunbabin emphasizes the visual evidence for these events. Images of spectacle appear in a wide range of artistic media, from the mosaics and paintings that decorated wealthy private houses to the sculpture of tomb monuments, and from luxury objects such as silver tableware to more humble ceramic lamps and pottery vessels. Dunbabin places the information derived from this visual material into the wider context provided by the written sources, both literary and epigraphic. This allows us to understand the functions that these images served in the social rituals of public and domestic life. By explicating both the social and cultural role of the spectacles themselves and the nature of their representation in art, Dunbabin provides a comprehensive portrait of the popular culture of the period.


The Roman World

The Roman World

Author: David Cherry

Publisher: Wiley-Blackwell

Published: 2001-06-08

Total Pages: 280

ISBN-13: 9780631217831

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The 57 documents in this sourcebook introduce readers to many of the major topics of Roman history, from the period of the Twelve Tables (c.451 BC) to the later Roman empire. Each of the selections has been chosen for its historical significance and intrinsic interest, and is introduced and annotated by the editor.


Ancient Rome at the Cinema

Ancient Rome at the Cinema

Author: Elena Theodorakopoulos

Publisher:

Published: 2010

Total Pages: 0

ISBN-13: 9781904675280

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Ancient Rome at the Cinema' is a lucid study of the worlds created in Roman historical epics. Based on analysis of the visual and narrative fabric of seven films set in Ancient Rome, 'Ancient Rome at the Cinema' demonstrates how cinematic versions of Ancient Rome have been able to captivate us, and inscribe their versions of the city and its history onto our imagination. Theodorakopoulos uses film theory and criticism to examine the ways in which historical drama creates the past through story-telling and visual effects. Particular emphasis is put on the tension between narrative and spectacle which is an inherent feature of cinema, and a long-standing preoccupation of film critics and theorists from the 1930s to the present. The book also examines the techniques and the rhetoric of realism which feature especially prominently in historical films. 'Ancient Rome at the Cinema' is a companion volume to 'Ancient Greece in Film and Popular Culture' by Gideon Nisbet (9781904675785, 2008, 2nd edition).