Fantasy artist H.R. Giger has turned his creativity to a new movie, Species. The book documents the conception, development and final terrorizing 3D realization of Giger's macabre, otherworldly designs. Included are Giger's original sketches, photos of the film's animatronic puppets and sets, and action stills. 110 photos, 100 in color. 50 line drawings.
"Designing a captivating creature simply for it to exist against a white background and going no further is a purely academic exercise. Designing a creature that can survive in a world, interact with its own and other species, and go on to make an impact, is designing with intent. This is the end goal of creature design and what you will witness in this latest book from industry expert Terryl Whitlatch. With decades of experience in the entertainment industry, developing creatures for Star Wars: Episode 1 -- The Phantom Menace and Beowulf, among other films, Whitlatch offers an abundance of valuable advice throughout the Principles of Creature Design. For Whitlatch, there's not limit to what can be imagined with an open mind, though the journey may not always be an easy one. It's what she calls "Chasing the unicorn." We will surely enjoy joining her on her journey, filled with creatures so vivid, whimsical, and elaborate that we will wish -- or wonder -- if they are real."--Back cover.
Laura J. Martin examines ecological restoration’s long history. Since the early 1900s, restorationists have confronted vexing philosophical questions: Which states of nature should be restored? Who should choose? Is human-designed wilderness really wild? Restoration work leads us to reimagine nature and the nature of environmental justice.
A multidisciplinary introduction to the field of computational creativity, analyzing the impact of advanced generative technologies on art and music. As algorithms get smarter, what role will computers play in the creation of music, art, and other cultural artifacts? Will they be able to create such things from the ground up, and will such creations be meaningful? In Beyond the Creative Species, Oliver Bown offers a multidisciplinary examination of computational creativity, analyzing the impact of advanced generative technologies on art and music. Drawing on a wide range of disciplines, including artificial intelligence and machine learning, design, social theory, the psychology of creativity, and creative practice research, Bown argues that to understand computational creativity, we must not only consider what computationally creative algorithms actually do, but also examine creative artistic activity itself.
This is a ‘Whole Earth Catalog’ for the 21st century: an impressive and wide-ranging analysis of what’s wrong with our societies, organizations, ideologies, worldviews and cultures – and how to put them right. The book covers the finance system, agriculture, design, ecology, economy, sustainability, organizations and society at large.
In this eloquent plea for compassion and respect for all species, journalist and gardener Nancy Lawson describes why and how to welcome wildlife to our backyards. Through engaging anecdotes and inspired advice, profiles of home gardeners throughout the country, and interviews with scientists and horticulturalists, Lawson applies the broader lessons of ecology to our own outdoor spaces. Detailed chapters address planting for wildlife by choosing native species; providing habitats that shelter baby animals, as well as birds, bees, and butterflies; creating safe zones in the garden; cohabiting with creatures often regarded as pests; letting nature be your garden designer; and encouraging natural processes and evolution in the garden. The Humane Gardener fills a unique niche in describing simple principles for both attracting wildlife and peacefully resolving conflicts with all the creatures that share our world.
Information regarding population status and abundance of rare species plays a key role in resource management decisions. Ideally, data should be collected using statistically sound sampling methods, but by their very nature, rare or elusive species pose a difficult sampling challenge. Sampling Rare or Elusive Species describes the latest sampling designs and survey methods for reliably estimating occupancy, abundance, and other population parameters of rare, elusive, or otherwise hard-to-detect plants and animals. It offers a mixture of theory and application, with actual examples from terrestrial, aquatic, and marine habitats around the world. Sampling Rare or Elusive Species is the first volume devoted entirely to this topic and provides natural resource professionals with a suite of innovative approaches to gathering population status and trend data. It represents an invaluable reference for natural resource professionals around the world, including fish and wildlife biologists, ecologists, biometricians, natural resource managers, and all others whose work or research involves rare or elusive species.
Make decorative, simple do-it-yourself projects with this friendly guide to paper crafting. You and your family will love to spend hours making beautiful paper art, jewelry, and decorations with All Things Paper. This easy paper crafts book comes with simple-to-follow instructions and detailed photos that show you how to create colorful and impressive art objects to display at home--many of which have practical uses. It is a great book for experienced paper craft hobbyists looking for new ideas or for new folders who want to learn paper crafts from experts. Projects in this papercrafting book include: Candle Luminaries Citrus Slice Coasters Mysterious Stationery Box Everyday Tote Bag Silver Orb Pendant Fine Paper Yarn Necklace Wedding Cake Card Perfect Journey Journal And many more… All the projects in this book are designed by noted paper crafters like Benjamin John Coleman, Patricia Zapata, and Richela Fabian Morgan. They have all been creating amazing objects with paper for many years. Whether you're a beginner or have been paper crafting for many years, you're bound to find something you'll love in All Things Paper. Soon you will be on your way to creating your own designs and paper art.
Human beings need creation stories. Each culture has one, and is defined in part by its unique explanation of how things came to be. Despite the many differences in the creation stories of various cultures, each seems to serve much the same purpose: to answer questions about humanity's role in the larger whole. The people of the United States are no exception. Since the late-19th century, however, the country as a whole has not been able to agree on a common creation story. Part of the discord stems, of course, from the growing cultural and religious diversity of the USA. But Karl W. Giberson and Donald A. Yerxa explain that most of it flows from the reality that Americans rely heavily on two competing, very distinct, worldviews: modern naturalistic science and traditional Judeo-Christian religions. The interplay of these two ideals is at the base of America's ongoing search for its origins. Giberson and Yerxa delve into this search and America's diverse creation myths, myths that the authors dub the species of origins.
Covered timber bridges are historic structures with unique aesthetic value. To preserve this value and maintain bridges in service, robust evaluation of their performance and safety is necessary. The strength of the timber found in covered bridges can vary considerably, not only because of age and condition, but also because of species and grade. For the practicing engineer or inspector evaluating a covered bridge, design values for existing wood members must be determined with as much accuracy as possible by account-ing for bridge-specific conditions. The current practice is to assign wood values for strength and moduli from existing specifications without specific reference to timber species, condition, or grade, which can result in an inaccurate assess-ment of the structure. This manual provides a walk-through for basic wood identification, inspection, condition assess-ment, field grading, and design value estimation for wood in covered bridges.