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Author: Charles Rosen
Publisher: W. W. Norton & Company
Published: 1988
Total Pages: 438
ISBN-13: 9780393302196
DOWNLOAD EBOOK"Nobody writes better about music .... again and again, unerring insight into just the features that make the music special and fine."--The New York Review of Books
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Publisher: Alfred Music Publishing
Published: 1985-03
Total Pages: 0
ISBN-13: 9780769297583
DOWNLOAD EBOOKA solo, for Viola with Piano Accompaniment, composed by Benedetto Marcello.
Author: Carole Cummings
Publisher: Forest Path Books
Published: 2021-01-29
Total Pages: 476
ISBN-13: 1951293177
DOWNLOAD EBOOKLove, and war—and dragons! "A sweet standalone romantic fantasy... richly imagined." -- Publisher's Weekly Old Forge is known for its dragons—savage little things, more singe than snarl—and Milo Priddy is known for his way with them. When rumblings of conflict appear on the horizon, the dragons start to disappear. Milo is dragonkin, and knows what he must do. It is an uneasy choice, and one he dares not reveal even to his lover, Ellis. As leader of neighbouring Wellech, Ellis has his own hard choices. His skills are crucial to a secure homeland. More and more, the homeland he and Milo once hoped to share is under threat--not only from outside, but within. For their own people are sowing mistrust of the magic users, seeding a betrayal of not only the dragons, but their kin.
Author: James Hepokoski
Publisher: Oxford University Press
Published: 2011-02-11
Total Pages: 692
ISBN-13: 0199890234
DOWNLOAD EBOOKElements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, and concertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated as constellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may be assessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and of grasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos.
Author: Steven Vande Moortele
Publisher: Leuven University Press
Published: 2024-06-13
Total Pages: 229
ISBN-13: 9462704384
DOWNLOAD EBOOKTwo-Dimensional Sonata Form is the first book dedicated to the combination of the movements of a multimovement sonata cycle with an overarching single-movement form that is itself organized as a sonata form. Drawing on a variety of historical and recent approaches to musical form (e.g., Marxian and Schoenbergian Formenlehre, Caplin’s theory of formal functions, and Hepokoski and Darcy’s Sonata Theory), it begins by developing an original theoretical framework for the analysis of this type of form that is so characteristic of the later nineteenth and early twentieth century. It then offers an in-depth examination of nine exemplary works by four Central European composers: the Piano Sonata in B minor and the symphonic poems Tasso and Die Ideale by Franz Liszt, Richard Strauss’s tone poems Don Juan and Ein Heldenleben, the symphonic poem Pelleas und Melisande, the First String Quartet and the First Chamber Symphony by Arnold Schoenberg, and Alexander Zemlinsky’s Second String Quartet.
Author: Roger Kamien
Publisher:
Published: 1964
Total Pages: 240
ISBN-13:
DOWNLOAD EBOOKAuthor: Craig Wright
Publisher: Schirmer Books
Published: 2007-01-25
Total Pages: 510
ISBN-13:
DOWNLOAD EBOOKCompact disc contains 25 tracks of music by different performers as listed in the text.
Author: Thomas Schmidt-Beste
Publisher: Cambridge University Press
Published: 2011-03-10
Total Pages: 279
ISBN-13: 0521762545
DOWNLOAD EBOOKAn introductory survey of the most enduring and popular genre of instrumental music, perfect for students, teachers and performers.
Author: Yoel Greenberg
Publisher: Oxford University Press
Published: 2022-06-10
Total Pages: 265
ISBN-13: 0197526284
DOWNLOAD EBOOKTraditional approaches to musical form have always adopted a top-down perspective whereby a work's form organizes and unifies the individual parts of the work through an overarching logic. How Sonata Forms turns this view on its head, proposing instead that it was the parts that conditioned and enabled the whole. Relying on a corpus of over a thousand works, author Yoel Greenberg illustrates how the elements of sonata form arose independently of one another, with an overarching idea of form only emerging at the tail end of its formative period during the eighteenth century. Appreciation of the bottom-up nature of sonata form's evolution reveals it not as a stable package of features that all serve a common aesthetic or formal goal, but rather as an unstable collection of disparate and sometimes even contradictory common practices. The resolution of these contradictions presents a challenge to composers, rendering form a creative catalyst in itself, rather than as a compositional convenience. More generally, the deeply diachronic perspective of How Sonata Forms offers an alternative to the traditional synchronic outlook that pervades music theory in general and the study of form in particular. Rather than focus on definitions and taxonomies, How Sonata Forms proposes a focus on the motion of the system of form as a whole, suggesting that it is often more productive to appreciate the dynamics of a system than it is to rigorously define its parts.
Author: James Hepokoski
Publisher: Oxford University Press
Published: 2020-12-01
Total Pages: 332
ISBN-13: 0197536840
DOWNLOAD EBOOKSonata form is the most commonly encountered organizational plan in the works of the classical-music masters, from Haydn, Mozart, and Beethoven to Schubert, Brahms, and beyond. Sonata Theory, an analytic approach developed by James Hepokoski and Warren Darcy in their award-winning Elements of Sonata Theory (2006), has emerged as one of the most influential frameworks for understanding this musical structure. What can this method from "the new Formenlehre" teach us about how these composers put together their most iconic pieces and to what expressive ends? In this new Sonata Theory Handbook, Hepokoski introduces readers step-by-step to the main ideas of this approach. At the heart of the book are close readings of eight individual movements from Mozart's Piano Sonata in B-flat, K. 333, to such structurally complex pieces as Schubert's "Death and the Maiden" String Quartet and the finale of Brahms's Symphony No 1 that show this analytical method in action. These illustrative analyses are supplemented with four updated discussions of the foundational concepts behind the theory, including dialogic form, expositional action zones, trajectories toward generically normative cadences, rotation theory, and the five sonata types. With its detailed examples and deep engagements with recent developments in form theory, schema theory, and cognitive research, this handbook updates and advances Sonata Theory and confirms its status as a key lens for analyzing sonata form.
