Beethoven and His World

Beethoven and His World

Author: H. P. Clive

Publisher: Oxford : Oxford University Press

Published: 2001

Total Pages: 554

ISBN-13: 9780198166726

DOWNLOAD EBOOK

Following the author's acclaimed biographical dictionaries on Schubert and Mozart, 'Beethoven and His World' offers an extremely comprehensive and up-to-date survey of the composer's relations with a multitude of persons with whom he associated on a personal or professional basis: relatives,friends, acquaintances, librettists, poets, publishers, artists, patrons, and musicians. With more than 450 entries, the dictionary is the result of a wide-ranging examination of primary and secondary sources, and critically assesses the use which scholars have made of the considerabledocumentation now available. In particular, there are numerous references to Beethoven's correspondence and conversation books, which have recently been published in excellent new editions. The book places the composer and his music in a fuller context and a wider perspective than might bepossible in a traditional biography; it will appeal to all music lovers, both the scholar and the non-specilaist alike.


Musical Courier

Musical Courier

Author:

Publisher:

Published: 1905

Total Pages: 1006

ISBN-13:

DOWNLOAD EBOOK

Vols. for 1957-61 include an additional (mid-January) no. called Directory issue, 1st-5th ed. The 6th ed. was published as the Dec. 1961 issue.


Six Sonatas

Six Sonatas

Author: Johann Sebastian Bach

Publisher: Alfred Music

Published:

Total Pages: 140

ISBN-13: 9781457469954

DOWNLOAD EBOOK

A new complete collection including six sonatas for viola and piano by Bach. Separate parts are included.


Lateness and Brahms

Lateness and Brahms

Author: Margaret Notley

Publisher: Oxford University Press

Published: 2007

Total Pages: 254

ISBN-13: 0195305477

DOWNLOAD EBOOK

Lateness and Brahms takes up the fascinating, yet understudied problem of how Brahms fits into the culture of turn-of-the-century Vienna. Brahms's conspicuous and puzzling absence in previous scholarly accounts of the time and place raises important questions, and as Margaret Notley demonstrates, the tendency to view him in neutralized, ahistorical terms has made his music seem far less interesting than it truly is.In pursuit of an historical Brahms, Notley focuses on the later chamber music, drawing on various documents and perspectives, but with particular emphasis on the relevance of Western Marxist critical traditions.