"The story, by Mabel Earp Carson, tells how the sadness and laughter and frustration of the sheep trail taught David to be responsible for his obligations and always to put his trust in "the Good Shepherd." --Publisher description
The "Songs of the Cattle Trail and Cow Camp" does not purport to be an anthology of Western verse. As its title indicates, the contents of the book are limited to attempts, more or less poetic, in translating scenes connected with the life of a cowboy. The volume is in reality a by-product of my earlier collection, "Cowboy Songs and Other Frontier Ballads." In the former book I put together what seemed to me to be the best of the songs created and sung by the cowboys as they went about their work. In making the collection, the cowboys often sang or sent to me songs which I recognized as having already been in print; although the singer usually said that some other cowboy had sung the song to him and that he did not know where it had originated. For example, one night in New Mexico a cowboy sang to me, in typical cowboy music, Larry Chittenden's entire "Cowboys' Christmas Ball"; since that time the poem has often come to me in manuscript form as an original cowboy song. The changes — usually, it must be confessed, resulting in bettering the verse — which have occurred in oral transmission, are most interesting. Of one example, Charles Badger Clark's "High Chin Bob," I have printed, following Mr. Clark's poem, a cowboy version, which I submit to Mr. Clark and his admirers for their consideration. In making selections for this volume from a large mass of material that came into my ballad hopper while hunting cowboy songs as a Traveling Fellow from Harvard University, I have included the best of the verse given me directly by the cowboys; other selections have come in through repeated recommendation of these men; others are vagrant verses from Western newspapers; and still others have been lifted from collections of Western verse written by such men as Charles Badger Clark, Jr., and Herbert H. Knibbs. To these two authors, as well as others who have permitted me to make use of their work, the grateful thanks of the collector are extended. As will be seen, almost one-half of the selections have no assignable authorship. I am equally grateful to these unknown authors.
Set against the tragic events of the Cherokees' removal from their traditional lands in North Carolina to Indian Territory between 1835-1838, Mountain Windsong is a love story that brings to life the suffering and endurance of the Cherokee people. It is the moving tale of Waguli (Whippoorwill") and Oconeechee, a young Cherokee man and woman separated by the Trail of Tears. Just as they are about to be married, Waguli is captured be federal soldiers and, along with thousands of other Cherokees, taken west, on foot and then by steamboat, to what is now eastern Oklahoma. Though many die along the way, Waguli survives, drowning his shame and sorrow in alcohol. Oconeechee, among the few Cherokees who remain behind, hidden in the mountains, embarks on a courageous search for Waguli. Robert J. Conley makes use of song, legend, and historical documents to weave the rich texture of the story, which is told through several, sometimes contradictory, voices. The traditional narrative of the Trail of Tears is told to a young contemporary Cherokee boy by his grandfather, presented in bits and pieces as they go about their everyday chores in rural North Carolina. The telling is neiter bitter nor hostile; it is sympathetic by unsentimental. An ironic third point of view, detached and often adversarial, is provided by the historical documents interspersed through the novel, from the text of the removal treaty to Ralph Waldo Emerson's letter to the president of the United States in protest of the removal. In this layering of contradictory elements, Conley implies questions about the relationships between history and legend, storytelling and myth-making. Inspired by the lyrics of Don Grooms's song "Whippoorwill," which open many chapters in the text, Conley has written a novel both meticulously accurate and deeply moving.
An enchanting collection of 25 traditional songs pays homage to the rich cultural heritage and multilingual communities of East and Southern Africa. The resulting highly mixed musical styles that are unique to each region demonstrate how they welcomed new horizons through contact with others. A wide array of styles--skipping rope songs from Mozambique, lullabies from South Africa, counting songs from Réunion, traditional dance tunes from Madagascar--are all performed exquisitely by men, women, and children in more than a dozen languages and dialects. Vibrant compelling artwork and homegrown instruments, such as the tube zither, the kayamb, the bobre, the segakordeon and ravanne drums round off this wonderful celebration of history, language, and culture. Lyrics appear transcribed in their original language and translated to English followed by extensive notes describing the cultural background of each song and a map of East and Southern Africa. This picture book is accompanied by a CD featuring 25 recorded songs along with unique code for the digital download of the audio.
Riding 2,000 miles on horseback from Montana to New Mexico sounds like a crazy but thrilling dream or pure hardship and exhaustion. According to Bernice Ende, the trip was all that and more. Since swinging her leg over the saddle for that first long ride in 2005 (at the age of 50), Ende has logged more than 29,000 miles in the saddle, crisscrossing North America on horseback - alone. More than once she has traversed the Great Plains, the Southwest deserts, the Cascade Range, and the Rocky Mountains. Along the way, she discovered a sense of community and love of place that unites people wherever they live. From 2014-2016, she was the first person to ride coast to coast and back again in one trek, winning acclaim from the international Long Riders' Guild and awe from the people she met along the way. Bernice Ende's memoirs are illuminated by accompanying maps of her routes and photos from her journeys, capturing the instant friends she meets along the way, and her ongoing encounters with harsh weather, wildlife, hard work, mosquitoes, tricky route-finding, and the occasional worn out horseshoe. Ende reveals her inner struggles and triumphs - testing the limits of physical and mental stamina, coping with inescapable solitude, and the rewards of living life her own way, as she says, "in her own skin." Saddle up and come along for the journey of a lifetime.
An exciting and deeply moving story of survival, courage, and friendship on the Appalachian Trail. Toby has to finish the final thing on The List. It's a list of brave, daring, totally awesome things that he and his best friend, Lucas, planned to do together, and the only item left is to hike the Appalachian Trail. But now Lucas isn't there to do it with him. Toby's determined to hike the trail alone and fulfill their pact, which means dealing with little things -- the blisters, the heat, the hunger -- and the big things -- the bears, the loneliness, and the memories. When a storm comes, Toby finds himself tangled up in someone else's mess: Two boys desperately need his help. But does Toby have any help to give? The Trail is a remarkable story of physical survival and true friendship, about a boy who's determined to forge his own path -- and to survive.