The author's adventurous world travels led her to South Africa and Swaziland in the summer of 2013, a destination she had only dreamed of as she watched movies and read books about the African plains and sunsets. An opportunity to visit a family member working in Swaziland led her to plan the trip of a lifetime across the ocean and into a land rich with magnificent landscapes, curious and friendly natives, and an animal kingdom that left her breathless ... As she easily selected favorite photographs out of dozens from the trip, the poems she wrote flowed easily and quickly, as the images were still fresh in her memory dazzling her mind and senses.
valuable gift from other cultures to our own 7 sung prayers that can broaden the ways we pray and sing together in corporate worship. His extensive research leads to some intriguing proposals, with Hawn encouraging diverse expressions of worship, endorsing the church musician as a worship 3enlivener,4 and making a case for 3polyrhythmic worship4 in our churches. A unique resource, Gather into One demonstrates the spiritual riches to be gained through multicultural worship and makes a
In the humanities, the term 'diaspora' recently emerged as a promising and powerful heuristic concept. It challenged traditional ways of thinking and invited reconsiderations of theoretical assumptions about the unfolding of cross-cultural and multi-ethnic societies, about power relations, frontiers and boundaries, about cultural transmission, communication and translation. The present collection of essays by renowned writers and scholars addresses these issues and helps to ground the ongoing debate about the African diaspora in a more solid theoretical framework. Part I is dedicated to a general discussion of the concept of African diaspora, its origins and historical development. Part II examines the complex cultural dimensions of African diasporas in relation to significant sites and figures, including the modes and modalities of creative expression from the perspective of both artists/writers and their audiences; finally, Part III focusses on the resources (collections and archives) and iconographies that are available today. As most authors argue, the African diaspora should not be seen merely as a historical phenomenon, but also as an idea or ideology and an object of representation. By exploring this new ground, the essays assembled here provide important new insights for scholars in American and African-American Studies, Cultural Studies, Ethnic Studies, and African Studies. The collection is rounded off by an annotated listing of black autobiographies.
Postcolonial approaches to understanding economies are of increasing academic and political significance as questions about the nature of globalisation, transnational flows of capital and workers and the making and re-making of territorial borders assume centre stage in debates about contemporary economies and policy. Despite the growing academic and political urgency in understanding how 'other' cultures encounter 'the west', economics-oriented approaches within social sciences have been slow to engage with the ideas and challenges posed by postcolonial critiques. In turn, postcolonial approaches have been criticised for their simplistic treatment of 'the economic' and for not engaging with existing economic analyses of poverty and wealth creation. Utilising examples drawn from India to Latin America, and bringing together scholars from a range of disciplines, including Geography, Economics, Development Studies, History and Women's Studies, Postcolonial Economies breaks new ground in providing a space for nascent debates about postcolonialism and its treatment of 'the economic'.
THIS IS AN NJR - NOT JACKET BLURB, DO NOT USE IT THIS RAW FORM -This new and original work is the only recent monographic treatment of the Zimbabwean novel and its political implications. An earlier one by Veit-Wild (1992) has not been updated, and other, such as that by Zhuwarara (2001), are not easily available outside Zimbabwe. The author resided in Zimbabwe for almost a decade and has visited the country regularly in the last five years. She has published extensively on Zimbabwean literature, and brings to her work a deep contextual richness as well as theoretical sophistication. Thoroughly up-to-date, the book examines all the published novels of the recently-deceased Yvonne Vera (d. April 2005) as well as major novels of five other internationally-acclaimed Zimbabwean writers, including Tsitsi Dangarembga and Chenjerai Hove. It does so against a political backdrop which goes right up to the March 2005 parliamentary elections. The book provides a modern and original historical account of post-independence Zimbabwean writing and its relationship to history and politics. The critical investigation focuses on fictional representations of space-time which links the book the tragically topical Zimbabwean issue of land. Dr Primorac employs a form of literary and cultural theory reminiscent of Bakhtinian analysis, but drawn at length from East European theoretical sources. She investigates what the novels have to say about the Zimbabwean condition, and makes a sophisticated link between ideas about space-time and novelistic ideologies. More than that, drawing a parallel with the experience of Eastern Europe, she shows how the novel itself breaks out of the confines of the quasi-Marxist analysis which still holds sway in Zimbabwe. As such, the Zimbabwean novel is itself a source of hope in that troubled land. Ranka Primorac has degrees from the universities of Zagreb, Zimbabwe and Nottingham Trent. She has taught Africa-related courses at several institutions of higher learning in Britain, including the University of Cambridge and New York University in London. She is interested in non-western writing and cultures, theoretical approaches to the novel and the narrative production of space-time. Her co-edited volume, Versions of Zimbabwe: New Approaches to Literature and Culture was published in 2005 by Weaver Press in Harare.
