Historical and literary works from the Spanish Golden Age offer a wealth of information about the Spanish view of the conflict in the Netherlands during the Dutch Revolt and the ensuing Eighty Years' War (1568-1648). The war in the cold north was to become a fixed component in the lives of the Spaniards of the Golden Age for many years. This book reconstructs the images that the Spanish had of the Netherlands and its inhabitants. These images are inextricably intertwined with the picture that the Spanish constructed of themselves as participants in the conflict. This book follows the developments of these images from the construction of an image of the enemy that reached a climax between 1621 and 1648 and then gradually faded away. Which images and representations circulated the most, and where did they come from? Which rhetoric was used to present them to the public, and in which genres and contexts were they disseminated and preserved? On the basis of a varied collection of sources, war chronicles and plays, as well as pamphlets, poems, historical works and prose writings, the author illustrates the appearance of the Netherlands through Spanish eyes during the course of the Eighty Years' War.
The guiding principle of this title is that the 'sister arts' of painting and poetry are mutually illuminating, their common currency being the visual image. Five masters - El Greco, Velazquez, Goya, Picasso and Dali - are discussed, with a view to distinguishing what is peculiarly Spanish in their way of looking at reality.
Book 5 of this popular series will teach you new skills and techniques while reinforcing skills already learned. You will learn more about phrasing and how dynamics in music can transform your playing. Four new keys are introduced and new left hand techniques are introduced.
This book is dedicated to and wants to honor the MUSIC of ELVIS PRESLEY. This book contains information relating to Elvis Presley’s concert activity currently known and publicly known, from 1944 to 1977, reporting the shows and rehearsals of the shows, with detailed information on the audio recordings of the same, in particular original CDs and bootlegs. Furthermore, the shows that were canceled during Elvis Presley’s lifetime were also indicated. - 1902 Shows and Rehearsals of which 1867 performed and 35 canceled from 1944 to 1977 (98,16 %) !!! - 818 Shows recorded of 1867 Shows and Rehearsals performed from 1944 to 1977 (43,81 %) !!! I chose to report the shows in chronological order, year by year, from 1944 to 1977, following a progressive numbering also for the tours. I have added: a chapter dedicated to interviews, films and television appearances, that Elvis Presley made from 1956 to 1977, containing detailed information on the audio and video recordings of the same: - 135 Interviews (1954 - 1977) !!! - 31 Films (1956 - 1969) - 2 Films during 1970 and 1972 Shows !!! - 17 TV Shows (1956 - 1977) !!! a chapter dedicated to the complete Elvis Presley U.S.A. Discography - Albums (1956 / 2024): - 268 Extended-Plays / Studio-Albums / Soundtrack-Albums / Live-Albums / Spoken-Word-Albums / Compilation-Albums / Budget-Albums / Box-Set-Albums / Posthumous-Compilation-Albums / Remix-Albums !!! a chapter dedicated to the complete Elvis Presley U.S.A. Discography - Singles (1954 / 1979): - 204 Singles a chapter dedicated to the complete Elvis Presley F.T.D. Discography (2009 / 2024): - 214 titles !!! a chapter dedicated to the complete Elvis Presley Recording Sessions (1953 / 1982) !!! from 1944 to 1977, I started reporting the shows and rehearsals of the shows, with detailed information on the VIDEO recordings of the same, in particular 8 mm and VHS Films, VCDs, DVDs and Blu-Rays. At the end of the book there are: statistical tables relating to all the information reported in it; a Guide to listening to ANALOG/DIGITAL MUSIC, which illustrates the fundamental theoretical concepts for listening to it, the digital formats used (WAVE, FLAC, DSD, DXD) in their most updated forms in order to listen to the music with the highest possible quality; a Guide to viewing DIGITAL VIDEO, which illustrates the theoretical foundations for viewing digital videos, the digital television formats used (HDTV, 4K, 8K), the types of interfaces and cables used (Serial Digital Interface, Firewire, HDMI, Digital Visual Interface, DisplayPort), the coding methods of data on cassettes and optical discs respectively, in their most updated forms in order to view digital videos with the highest possible quality. In the end I want to thank, with my heart and soul, Elvis Presley, for the unique talent he was able to express through his music, which gives me and many other people and will always give pure joy and happiness. Enjoy reading !!! Updated - Edition 1.10 !!!
Fearless and brilliant, Celia Sanchez was the dynamo whose Revolution took off while Castro was sweating in prison. Her friends share memories and her own letters to describe her strategies, her relationship with Fidel Castro, and her communications with Washington and Moscow.
These poems come from the heart of a commom man. It is my sincere hope that they touch the hearts of others as they have my own. This hope is expressed in the title "Two Hearts As One".
(Piano/Vocal/Guitar Songbook). This fourth edition has been updated to feature 150 of the best ballads of all time! Includes: Always on My Mind * Blue Moon * Body and Soul * (They Long to Be) Close to You * Fly Me to the Moon * How Deep Is Your Love * Longer * My Funny Valentine * Some Enchanted Evening * Tears in Heaven * Tenderly * Till There Was You * You Are So Beautiful * and scores more!
How did Puerto Ricans, Mexicans, and Cubans become known as “Hispanics” and “Latinos” in the United States? How did several distinct cultures and nationalities become portrayed as one? Cristina Mora answers both these questions and details the scope of this phenomenon in Making Hispanics. She uses an organizational lens and traces how activists, bureaucrats, and media executives in the 1970s and '80s created a new identity category—and by doing so, permanently changed the racial and political landscape of the nation. Some argue that these cultures are fundamentally similar and that the Spanish language is a natural basis for a unified Hispanic identity. But Mora shows very clearly that the idea of ethnic grouping was historically constructed and institutionalized in the United States. During the 1960 census, reports classified Latin American immigrants as “white,” grouping them with European Americans. Not only was this decision controversial, but also Latino activists claimed that this classification hindered their ability to portray their constituents as underrepresented minorities. Therefore, they called for a separate classification: Hispanic. Once these populations could be quantified, businesses saw opportunities and the media responded. Spanish-language television began to expand its reach to serve the now large, and newly unified, Hispanic community with news and entertainment programming. Through archival research, oral histories, and interviews, Mora reveals the broad, national-level process that led to the emergence of Hispanicity in America.
Archaeologies of Early Modern Spanish Colonialism illustrates how archaeology contributes to the knowledge of early modern Spanish colonialism and the "first globalization" of the 16th and 17th centuries. Through a range of specific case studies, this book offers a global comparative perspective on colonial processes and colonial situations, and the ways in which they were experienced by the different peoples. But we also focus on marginal “unsuccessful” colonial episodes. Thus, some of the papers deal with very brief colonial events, even “marginal” in some cases, considered “failures” by the Spanish crown or even undertook without their consent. These short events are usually overlooked by traditional historiography, which is why archaeological research is particularly important in these cases, since archaeological remains may be the only type of evidence that stands as proof of these colonial events. At the same time, it critically examines the construction of categories and discourses of colonialism, and questions the ideological underpinnings of the source material required to address such a vast issue. Accordingly, the book strikes a balance between theoretical, methodological and empirical issues, integrated to a lesser or greater extent in most of the chapters.
