Somewhere Bluebirds Fly By: Rick Farrant Rick Farrant never thought he would find his birth mother. He never thought he would find a sense of belonging, a sense of home. Six decades into his life, he was resigned to the idea that his origins would forever remain a mystery. But all that changed when he decided to submit his DNA to an open-source database. In Somewhere Bluebirds Fly, Farrant recounts a dysfunctional childhood, a lifelong, chaotic struggle for identity punctuated by substance abuse, mental illness and failed relationships, and late-in-life discoveries about his origins that brought both acceptance and rejection. It is a story of perseverance and hope, and it illustrates the realities associated with searching for biological relatives at a time when millions of people worldwide are turning to science to make those connections. It also provides interesting anecdotal information for the ages-old nature versus nurture debate. Farrant’s story is supported by numerous documents, photographs and recollections dating back many decades. Just as illuminating is his honest, transparent account of a life lived in recurring turmoil. Although the story is set against the backdrop of adoption, it is insightful for anyone who has ever yearned to find themselves and to heal.
We discovered that we love to sing the old songs from a certain time but we have forgotten most of the words. This collection supplies the words to favorite oldies but goodies get a group together with a couple of copies of this song book and have a good old singalong !!! Dedicated to family and friends we want all thr oldies out there, the GREY NOMADS, to get this sing along book and get together in the camping ground and caravan parks all over Australia (and even the rest of the world !) and SING ALONG !
Jin and Medie are beautiful twin sisters. Jin, composer and conductor, special correspondent of classical music programs of CCTV; Medie, a life sciences engineer, Ph.D. They adopted six orphans----a boy and five girls, gave them good education with love. Jin trained five girls become an excellent chorus. Immigrated to North America From China, they started a hard new life. Young pianist Suraj Ram found their talents, and helped them to re-enter the music stage. Suraj fell in love with Jin, but the different religions and cultures were enormous barriers between them. How could Suraj make a choice? In Los Angeles, Jin successfully conducted the world's first symphonic choral concert without sheets music. After that, Jin and Medie took the children back to China for a trip, Suraj decided to go with them. It was a romantic tour of the Chinese cultures.
A comprehensive collection of 201 nursery rhymes and sing-along songs for kids with over 100 pictures included. The collection contains traditional nursery rhymes, such as Baa Baa Black Sheep, Do You Know the Muffin Man, Hickory Dickory Dock, Humpty Dumpty, Mary Had A Little Lamb, Ring A-Round the Roses, This Old Man, and many more. Sing-along to songs and lullabies, such as B-I-N-G-O, Good Night Sleep Tight, Hokey Pokey, Hush Little Baby, If You’re Happy and You Know It, Lullaby and Goodnight, One Two Buckle My Shoe, The Wheels on the Bus, and many more. This is a great read for adults and children alike. For the adults it will bring back many childhood memories which you can share with your children.
The Joy of Encountering Jesus does not call simply for faith in Jesus, but spells out how and why we can believe in Jesus in this twenty-first century. Reflecting on human experiences recorded in the Bible, including those of Jesus of Nazareth, we search for who we really are. Finding our true selves is possible only by discovering the risen Jesus dwelling within us. Then the sun rises, the whole world dances with joy, and our hearts are filled with Gods grace; we are Living Gods Life in a New World. The Joy of Encountering Jesus provides 174 short homilies for three liturgical years that will lead you to: rely on the heart rather than the head, utilize non-dualistic thinking rather than dualistic, find God from within rather than from without, build Gods kingdom on earth, expand knowledge on Jewish apocalypse and eschatology, update theology of resurrection and the Eucharist.
A comprehensive anthology bringing together more than one thousand of the best American and English song lyrics of the twentieth century; an extraordinary celebration of a unique art form and an indispensable reference work and history that celebrates one of the twentieth century’s most enduring and cherished legacies. Reading Lyrics begins with the first masters of the colloquial phrase, including George M. Cohan (“Give My Regards to Broadway”), P. G. Wodehouse (“Till the Clouds Roll By”), and Irving Berlin, whose versatility and career span the period from “Alexander’s Ragtime Band” to “Annie Get Your Gun” and beyond. The Broadway musical emerges as a distinct dramatic form in the 1920s and 1930s, its evolution propelled by a trio of lyricists—Cole Porter, Ira Gershwin, and Lorenz Hart—whose explorations of the psychological and emotional nuances of falling in and out of love have lost none of their wit and sophistication. Their songs, including “Night and Day,” “The Man I Love,” and “Bewitched, Bothered and Bewildered,” have become standards performed and recorded by generation after generation of singers. The lure of Broadway and Hollywood and the performing genius of such artists as Al Jolson, Fred Astaire, Ethel Waters, Judy Garland, Frank Sinatra, and Ethel Merman inspired a remarkable array of talented writers, including Dorothy Fields (“A Fine Romance,” “I Can’t Give You Anything but Love”), Frank Loesser (“Guys and Dolls”), Oscar Hammerstein II (from the groundbreaking “Show Boat” of 1927 through his extraordinary collaboration with Richard Rodgers), Johnny Mercer, Yip Harburg, Andy Razaf, Noël Coward, and Stephen Sondheim. Reading Lyrics also celebrates the work of dozens of superb craftsmen whose songs remain known, but who today are themselves less known—writers like Haven Gillespie (whose “Santa Claus Is Coming to Town” may be the most widely recorded song of its era); Herman Hupfeld (not only the composer/lyricist of “As Time Goes By” but also of “Are You Makin’ Any Money?” and “When Yuba Plays the Rumba on the Tuba”); the great light versifier Ogden Nash (“Speak Low,” “I’m a Stranger Here Myself,” and, yes, “The Sea-Gull and the Ea-Gull”); Don Raye (“Boogie Woogie Bugle Boy,” “Mister Five by Five,” and, of course, “Milkman, Keep Those Bottles Quiet”); Bobby Troup (“Route 66”); Billy Strayhorn (not only for the omnipresent “Lush Life” but for “Something to Live For” and “A Lonely Coed”); Peggy Lee (not only a superb singer but also an original and appealing lyricist); and the unique Dave Frishberg (“I’m Hip,” “Peel Me a Grape,” “Van Lingo Mungo”). The lyricists are presented chronologically, each introduced by a succinct biography and the incisive commentary of Robert Gottlieb and Robert Kimball.
