New Mexico's Spanish legacy has informed the cultural traditions of one of the last states to join the union for more than four hundred years, or before the alluring capital of Santa Fe was founded in 1610. The fame the region gained from artist Georgia O'Keefe, writers Lew Wallace and D.H. Lawrence and pistolero Billy the Kid has made New Mexico an international tourist destination. But the Spanish annals also have enriched the Land of Enchantment with the factual stories of a superhero knight, the greatest queen in history, a saintly gent whose coffin periodically rises from the depths of the earth and a mysterious ancient map. Join author Ray John de Aragón as he reveals hidden treasure full of suspense and intrigue.
Santos and Saints is a new book, though the title has been around for over twenty years. This new edition provides greater detail and newly available information to illustrate the santero's art and to describe the tradition roles of santos in both religious and secular life. Santos and Saints has served for two decades as the best available guide to the religious folk art of New Mexico. In its new edition, it has become even more valuable to scholars and general readers alike.
The juxtaposition of thirty black-and-white remastered Lindbergh images and thirty contemporary color images, provides a fascinating survey of the area over nearly a century allowing a unique view of the multi-layered, cultural landscape of the American S
In the summer of 1931, folklorist Espinosa traveled throughout northern New Mexico asking Spanish-speaking residents for tales of olden times. These tales are available once again, in the original Spanish and now for the first time in English translation.
This book is considered to be the starting place for anyone having family history ties to New Mexico, and for those interested in the history of New Mexico. Well before Jamestown and the Pilgrims, New Mexico was settled continuously beginning in 1598 by Spaniards whose descendants still make up a major portion of the population of New Mexico.
Adams and Chavez polish a unique window on late 18th-century New Mexico, providing a seamless translation of Father Domnguez's original work as well as explanatory materials.
Traditional Spanish New Mexican furniture can best be characterized as simple, having straight lines and good, honest proportions, all of which give these pieces a particular type of dignity. As is true of other handmade objects in a given society, furniture made in New Mexico mirrored the lives of New Mexicans in the 18th and 19th centuries--isolation and a rugged existence. The earliest furniture was made for churches and a few rich families. Even well into the 19th century, the average home was devoid of pieces considered common today: chairs, tables and beds. The author regards the traditional period in Spanish New Mexican furniture to begin about 1776 and extend until almost 1900. The pieces in this book illustrate the important contributions made by the Spanish in the 18th and 19th centuries to this form of the decorative arts.