The period 1603-1645 witnessed the publication of more than ninety books, manuals, and broadsheets dedicated to educating Englishmen in the military arts. Written with the intention of creating the a oecomplete soldiera, this didactic literature provided gentlemen with the requisite knowledge to engage in infantry, cavalry, and siege warfare. Drawing on military history and book history, this is the first detailed study of the impact of military books on military practice in Jacobean and Caroline England. Putting military books firmly in the hands of soldiers, this work examines the circles that purchased and debated new titles, the veterans who authored them, and their influence on military thought and training in the years leading up to the English Civil War.
The true story of a legendary SAS soldier who participated in the battle of Mirbat and assaulted the Iranian Embassy to free the hostages held within. No publicity, no media. We move in silently, do our job, and melt away into the background. If you have the stamina, the willpower and the guts, we'll welcome you with open arms and make you one of us. And if you haven't, then it's been very nice knowing you. Eighteen years in the SAS saw Pete Winner, codenamed Soldier 'I', survive the savage battle of Mirbat, parachute into the icy depths of the South Atlantic at the height of the Falklands War, and storm the Iranian Embassy during the most famous hostage crisis in the modern world. For the first time Pete also details his close-protection work around the world, from the lawless streets of Moscow to escorting aid convoys into war-torn Bosnia. He also unveils the problems of Post-Traumatic Stress Disorder faced by many Special Forces veterans, and how he battled his own demons to continue his roller-coaster career. This is his story, written with a breathtaking take-no-prisoners attitude that brings each death-defying episode vividly to life.
How did Civil War soldiers endure the brutal and unpredictable existence of army life during the conflict? This question is at the heart of Peter S. Carmichael's sweeping new study of men at war. Based on close examination of the letters and records left behind by individual soldiers from both the North and the South, Carmichael explores the totality of the Civil War experience--the marching, the fighting, the boredom, the idealism, the exhaustion, the punishments, and the frustrations of being away from families who often faced their own dire circumstances. Carmichael focuses not on what soldiers thought but rather how they thought. In doing so, he reveals how, to the shock of most men, well-established notions of duty or disobedience, morality or immorality, loyalty or disloyalty, and bravery or cowardice were blurred by war. Digging deeply into his soldiers' writing, Carmichael resists the idea that there was "a common soldier" but looks into their own words to find common threads in soldiers' experiences and ways of understanding what was happening around them. In the end, he argues that a pragmatic philosophy of soldiering emerged, guiding members of the rank and file as they struggled to live with the contradictory elements of their violent and volatile world. Soldiering in the Civil War, as Carmichael argues, was never a state of being but a process of becoming.
In a far corner of space, on the very borders between humanity’s Polity worlds and the kingdom of the vicious crab-like prador, is an immediate threat to all sentient life: an accretion disc, a solar system designed by the long-dead Jain race and swarming with living technology powerful enough to destroy entire civilizations. Neither the Polity or the prador want the other in full control of the disc, so they’ve placed an impartial third party in charge of the weapons platform guarding the technology from escaping into the galaxy: Orlandine, a part-human, part-AI haiman. She’s assisted by Dragon, a mysterious, spaceship-sized alien entity who has long been suspicious of Jain technology and who suspects the disc is a trap lying-in-wait. Meanwhile, the android Angel is planning an attack on the Polity, and is searching for a terrible weapon to carry out his plans?a Jain super-soldier. But what exactly the super-soldier is, and what it could be used for if it fell into the wrong hands, will bring Angel and Orlandine’s missions to a head in a way that could forever change the balance of power in the Polity universe. In The Soldier, British science fiction writer Neal Asher kicks off another Polity-based trilogy in signature fashion, concocting a mind-melting plot filled with far-future technology, lethal weaponry, and bizarre alien creations.
A rediscovered World War I masterpiece—one of the few memoirs about the Italian front—for fans of military history and All Quiet on the Western Front An infantryman’s “harrowing, moving, [and] occasionally comic” account of trench warfare on the alpine front seen in A Farewell to Arms (Times Literary Supplement). Taking its place alongside works by Ernst JŸnger, Robert Graves, and Erich Maria Remarque, Emilio Lussu’s memoir as an infantryman is one of the most affecting accounts to come out of the First World War. A classic in Italy but virtually unknown in the English-speaking world, it reveals in spare and detached prose the almost farcical side of the war as seen by a Sardinian officer fighting the Austrian army on the Asiago plateau in northeastern Italy—the alpine front so poignantly evoked by Ernest Hemingway in A Farewell to Arms. For Lussu, June 1916 to July 1917 was a year of continuous assaults on impregnable trenches, absurd missions concocted by commanders full of patriotic rhetoric and vanity but lacking in tactical skill, and episodes often tragic and sometimes grotesque, where the incompetence of his own side was as dangerous as the attacks waged by the enemy. A rare firsthand account of the Italian front, Lussu’s memoir succeeds in staging a fierce indictment of the futility of war in a dry, often ironic style that sets his tale wholly apart from the Western Front of Remarque and adds an astonishingly modern voice to the literature of the Great War.
NATIONAL BESTSELLER • The Pulitzer Prize-winning journalist and bestselling author lends his remarkable narrative skills to the story of the most famous POW this country has known. In I Am a Soldier, Too, Bragg lets Jessica Lynch tell the story of her capture in the Iraq War in her own words--not the sensationalized ones of the media's initial reports. Here we see how a humble rural upbringing leads to a stint in the military, one of the most exciting job options for a young person in Palestine, West Virginia. We see the real story behind the ambush in the Iraqi Desert that led to Lynch's capture. And we gain new perspective on her rescue from an Iraqi hospital where she had been receiving care. Here Lynch’s true heroism and above all, modesty, is allowed to emerge, as we're shown how she managed her physical recovery from her debilitating wounds and contended with the misinformation--both deliberate and unintended--surrounding her highly publicized rescue. In the end, what we see is a uniquely American story of courage and true heroism.
A beautifully illustrated version of the classic fairy tale about a tin soldier’s adventure and his love for a ballerina, retold with a twist. With her signature warmth and lyricism, Newbery winner Cynthia Rylant has crafted a new version of the classic Hans Christian Andersen fairy tale about a tin soldier who falls in love with a ballerina. As in the original story, the tin soldier’s love for the beautiful ballerina is thwarted by a goblin. The tin soldier is separated from the other toys and washed down a sewer, where he encounters a rat and gets swallowed by a fish, but somehow, against all odds, he manages to end up back home only to be cast into the nursery fire. Rylant adds her own twist to the end of the tale, however, for in this version, the tin soldier and the ballerina are melded to each other, rather than melted, in the heat of the fire, so they’ll never be parted again. Rylant’s expert storytelling paired with Corace’s stunning illustrations create a beautiful, unforgettable tale of everlasting love. Praise for The Steadfast Tin Soldier “Gracefully written. . . . The book’s large format gives plenty of scope for Corace’s distinctive illustrations, precise ink drawings brightened with watercolor, gouache, and acrylic paints. Sometimes brilliantly colorful and sometimes more subdued, the scenes can be crowded with dozens of toys or other visual elements, but they show up well from a distance. The subtle depictions of the goblin and his shadow are particularly fine. A softened vision of the literary fairy tale.” —Booklist “Text and illustrations weave seamlessly to create an involving, fast-paced update of a much-loved tale. Rylant's retelling is abridged, yet sprightly, and Corace’s watercolor, gouache, acrylic, and pen-and-ink illustrations add nuance and whimsy to Andersen's original.” —School Library Journal
The fate of the Dragon Lands are at play The knights of the Lightraider Order disappeared nearly two generations past. Now, the Keledan have withdrawn behind their barriers, and the Dragon Lands of bordering Tanelethar are overrun with dark oppression. The people are living in disobedience to the Rescuer who freed them long ago. A shepherd boy, Connor Enarian, and four young initiates rekindle the fires of the Lightraider Order in the hope of striking out across the mountains into Tanelethar to destroy a portal and stop an impending invasion. Once in the Dragon Lands, Connor learns that the key to success lies with a missing Lightraider spy and his lifelong companion, a talking silver wolf. Can Connor and his friends find the spy before the portal grows too large to destroy? Or will a local young woman--or Connor's own family history--betray them? The dangers and secrets of Tanelethar test both trust and loyalty, and to save his homeland, Connor may have to sacrifice his innermost dreams.
