South Korean Cinema and Hybridity of East Asian Identity
South Korean Cinema and Hybridity of East Asian Identity

Author: Hector Kim

Publisher: Hector Kim

Published: 2010-07-19

Total Pages: 53

ISBN-13: 1453715967

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In attempts to identify the integral elements contributory to the recent success of South Korean films in East Asia, most existing researches maintain their wide focal length on either: underlying political conditions like South Korea's media liberalization, or the continually rising demand for non-Hollywood films in the region. This text, however, takes a different approach and looks more closely to the question of "South Korean cinema's place in (re)construction of East Asian identity" as it was found a significant yet underexplored area of research. The questioning is attempted by testing the hypothesis that the merit of South Korean films relies more on the cultural "similarity / proximity" based on "common experience of absorption of Western modern civilization" than the cultural "otherness / distance" based on "different experience of consumption of modern culture". The mode of production and the relationship between the global and South Korean film industry are contextually examined in order to identify and understand the invisible underpinnings, which otherwise would go unnoticed while spectators watch films. In doing so, the text analyzes the unique conditions that the South Korean film industry grew out of, and the effects such underlying conditions had on the contemporary "genre-bending" films, for which South Korean cinema is best known and favored nowadays. Furthermore, by placing hanryu (Korean Wave) phenomenon within the context of globalization discourse, the three main strands of globalization discourse - 1. Cultural imperialism, 2. Modernity project, 3. Hybridization of identity - are applied to the questioning of South Korean cinema's place in East Asia amid the changing trend of cultural flows in times of globalization.

East Asian Pop Culture
East Asian Pop Culture

Author: Beng Huat Chua

Publisher: Hong Kong University Press

Published: 2008-02-01

Total Pages: 328

ISBN-13: 9789622098923

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The contributors analyse the subject of Asian pop culture arranged under three headings: 'Television Industry in East Asia', 'Transnational-Crosscultural Receptions of TV Dramas' and 'Nationalistic reactions'.

New Korean Wave
New Korean Wave

Author: Dal Jin

Publisher: University of Illinois Press

Published: 2016-03-15

Total Pages: 233

ISBN-13: 0252098145

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The 2012 smash "Gangnam Style" by the Seoul-based rapper Psy capped the triumph of Hallyu , the Korean Wave of music, film, and other cultural forms that have become a worldwide sensation. Dal Yong Jin analyzes the social and technological trends that transformed South Korean entertainment from a mostly regional interest aimed at families into a global powerhouse geared toward tech-crazy youth. Blending analysis with insights from fans and industry insiders, Jin shows how Hallyu exploited a media landscape and dramatically changed with the 2008 emergence of smartphones and social media, designating this new Korean Wave as Hallyu 2.0. Hands-on government support, meanwhile, focused on creative industries as a significant part of the economy and turned intellectual property rights into a significant revenue source. Jin also delves into less-studied forms like animation and online games, the significance of social meaning in the development of local Korean popular culture, and the political economy of Korean popular culture and digital technologies in a global context.

The Korean Wave in Southeast Asia
The Korean Wave in Southeast Asia

Author: Joanne B.Y. Lim

Publisher: Strategic Information and Research Development Centre

Published:

Total Pages: 182

ISBN-13: 967096038X

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The Korean Wave in Southeast Asia offers fresh details and new perspectives on the globalization of Korean popular culture, better known as ‘Hallyu’. Focusing on the dissemination, localization, consumption and fandom of Korean TV dramas, films, pop music and other forms of youth culture within the cultural geography of Southeast Asia, the chapters in the book offer a compelling analysis of the globalization of Hallyu and detail the various social and cultural mechanisms involved. Deeply accomplished, this book will be a valuable resource for scholars interested in cultural and social change in Southeast Asia, as well as for graduate and undergraduate students learning about popular culture in Asia. Nissim Otmazgin Chair of the Department of Asian Studies, The Hebrew University of Jerusalem and author, Regionalizing Culture: The political economy of Japanese popular culture in Asia (University of Hawai'i Press, 2013). This book proves to be an important addition to the growing scholarship on the Korean Wave and the resulting new pop culture trends in Southeast Asia. In addition to introducing new concepts for further comparative research, the roster of case studies on Hallyu consumption and production in the region (informed by interdisciplinary expertise) offer readers fresh analyses and diverse experiences of the phenomenon. The publication of this collection is timely for our new course elective focusing on the ‘Korean Wave’, in which this book will certainly be a required reading. Sarah Domingo Lipura Associate Director, Ateneo Initiative for Korean Studies, Ateneo De Manila University (Philippines)

The Korean War and Postmemory Generation
The Korean War and Postmemory Generation

Author: Dong-Yeon Koh

Publisher: Routledge

Published: 2021-07-30

Total Pages: 191

ISBN-13: 1000407551

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This pioneering volume navigates cultural memory of the Korean War through the lens of contemporary arts and film in South Korea for the last two decades. Cultural memory of the Korean War has been a subject of persistent controversy in the forging of South Korean postwar national and ideological identity. Applying the theoretical notion of “postmemory,” this book examines the increasingly diversified attitudes toward memories of the Korean War and Cold War from the late 1990s and onward, particularly in the demise of military dictatorships. Chapters consider efforts from younger generation artists and filmmakers to develop new ways of representing traumatic memories by refusing to confine themselves to the tragic experiences of survivors and victims. Extensively illustrated, this is one of the first volumes in English to provide an in-depth analysis of work oriented around such themes from 12 renowned and provocative South Korean artists and filmmakers. This includes documentary photographs, participatory public arts, independent women’s documentary films, and media installations. The Korean War and Postmemory Generation will appeal to students and scholars of film studies, contemporary art, and Korean history.

The Journal of Korean Studies, Volume 18, Number 1 (Spring 2013)
The Journal of Korean Studies, Volume 18, Number 1 (Spring 2013)

Author: Clark W. Sorensen

Publisher: Rowman & Littlefield

Published: 2013-06-19

Total Pages: 175

ISBN-13: 1442233354

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The University of Washington-Korea Studies Program, in collaboration with Rowman & Littlefield Publishers, is proud to publish the Journal of Korean Studies. In 1979 Dr. James Palais (PhD Harvard 1968), former UW professor of Korean History edited and published the first volume of the Journal of Korean Studies. For thirteen years it was a leading academic forum for innovative, in-depth research on Korea. In 2004 former editors Gi-Wook Shin and John Duncan revived this outstanding publication at Stanford University. In August 2008 editorial responsibility transferred back to the University of Washington. With the editorial guidance of Clark Sorensen and Donald Baker, the Journal of Korean Studies (JKS) continues to be dedicated to publishing outstanding articles, from all disciplines, on a broad range of historical and contemporary topics concerning Korea. In addition the JKS publishes reviews of the latest Korea-related books. To subscribe to the Journal of Korean Studies or order print back issues, please click here.

A Companion to Wong Kar-wai
A Companion to Wong Kar-wai

Author: Martha P. Nochimson

Publisher: John Wiley & Sons

Published: 2015-11-04

Total Pages: 648

ISBN-13: 1118425278

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With 25 essays that embrace a wide spectrum of topics and perspectives including intertextuality, transnationality, gender representation, repetition, the use of music, color, and sound, depiction of time and space in human affairs, and Wong’s highly original portrayal of violence, A Companion to Wong Kar-Wai is a singular examination of the prestigious filmmaker known around the world for the innovation, beauty, and passion he brings to filmmaking. Brings together the most cutting edge, in-depth, and interesting scholarship on arguably the greatest living Asian filmmaker, from a multinational group of established and rising film scholars and critics Covers a huge breadth of topics such as the tradition of the jianghu in Wong's films; queering Wong's films not in terms of gender but through the artist's liminality; the phenomenological Wong; Wong's intertextuality; America through Wong's eyes; the optics of intensities, thresholds, and transfers of energy in Wong's cinema; and the diasporic presence of some ladies from Shanghai in Wong's Hong Kong Examines the political, historical, and sociological influence of Wong and his work, and discusses his work from a variety of perspectives including modern, post-modern, postcolonial, and queer theory Includes two appendices which examine Wong’s work in Hong Kong television and commercials

Routledge Handbook of East Asian Popular Culture
Routledge Handbook of East Asian Popular Culture

Author: Koichi Iwabuchi

Publisher: Taylor & Francis

Published: 2016-12-01

Total Pages: 309

ISBN-13: 1317285018

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Since the 1990s there has been a dramatic increase in cultural flows and connections between the countries in the East Asian region. Nowhere is this more apparent than when looking at popular culture where uneven but multilateral exchanges of Japanese, Korean, Taiwanese, Hong Kong and Chinese products have led to the construction of an ‘East Asian Popular Culture’. This is both influenced by, and in turn influences, the national cultures, and generates transnational co-production and reinvention. As East Asian popular culture becomes a global force, it is increasingly important for us to understand the characteristics of contemporary East Asian popular culture, and in particular its transnational nature. In this handbook, the contributors theorize East Asian experiences and reconsider Western theories on cultural globalization to provide a cutting-edge overview of this global phenomenon. The Routledge Handbook of East Asian Popular Culture will be of great interest to students and scholars of a wide range of disciplines, including: Cultural Studies, Media Studies, Communication Studies, Anthropology, Sociology and Asian Studies in general.

Global South Discourse in East Asian Media Studies
Global South Discourse in East Asian Media Studies

Author: Dal Yong Jin

Publisher: Taylor & Francis

Published: 2022-11-04

Total Pages: 214

ISBN-13: 1000778169

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This book examines the nexus of East Asian media, culture, and digital technologies in the early 21st century from a Global South perspective. Providing an empirically rich analysis of the emergence of Asian culture, histories, texts, and state policies as they relate to both Asian media and global media, the author discusses relevant theoretical frameworks as East Asian popular culture and media have shifted the contours of globalization. After overviewing Western media/cultural theories and histories, the book explores the ways in which East Asia-focused analytical frameworks are able to shift people’s understanding of globalization and media, drawing upon examples from different East Asian countries to illustrate how current cultural flows have influenced and have been influenced by a handful of dimensions. Offering an important contribution to understanding the historical trajectory and recent developments of East Asia media, this book will interest students and scholars of media, communication, popular culture, cultural studies, Asian studies, politics and sociology.

Urban Landscapes and National Visions in Post-Millennial South Korean Cinema
Urban Landscapes and National Visions in Post-Millennial South Korean Cinema

Author: Gemma Ballard

Publisher: Springer Nature

Published: 2023-05-11

Total Pages: 179

ISBN-13: 3031297393

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This book explores South Korean cinema’s inimitable relationship with the urban landscape and identifies the ways in which Seoul is utilised as a celluloid canvas, national artefact and, above all else, a distinctive cultural backdrop. Using five different approaches to urban space, from five distinctive and contrasting theoretical perspectives, Urban Landscapes in Post-Millennial South Korean Cinema investigates and seeks to understand why the cinematic representation, identity and presence of Seoul have been central to the preservation and recognition of the South Korean film industry as an independent, autonomous and nationally unique institution.