A crumbling mansion is the setting for a gothic romance of young love and true friendship that spans the early decades of the 20th century. A young boy finds himself in another -- but which is it, the boy in the mirror or the boy lost in shadows beyond time? SPECIAL EDITION - TRADE SOFTCOVER.
A crumbling mansion is the setting for a gothic romance of young love and true friendship that spans the early decades of the 20th century. A young boy finds himself in another -- but which is it, the boy in the mirror or the boy lost in shadows beyond time? No sexual situations. CLICK ON TITLE LINK FOR PREVIEW AND BOOK DETAILS. ALSO AVAILABLE AT AMAZON.
A crumbling mansion is the setting for a gothic romance of young love and true friendship that spans the early decades of the 20th century. One young boy finds himself in another -- but which is it, the boy in the mirror or the boy lost in shadows beyond time?
It was high holiday at Father Merlier's mill on that pleasant summer afternoon. Three tables had been brought out into the garden and placed end to end in the shade of the great elm, and now they were awaiting the arrival of the guests. It was known throughout the length and breadth of the land that that day was to witness the betrothal of old Merlier's daughter, Françoise, to Dominique, a young man who was said to be not overfond of work, but whom never a woman for three leagues of the country around could look at without sparkling eyes, such a well-favored young fellow was he. That mill of Father Merlier's was truly a very pleasant spot. It was situated right in the heart of Rocreuse, at the place where the main road makes a sharp bend. The village has but a single street, bordered on either side by a row of low, whitened cottages, but just there, where the road curves, there are broad stretches of meadow-land, and huge trees, which follow the course of the Morelle, cover the low grounds of the valley with a most delicious shade. All Lorraine has no more charming bit of nature to show. To right and left dense forests, great monarchs of the wood, centuries old, rise from the gentle slopes and fill the horizon with a sea of waving, trembling verdure, while away toward the south extends the plain, of wondrous fertility and checkered almost to infinity with its small enclosures, divided off from one another by their live hedges. But what makes the crowning glory of Rocreuse is the coolness of this verdurous nook, even in the hottest days of July and August. The Morelle comes down from the woods of Gagny, and it would seem as if it gathered to itself on the way all the delicious freshness of the foliage beneath which it glides for many a league; it brings down with it the murmuring sounds, the glacial, solemn shadows of the forest. And that is not the only source of coolness; there are running waters of all sorts singing among the copses; one can not take a step without coming on a gushing spring, and, as he makes his way along the narrow paths, seems to be treading above subterrene lakes that seek the air and sunshine through the moss above and profit by every smallest crevice, at the roots of trees or among the chinks and crannies of the rocks, to burst forth in fountains of crystalline clearness. So numerous and so loud are the whispering voices of these streams that they silence the song of the bullfinches. It is as if one were in an enchanted park, with cascades falling and flashing on every side. The meadows below are never athirst. The shadows beneath the gigantic chestnut trees are of inky blackness, and along the edges of the fields long rows of poplars stand like walls of rustling foliage. There is a double avenue of huge plane trees ascending across the fields toward the ancient castle of Gagny, now gone to rack and ruin. In this region, where drought is never known, vegetation of all kinds is wonderfully rank; it is like a flower garden down there in the low ground between those two wooded hills, a natural garden, where the lawns are broad meadows and the giant trees represent colossal beds. When the noonday sun pours down his scorching rays the shadows lie blue upon the ground, vegetation slumbers in the genial warmth, while every now and then a breath of almost icy coldness rustles the foliage. Such was the spot where Father Merlier's mill enlivened nature run riot with its cheerful clack. The building itself, constructed of wood and plaster, looked as if it might be coeval with our planet. Its foundations were in part laved by the Morelle, which here expands into a clear pool. A dam, a few feet in height, afforded sufficient head of water to drive the old wheel, which creaked and groaned as it revolved, with the asthmatic wheezing of a faithful servant who has grown old in her place. Whenever Father Merlier was advised to change it, he would shake his head and say that like as not a young wheel would be lazier and not so well acquainted with its duties, and then he would set to work and patch up the old one with anything that came to hand, old hogshead-staves, bits of rusty iron, zinc, or lead. The old wheel only seemed the gayer for it, with its odd, round countenance, all plumed and feathered with tufts of moss and grass, and when the water poured over it in a silvery tide its gaunt black skeleton was decked out with a gorgeous display of pearls and diamonds.
Time-travel romances have made Lynn Kurland a bestseller in the here-and-now. A duty-bound knight has taken on the task of rebuilding the most dilapidated castle in all of England. A costume designer gets her chance to shine by showcasing her fairy- tale designs at an upscale party in an authentic medieval castle. And the magic that whispers along the castle's hallways is about to orchestrate an improbable happily-ever-after.
Postwar Chicago, 1949. World War II was over. Newfound freedoms were enjoyed by women more than ever before in the history of the United States. Kathy, a naive nineteen-year-old, was sent to Chicago from the farmlands of Ohio, to care for her aunt. After Kathy's strict, overbearing Christian mother ran off Kathy's boyfriend, after finding them kissing in the barn, she didn't realize that trying to protect her daughter from the sins and evils of the world would drive Kathy to the greatest downfall of her life. Rob and Kathy worked side by side through the summer. Rob, the tall, blond, blue-eyed foreman of a painting crew, shows his affections toward Kathy. Yet something is wrong that Kathy can't put her finger on. There's something about Rob that stays hidden behind his handsome, sometimes angry facade. When Kathy finds herself in a situation beyond her control, she makes a decision to do the unthinkable because of the dictates of society. Kathy's anger and guilt has no bounds. She loses two people she loves more than anyone, and her anger and wrath turn toward God. Why did He allow the circumstances to happen that brought her to this point in her life? Would she ever be able to live a normal life again? Would she ever be able to find freedom from the anger and guilt that threatens to smother her every day, every hour, every minute? Would she ever be able to love and trust God again?
England, 1910. Landscape designer Jonas Laurence arrives at the cheerless and fog enswathed Hillcomb Hall, home to the Earl of Stanley and his family, to renovate their crumbling gardens. With a great storm crashing all around, his time is at the mercy of the house's odd and mysterious occupants. Captivated by the hauntingly attractive portrait of Lord Stanley's ancestor, which constantly seems to watch and taunt him, Jonas's dreams become weird and distressing. And his waking moments are consumed by the strange stories and weird atmosphere of the manor estate. Ghostly visits in the night leave Jonas no choice but to accept his attraction to the otherworldly spirit from the painting. But is this affaire de coeur real? Or is it all just a trick of the mind, a sinister game being played by the inhabitants of Hillcomb Hall?
American diplomat Payton Pleydell and his wife Sylvia are the most respected, brilliant couple in Washington. Theirs seems a perfect marriage but Kate Jerold begins to suspect that her cousin’s husband is not as devoted as he seems. Then the unexpected arrival of a Czech official threatens to bring the façade crashing down. Even after six years apart, Sylvia has not forgotten Jan Brovic; during the war they had been deeply, secretly in love. But now there is a new war, and former allies have become bitter enemies. Jan is on the other side and his motives may not be pure. Separated by the enmity of nations, Sylvia must decide whether to risk everything to be with the man she loves.